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#sylvia
8th grade I read you— suicidal Plath— in front of my class. "Edge" was the poem. "Lady Lazarus" would've fit you better. Funny, how when you unraveled, blonde hair, hazel-eye, stripes on your thighs, I heard the same cry and turned away, because I hated the color red. Clinical depression, what a joke. Pills, razors, approaching finale. And I, merciless beast, ignorer of tears covered my eyes. Ignorance is **** it's real warm, and hey, You gave me a bracelet last year (I've given you nothing.) Don't die on me now, okay?
0
Jul 26, 2025
Jul 26, 2025 at 12:37 PM UTC
Sylvia Plath . 2
They say I am like her, and her, but that is blasphemous, backhanded as my sorrow must bleed through. Cannot make it pretty, there is no way to make it tender. Cannot wish it into a petal, a leaf, there is no way to warm the sun. They say I am like her, but she is in the dirt buried by her own hands- and her hands too! She cried straight into the crypt. Diagnosed with the disease of death. Do they also say they hope I end like her, or her, too?
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Sep 21, 2024
Sep 21, 2024 at 1:44 PM UTC
Sylvia Sexton.
Perhaps the best of me is behind beyond that point of irreversibility a beacon of inevitability and it serves as such I am no longer shiny or shocking or new a brown paper bag crumpled and creased milk that sours and curdles a homesick orphan a lamb on its back and I will always be a child I will always be a child I will always be a child Love contorts me I curve and twist and grow larger and wider I am a flesh ball a blush balloon punctured by a mere prick I am sensitive tuned too tight like my Grandmother’s piano but it was the first I ever played so no other sounds right and I tell my first love the same thing I am entropy the blaze of a sun a deity of delusion a fickle fig (pick, peel, devour) I am a tear in your jeans a loose thread a love-sick sack a daughter (and some days, a mother) I am tin teeth a blade in your belly a hive in your head a feeble fawn (a black bull) I am an amalgamation of deficiency and divinity coarse and common as coal I am the sun the nether the shade under the rock I am nothing nothing at all
0
May 10, 2024
May 10, 2024 at 7:18 PM UTC
I am what I am and what am I?
~ *She stands on the roof of the world, a ship in a bottle. She likes to wave at passing boats, inviting 120 volts to raise their sails. Words unbosomed -- her attempt of blotting out the sun and those bloodletting habits. Her eyelids say, "Only the disquieting muses have time for me." So she writes like an umbrella, shading reality; remembering pluck and luck stories about bumblebees, lovingly wrapped in Tiffany-blue ribbon and paper. Father used to solve her every contemplation. Now indecisiveness in what she asks. Now indecisiveness in arbitrary tasks. And she and her negative capability are the last two awake at a slumber party, giving commonplace words the allure of secrecy. You see, she is only harmless when she sleeps.* ~
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Dec 9, 2023
Dec 9, 2023 at 7:49 PM UTC
Pieces of Sylvia
These days I’ve been looking to the past, to all the women before me. The revolutionaries whose words helped shape the way I see the world; the way I see nature; the way I see simple, ordinary pleasures of life become extraordinary. These days I let my pen flow freely across the page. I look to all the women before me for guidance because I find myself afraid to speak my own truth. They teach me with words how to live presently, never looking back because there’s no room for mistakes to reside here. These days we’re on a first name basis. With wide-eyed clarity, all the women before me allow a short glimpse of them as they once were: bright young things full of hope with a cigarette loosely balanced between faded red lips and hands that move deftly over a typewriter. The room is filled with cigarette smoke and incense. I can almost smell it now but the vision is gone with the wind. These days I seek out: Zelda; Sylvia; Anne; Emily; Joan; Virginia. To all the women before me, I have found you. They’re no longer a black and white still photograph or a short film reel. In those moments, they stay forever young etched in time from decades ago. These days I welcome you all in my waking dreams. To all the women before me, you are not lingering ghosts being passed by unseen. You are not remembered for how you left this earth but for how, after all this time, you still remain unchanging.
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Oct 24, 2023
Oct 24, 2023 at 10:50 AM UTC
To all the women before me
i feel like sylvia plath, or james dean when he said “live fast, die young, and leave behind a beautiful corpse.” except he didn’t say that. but sylvia plath was volatile to her mind and a tortured soul. the carbon monoxide filled her soul, just as the misery fills mine. the burning desire to exit, to end it. the desire to burn the fires inside my mind. the poetic way of james dean, and sylvia plath lives in my veins and feels like a raging fire that cannot be tamed.
0
Apr 24, 2022
Apr 24, 2022 at 10:45 AM UTC
burning desires
Once upon a weedy lawn At the Mwanjas family Home There left mom, left before we could even say good bye Thinking of it as a lie, it was so unfortunate that mom had to die Blow upon this cloud of seed, You should wish for what you really need." I wished for one but sadly blew As I was lost and left with no clue My world ripped part unfixed without a touch of glue Lost the only mother I ever knew And saw the sky as if it was never blue Like they was nothing else to do And unsure of where to go I found a bridge, and crossed it slow As I found myself in momma's heart. For her love was still part We had lost a mother that could never be replaced In her lightness of her motherly tone Was her love for showing her motherly kindness? Just one moment changed it all When I saw moms friend softly call As she whispered in my elder sisters ears Your mom just died, I’m sorry dear As the joy drained out like tides at sea. Lost direction like I couldn’t see Only left with pain and grief I felt no relief and unwelcome like a thief. There comes a time in this place Were you try to do your best You try too hard But easy left without guard I mean that only love is the way As I changed from a boy to a man up to this day Not love for a girl, a career or a degree I must say But her love that transforms that we lost on  that day Breathtaking, feeling like my heart could break And not really sure of how much more I would take I found myself living a life that was fake Cause her heart was bright as the sun As I remember every we had done I remembered her dresses, beautifully white I remember her as if it was last night Like a knife tearing straight through my chest I knew that I won’t ever seen her face, because mom was put to rest Before I was her very own Now mom is never at home Very mush missed for her things Down on her knees, By the side of her bed she found her peace Praying for us, like she knew she would live Living us a world of grief She prayed for our unity, she prayed we find love, She prayed for our blessing she prayed for our Dad above all. She prayed we find strength, she prayed for her home She put our needs first before her very own And I knew for the first time her pain and her care. And I noticed also an angel-like glow, As she reached out her hand, and said, "Now you knew." But I'll never forget something I lost that day. I lost a wonderful mother So gentle yet so strong The many ways she showed her love and care And the way she made me feel like I belong A mother who was patient when I was foolish You were a mother when I was childish You give me guidance when I asked You were the master to my every task I lost the only dependable source of comfort I’m were I’ m today because of your effort   The cushion when I fall The only reason I knew how to stand tall The only support I ever called A mother I ever known And this something I was told Never discount the love of a mother from her son nor her daughter, Never trade in that bond for the sake of a lover. That there is power in a mothers loving prayers And there is a God who hears and who cares. I learned about faith, and unconditional love. That my mother soul was sent up above And I learned that from a little seed Can come most everything we need But some of us didn’t grow up with every in need Because we lack a mother in need So I had to push boundaries’ in order to create opportunities Have to strive in order to succeed We love you mom and very mush missed This is your son KULI; remember you left me when I was a kid This one is for you mom, may soul rest in peace
0
May 7, 2020
May 7, 2020 at 5:31 AM UTC
Dear Mother
Once upon a weedy lawn At the Mwanjas family Home There left mom, left before we could even say good bye Thinking of it as a lie, it was so unfortunate that mom had to die Blow upon this cloud of seed, You should wish for what you really need." I wished for one but sadly blew As I was lost and left with no clue My world ripped part unfixed without a touch of glue Lost the only mother I ever knew And saw the sky as if it was never blue Like they was nothing else to do And unsure of where to go I found a bridge, and crossed it slow As I found myself in momma's heart. For her love was still part We had lost a mother that could never be replaced In her lightness of her motherly tone Was her love for showing her motherly kindness? Just one moment changed it all When I saw moms friend softly call As she whispered in my elder sisters ears Your mom just died, I’m sorry dear As the joy drained out like tides at sea. Lost direction like I couldn’t see Only left with pain and grief I felt no relief and unwelcome like a thief. There comes a time in this place Were you try to do your best You try too hard But easy left without guard I mean that only love is the way As I changed from a boy to a man up to this day Not love for a girl, a career or a degree I must say But her love that transforms that we lost on  that day Breathtaking, feeling like my heart could break And not really sure of how much more I would take I found myself living a life that was fake Cause her heart was bright as the sun As I remember every we had done I remembered her dresses, beautifully white I remember her as if it was last night Like a knife tearing straight through my chest I knew that I won’t ever seen her face, because mom was put to rest Before I was her very own Now mom is never at home Very mush missed for her things Down on her knees, By the side of her bed she found her peace Praying for us, like she knew she would live Living us a world of grief She prayed for our unity, she prayed we find love, She prayed for our blessing she prayed for our Dad above all. She prayed we find strength, she prayed for her home She put our needs first before her very own And I knew for the first time her pain and her care. And I noticed also an angel-like glow, As she reached out her hand, and said, "Now you knew." But I'll never forget something I lost that day. I lost a wonderful mother So gentle yet so strong The many ways she showed her love and care And the way she made me feel like I belong A mother who was patient when I was foolish You were a mother when I was childish You give me guidance when I asked You were the master to my every task I lost the only dependable source of comfort I’m were I’ m today because of your effort   The cushion when I fall The only reason I knew how to stand tall The only support I ever called A mother I ever known And this something I was told Never discount the love of a mother from her son nor her daughter, Never trade in that bond for the sake of a lover. That there is power in a mothers loving prayers And there is a God who hears and who cares. I learned about faith, and unconditional love. That my mother soul was sent up above And I learned that from a little seed Can come most everything we need But some of us didn’t grow up with every in need Because we lack a mother in need So I had to push boundaries’ in order to create opportunities Have to strive in order to succeed We love you mom and very mush missed This is your son KULI; remember you left me when I was a kid This one is for you mom, may soul rest in peace
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89
Done, ends stitched in a seam—set to be worn over yourself. A stain so bright, you sparkle. Too far forward to flip. The sipper, the straw, the soda. Bleeding ink every blink, but still brimming. Ripped apart like a rainbow. A love letter to life still in the works. So dead you’re divine. Only visible in the love-light. Weird as a plant that bites the bully, as a phlox sprouting through sand. Wingless like wind, fin-less like a fluid. Lost but listening to your own heart. Found.
0
Dec 10, 2020
Dec 10, 2020 at 3:44 PM UTC
YOU’RE
I am Sylvia Plath and decide to commit a suicide Before night, before midnight, before any incident spoils my intention that goes totally upward, or any single communication proves it is life: generally moves on haphazard, neither do I want be introduced as a horrible criminal never been merciful to grandiose thought in keeping self magnified or words very elegance. Away… don’t look at me in this way since reality is so horrified, since I’m a goddess with only one eye lying beside the lake and playing with water flowing on the line of the green jungle what we call it life to shot the fingers on heavenly drops and sing the song of eternity to confess: I’m not as honest as other gods attached to the mirror of the wall with four eyes to reflect the realities of people of come and go, creating flickering and shaking atmosphere over my sights that makes me semi- blind when three other eyes remaining behind the mirror and one eye -goddess is not trustworthy enough in exposing the murmurings of the woman reposing on river side in pledge of tuning the song of solitude with silent outcry: La La La *** La La La *** La La La *** My Love: How creative you are, not cruel at all, just very creative in exploring the long distance between doves of love and very cunning in employing people to excavate a chasm of agony, torturer and blood between you and I… I’ me Sylvia Plath and decide to commit a suicide, before maroon crimson night, before children know what their mother really decide, before horrible fish rises abruptly inward to devour my heart or demolish all my beauties of ladylike in shadow of your last statement warned me “ for what you are still in dark?” Dark! What a brilliant statement in the first and last and lost time, on duration of nights insomnia or feeling nausea when autumnal rain attacked the yellow red leaves to fall to forecast that unity is so far. When nights’ owl very kindly repeats your heart dark…dark…when the mirror broken, eyes spatter on all over the world, god and goddess remain eye less, completely blind, and our last reminder…your last medal on my heart still dark. I am Sylvia Plath and decide to commit a suicide.
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Jun 14, 2020
Jun 14, 2020 at 4:02 AM UTC
I am Sylvia Plath and Decide to Commit a Suicide
I am Sylvia Plath and decide to commit a suicide Before night, before midnight, before any incident spoils my intention that goes totally upward, or any single communication proves it is life: generally moves on haphazard, neither do I want be introduced as a horrible criminal never been merciful to grandiose thought in keeping self magnified or words very elegance. Away… don’t look at me in this way since reality is so horrified, since I’m a goddess with only one eye lying beside the lake and playing with water flowing on the line of the green jungle what we call it life to shot the fingers on heavenly drops and sing the song of eternity to confess: I’m not as honest as other gods attached to the mirror of the wall with four eyes to reflect the realities of people of come and go, creating flickering and shaking atmosphere over my sights that makes me semi- blind when three other eyes remaining behind the mirror and one eye -goddess is not trustworthy enough in exposing the murmurings of the woman reposing on river side in pledge of tuning the song of solitude with silent outcry: La La La *** La La La *** La La La *** My Love: How creative you are, not cruel at all, just very creative in exploring the long distance between doves of love and very cunning in employing people to excavate a chasm of agony, torturer and blood between you and I… I’ me Sylvia Plath and decide to commit a suicide, before maroon crimson night, before children know what their mother really decide, before horrible fish rises abruptly inward to devour my heart or demolish all my beauties of ladylike in shadow of your last statement warned me “ for what you are still in dark?” Dark! What a brilliant statement in the first and last and lost time, on duration of nights insomnia or feeling nausea when autumnal rain attacked the yellow red leaves to fall to forecast that unity is so far. When nights’ owl very kindly repeats your heart dark…dark…when the mirror broken, eyes spatter on all over the world, god and goddess remain eye less, completely blind, and our last reminder…your last medal on my heart still dark. I am Sylvia Plath and decide to commit a suicide.
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7
Sylvia didn't waste time She kept time In a bell jar On her nightstand Next to the blissfully whirling blackness of eternal oblivion All in the hopes it might one day grow wings And lift her beyond the owl's talons clenching her heart
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May 2, 2020
May 2, 2020 at 2:20 PM UTC
Reconsidering Sylvia
This bleak existence reeks of cisterns, it peeks it's leaky head above the gutters. Shuttered **** tight. Death is the meaning of life. Sylvia knew it best, resting under home, bone heavy and sleepless. That jar of hers; irksome, thirsts on monochrome bleakness; needless, overblown nerves. Smash it! Crush it! Whack it! Mush it! Classic glassy mess. Break it! Fix it. Tape it. Place it. Back now on your head.
0
Dec 6, 2016
Dec 6, 2016 at 5:37 PM UTC
Plathology
how wonderful is the essence of childhood innocence and naivety? children who question even the simplest daily tasks you complete so many times you’ve lost count make you wonder what it was like to complete the task for the first time. how wonderful is the simplicity in thinking, the yearning for knowledge that is yet to be obtained? the question as to why you drink coffee instead of a babyccino or wine over juice allows for our true motives to be exposed; for we do not always consciously choose coffee over babyccino. the idea, to an average adult, would be absurd! ‘me, an adult, drinking a babyccino? how childish.’ but why wouldn’t you choose babyccino over coffee? coffee makes grown ups shake and trip over their words, eyelids jammed open exposing their bloodshot soul. do we choose coffee for fear we’d be perceived as childlike if we’d have chosen babyccino? what is so terrifying about the ideology of childhood? why do we crave growing up so badly and with such haste? what is so shameful about the questioning of existence and looking knowledge in the eye, desperate to have the last word? why don’t we choose juice over wine? is the taste of sweet comfort too overbearing for your tongue? does the colour of orange juice remind you of wednesday mornings when you come downstairs, keen to work with jellybeans in maths as your teacher had promised you the day before? or maybe the coloured counters which had been stored away for a while because a classmate was caught trying to eat one.   the truth is, wine is bitter. no matter how refined your taste might be, there is an undeniable bitterness in wine which adults love to ponder, the same way they love to ponder over pessimistic news stories that are equally as bitter. they discuss the wine, using pretentious words to describe the undertones and how sensual it tastes, refusing to acknowledge the overt bitterness they are so eager to gobble up when they return to sobriety. ‘it’s too sweet,’ they’d shake their heads at the palm which offers apple juice, while eagerly smiling and nodding at the dark, tinted glass which induces headaches. how about the brittle roll of grey, tossed on our doorstep every morning? the one you ask me to fetch you in the youth of the day, when sparkling sun-rays dance on my face? what do you make of the fine print that tells you what is occurring on the side of the world submersed in slumber while you’re in your wake? what do you make of the numbers that tell you it’s warm outside? why not feel the warmth from the orange orb above yourself? why not dance under the small droplets of the ‘mist’ setting on your hose? and why do we lose ourselves to the pursuit of validation, to the judging eyes of the streetwalkers which our eyes never lasted more than a second on when we were younger? i now write as someone who is tired, ability to think in a childlike manner worn down heavily from the constant chafing of dawning adulthood. but i also write in the hope that small moments like these will recur, like clouds in the sky clearing momentarily for the sun to smile at me. though looking up i’m often met with a vast, grey face, i shall continue to smile at the silver wrinkles, engraved by years of laughter and juvenile innocence.
0
Mar 2, 2020
Mar 2, 2020 at 8:11 PM UTC
"and how will your night dances lose themselves?"
how wonderful is the essence of childhood innocence and naivety? children who question even the simplest daily tasks you complete so many times you’ve lost count make you wonder what it was like to complete the task for the first time. how wonderful is the simplicity in thinking, the yearning for knowledge that is yet to be obtained? the question as to why you drink coffee instead of a babyccino or wine over juice allows for our true motives to be exposed; for we do not always consciously choose coffee over babyccino. the idea, to an average adult, would be absurd! ‘me, an adult, drinking a babyccino? how childish.’ but why wouldn’t you choose babyccino over coffee? coffee makes grown ups shake and trip over their words, eyelids jammed open exposing their bloodshot soul. do we choose coffee for fear we’d be perceived as childlike if we’d have chosen babyccino? what is so terrifying about the ideology of childhood? why do we crave growing up so badly and with such haste? what is so shameful about the questioning of existence and looking knowledge in the eye, desperate to have the last word? why don’t we choose juice over wine? is the taste of sweet comfort too overbearing for your tongue? does the colour of orange juice remind you of wednesday mornings when you come downstairs, keen to work with jellybeans in maths as your teacher had promised you the day before? or maybe the coloured counters which had been stored away for a while because a classmate was caught trying to eat one.   the truth is, wine is bitter. no matter how refined your taste might be, there is an undeniable bitterness in wine which adults love to ponder, the same way they love to ponder over pessimistic news stories that are equally as bitter. they discuss the wine, using pretentious words to describe the undertones and how sensual it tastes, refusing to acknowledge the overt bitterness they are so eager to gobble up when they return to sobriety. ‘it’s too sweet,’ they’d shake their heads at the palm which offers apple juice, while eagerly smiling and nodding at the dark, tinted glass which induces headaches. how about the brittle roll of grey, tossed on our doorstep every morning? the one you ask me to fetch you in the youth of the day, when sparkling sun-rays dance on my face? what do you make of the fine print that tells you what is occurring on the side of the world submersed in slumber while you’re in your wake? what do you make of the numbers that tell you it’s warm outside? why not feel the warmth from the orange orb above yourself? why not dance under the small droplets of the ‘mist’ setting on your hose? and why do we lose ourselves to the pursuit of validation, to the judging eyes of the streetwalkers which our eyes never lasted more than a second on when we were younger? i now write as someone who is tired, ability to think in a childlike manner worn down heavily from the constant chafing of dawning adulthood. but i also write in the hope that small moments like these will recur, like clouds in the sky clearing momentarily for the sun to smile at me. though looking up i’m often met with a vast, grey face, i shall continue to smile at the silver wrinkles, engraved by years of laughter and juvenile innocence.
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17
Out of the window, They fall like slush White and clumpy. They are bonded by their freezed-wet flesh. They gather and fall Gather and fall. The buildings loom in winter fog That rises and stalls And like my mood, I am foreboding. I wish it could come and go This winter-ous fog This smog of doom The stale flesh, the memory that Broods. And in my head, it a beehive, That drills holes in two. And like the other day, I decided to do The very act I did At fourteen Perched on my tongue Two by two The same time the german elder Told the same joke of the train That stops at the station Two and to. If I could die, I would have done it Swiftly and true. But I cower and I cower and I cower. And like the snow out the window, I disappear in twirling crystalline cotton That falls into the same abyssal, black hue.
0
Oct 25, 2019
Oct 25, 2019 at 11:42 PM UTC
Coupling
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
0
Apr 25, 2016
Apr 25, 2016 at 4:17 PM UTC
2016 Infinity's Mirror by Nat Lipstadt/Mirror by Sylvia Plath
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
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32
The first time I lost my mind, The world seemed a destitute place. The first time I took it by force. Left to fend with fiends Furrowing through time, Clawing at the day, Dragging myself against the pull. Life, The introduction to Something dark and true. The second time! I could stand no more Of what I found before Did not mean to come back, Sometimes I think I didn’t, Mulling in a mood grey and grave The blue sky, Once bubbly Now looks blander Circle of red. Head of lead. Lying in my bed. The third barely touched Just scraped at chalk. After that, I went away… Opted out. Nothing mattered. There I sat in limbo. Soured. Dissasociated Like an old car, I sputtered, Bore sitting and rusting. Consumed. Floating Dead-eyed. And how I laugh, To say That I am less How I laugh- To say that I am dying To think that I am sloth Sloth? I am greed. I am pride. I am failure, I am afraid- Of everything. I died some time ago, Left company Alone So now I am back in the game. And enigmatic. Do I scare you? Because I should. I am terrifying And cant be intimidated I do not fear death, I do not fear reprobation But honestly? I scare my self And I am afraid of you too, Fear is my super power. Depression is my identity, Something personal to me, So- So Welcome death, Welcome fear! Welcome Might. You can’t comprehend me, What it is to be free, You have never died Never writhed, In fire, You circuit. I shan’t come out tonight, Or any other Night But stand afront, With twisted mind, bald and blunt And I shall eat you… That look- Look down Disgust Divert your eyes, But stand in my way, And I shall eat you Your eyes- Coal, Fresh grass Red light Yellow filter Green eyes Pain defies Lies Anguish flies Panic stricken, Anxiety driven Rapture. Quick- Look down now, Holding back the wrath of Jessu, This mouse will ******* eat you!
0
Jul 30, 2019
Jul 30, 2019 at 3:58 PM UTC
Maze Mouse
The first time I lost my mind, The world seemed a destitute place. The first time I took it by force. Left to fend with fiends Furrowing through time, Clawing at the day, Dragging myself against the pull. Life, The introduction to Something dark and true. The second time! I could stand no more Of what I found before Did not mean to come back, Sometimes I think I didn’t, Mulling in a mood grey and grave The blue sky, Once bubbly Now looks blander Circle of red. Head of lead. Lying in my bed. The third barely touched Just scraped at chalk. After that, I went away… Opted out. Nothing mattered. There I sat in limbo. Soured. Dissasociated Like an old car, I sputtered, Bore sitting and rusting. Consumed. Floating Dead-eyed. And how I laugh, To say That I am less How I laugh- To say that I am dying To think that I am sloth Sloth? I am greed. I am pride. I am failure, I am afraid- Of everything. I died some time ago, Left company Alone So now I am back in the game. And enigmatic. Do I scare you? Because I should. I am terrifying And cant be intimidated I do not fear death, I do not fear reprobation But honestly? I scare my self And I am afraid of you too, Fear is my super power. Depression is my identity, Something personal to me, So- So Welcome death, Welcome fear! Welcome Might. You can’t comprehend me, What it is to be free, You have never died Never writhed, In fire, You circuit. I shan’t come out tonight, Or any other Night But stand afront, With twisted mind, bald and blunt And I shall eat you… That look- Look down Disgust Divert your eyes, But stand in my way, And I shall eat you Your eyes- Coal, Fresh grass Red light Yellow filter Green eyes Pain defies Lies Anguish flies Panic stricken, Anxiety driven Rapture. Quick- Look down now, Holding back the wrath of Jessu, This mouse will ******* eat you!
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105
Your ambivalence unlike her riddle in nine syllables, is clear.
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Apr 17, 2019
Apr 17, 2019 at 11:57 AM UTC
Regarding Sylvia
Manhattan is a symphony Directed by her laugh And the lines that trace her battle scars Begin to fade at last My Sylvia, you've fought a war With more life yet to go But I battle the same demons, dear Please know you're not alone
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Feb 1, 2019
Feb 1, 2019 at 9:03 PM UTC
Sylvia
For some reason I felt compelled to share with others, strangers I guess, I never met them. Strangers then. Compelled to share with them you. To prove to people who never knew us that I loved you. That we were lovers. I wonder if I harp on that word too often. Bet I do. I do. I connected the misery of your loss into The Antlers - Hospice. In some cowardly preoccupation with signaling the virtues of a luminous man I pretended in due process. Much of me as you must understand. You were a woman and a girl. And I forced myself under to suffer in some actual mourning. So a world built on my word. My hands need rest. My mind needs rest. I want to stop. I'd swallow a breathful of Plath-itudes. If it'd quieten the lore of some rolling hill of you. Somewhere scrawled in a red oak desk, Borders and plyings a mess. I likened you to a spectre. For a literal in lieu Why can't I let up off myself. Why won't I accept love. You are the woman protagonist in a fiction And only your performance merits applause.
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Aug 5, 2018
Aug 5, 2018 at 4:56 AM UTC
Lysergic Hospice