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#protestpoem
The building they lived in, called home, became their tomb, became the weapon that broke their bone, took their lives. But their stories have to survive, This City won't let you forget about those you were meant to protect. I was actually looking for a room but found myself on the fiery streets CRS batting the flames as politicians took their seats, business as usual but the people stood in refusal Feminists Familes and BlackBlok Yellow Jackets Housing Groups round the clock only the holiday period could douse the fires and I went back to mother the pressure smothered How long is your attention? Remember: this is a poem for the dead For those who were crushed as they slept in their bed Merry ******* Christmas instead.
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Aug 29, 2019
Aug 29, 2019 at 8:20 AM UTC
Responsibility Poem #1
Take your *** And make a new start Turn it over because the reason you are needing is there. It's revolving around itself and you, slowly to prove its penny Cover it up because the people you get viewed by. They're spinning ideas in their minds, to scream, change at you and for you, to prove its penny Make more sense, It's not ladylike to be A poet, or a writer. To tell tales and metaphors that spin on the world to prove its cent Quickly hide now, there's something after your holding bars. It's not his fault he roams but it sure does hurt when he cries to clean his craving Turn it over again because it's just what you need, to change who you were for into who you are, a person for the world to see and guess. To play jeopardy over your body, screaming runes you scribble out Crank the wheel now, spin the bottle, listen to the wind as it's screams get coated in a melody it never sung. Press the level now, pray to and for the sky to fall a penny to prove Take your shovel And make a restart
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Jan 31
Jan 31, 2026 at 10:19 PM UTC
Garden of Eden
my identity is not yours I claim who I am and where I stand with that you cannot label a fox just because it is red you can't call it a bird just because it cries it isn't a wide ocean just because it holds water my identity is mine I call the rules and labels and how I am called you cannot change the code written in my mind you can't say it's a computer when it holds nothing more than the parts for a phone you cannot label a fox just because it is red my identity is not yours I claim myself whoever that may be is not yours to write
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Jan 12
Jan 12, 2026 at 8:18 PM UTC
My pronouns are
Some praise singers mistake the python for rope they stroke its scales and call the coiling an embrace. Reno, you have read the scar as decoration, traced the brand of iron across a nation's back and called the burning a warmth of bliss He was no leader, he was a scientist of sorrows, a babalawo of betrayal who cast his Odù not in palm nuts but in the cold geometry of power. His hands, cold scalpels, carving futures into fractures, splitting the nation's sternum to examine what democracy looked like from the inside, then stitching nothing back. He distilled a nation in his test tubes, pipetting hope into deception, titrating freedom with the acid of his will, until what remained was neither the promised wine nor the threatened poison, only the residue of a people's patience, crystallised beyond drinking. We raised our calabashes toward the promise of a river that kept receding as we walked. He told us the oracle was speaking. He told us transition was a seed requiring his particular darkness to germinate. And we believed the way the newly bereaved believe the herbalist who says the fever must worsen before the cure takes hold. The Ifa that should have named the thief slept in his khaki pocket, its cowries scattered by the same hand that would, when the time came, crumple an election like a love letter written to someone who had already left the country. June 12 arrived wearing white, Obatala's cloth, the people's will woven into its hem. Twelve million voices spoke through the ballot's quiet thunder, the deeper thunder of a people who had decided who they were. Then, the sleight of hand that was always his truest skill. A pen stroke. The way a single matchstick reduces the iroko's years to an evening's ash. Èwò violated the sacred prohibition broken, the fence around the people's Àṣẹ torn open, and what rushed through that breach was not the wind of change but the cold draft of a corridor where the people's mandate wandered without a door. Iron-fisted, yet afraid to clutch the truth What manner of general commands battalions but cannot command the simple declaration the people have spoken, and I obey? If democracy was ever more than a masquerade costume worn until the drumming stopped, he would have stood as the oba stands before a new season, arms open, crown steady, declaring the verdict of the oracle even when it names someone other than himself. He would have dared the surrender of power to the principle that outlasts power. But the Odù he consulted spoke only one verse, remain. So Reno when you walk softly on these footprints of fire, when you stroke the python and call its coiling leadership, remember the Àṣẹ of a people is not a general's to dissolve. He was afraid. And a nation paid the full price of one man's fear. What is a crown that rests on a throne of broken oaths? What is a nation whose destiny was bartered by the cowardice of a king? The oracle unearths what the praise singer chooses to bury. © Lanre Adebayo
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5d ago
May 30, 2026 at 11:49 PM UTC
What The Praise Singer Buries
Some praise singers mistake the python for rope they stroke its scales and call the coiling an embrace. Reno, you have read the scar as decoration, traced the brand of iron across a nation's back and called the burning a warmth of bliss He was no leader, he was a scientist of sorrows, a babalawo of betrayal who cast his Odù not in palm nuts but in the cold geometry of power. His hands, cold scalpels, carving futures into fractures, splitting the nation's sternum to examine what democracy looked like from the inside, then stitching nothing back. He distilled a nation in his test tubes, pipetting hope into deception, titrating freedom with the acid of his will, until what remained was neither the promised wine nor the threatened poison, only the residue of a people's patience, crystallised beyond drinking. We raised our calabashes toward the promise of a river that kept receding as we walked. He told us the oracle was speaking. He told us transition was a seed requiring his particular darkness to germinate. And we believed the way the newly bereaved believe the herbalist who says the fever must worsen before the cure takes hold. The Ifa that should have named the thief slept in his khaki pocket, its cowries scattered by the same hand that would, when the time came, crumple an election like a love letter written to someone who had already left the country. June 12 arrived wearing white, Obatala's cloth, the people's will woven into its hem. Twelve million voices spoke through the ballot's quiet thunder, the deeper thunder of a people who had decided who they were. Then, the sleight of hand that was always his truest skill. A pen stroke. The way a single matchstick reduces the iroko's years to an evening's ash. Èwò violated the sacred prohibition broken, the fence around the people's Àṣẹ torn open, and what rushed through that breach was not the wind of change but the cold draft of a corridor where the people's mandate wandered without a door. Iron-fisted, yet afraid to clutch the truth What manner of general commands battalions but cannot command the simple declaration the people have spoken, and I obey? If democracy was ever more than a masquerade costume worn until the drumming stopped, he would have stood as the oba stands before a new season, arms open, crown steady, declaring the verdict of the oracle even when it names someone other than himself. He would have dared the surrender of power to the principle that outlasts power. But the Odù he consulted spoke only one verse, remain. So Reno when you walk softly on these footprints of fire, when you stroke the python and call its coiling leadership, remember the Àṣẹ of a people is not a general's to dissolve. He was afraid. And a nation paid the full price of one man's fear. What is a crown that rests on a throne of broken oaths? What is a nation whose destiny was bartered by the cowardice of a king? The oracle unearths what the praise singer chooses to bury. © Lanre Adebayo
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