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Day tripper. (An Acrostic) ~~~~~~~~ Day tripper. An Angel of the streets Yes looked good in the dark with light behind Though her behind sagged She were a tripper Ripping through every penny that she made. I knew her when she was young n beautiful Pimps ran her life now and oh how she’d aged Persecuted by the cops with the tricks to play Eventually she became the tripper every day. Rita was the meter maid of Liverpool they Say ~~~~~~~~~~~~~ Written by Philip. She had a ticket to ride But she don’t care. November 4th 2018.
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Nov 4, 2018
Nov 4, 2018 at 8:30 AM UTC
Day tripper. ( An Acrostic)
Susie dresses in the attic; she has washed quickly with cold water in the enamel bowl. Polly is dressing on the side of the room. Susie watches her in the dressing table mirror. Kissed her shoulder while she slept. Pressed lips gently. If old cook moans at me again, Polly said, I'll stick her head in saucepan for fecking dinner. Temper on her. Glad she never felt the kiss. Hurry up and dress you lazy cow, Polly chided, got the fires to do before they get up. Polly is dressed, wipes a dampened hand over her hair. Will I do? Susie nods and ties her apron strings. Yes you'll do nicely. Close to me. If only you would. Polly leaves the room. Susie gazes at the bed you   and me there if we could.
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Sep 20, 2017
Sep 20, 2017 at 12:36 PM UTC
Morning Muses 1912
Susie snuggles up to close to Polly in the large iron bedstead, places her cheek against Polly's back, her hands wrapped around Polly's waist. Polly sleeps; a long day behind, a long day ahead. The cold night air in the attic, makes Susie snuggle closer still to Polly. She listens; hears the other maid's breathing; she wants to kiss her, but dares not. She puts her lips close to Polly's back and pretends a kiss. She wants a real kiss, to kiss the lips and hold close as close can be, but she dare not: Polly would smack her face or worse. She had watched Polly undress for bed; it had made her day that removing of clothing, each time a little more sight of flesh. Some mornings(at 5am) she pretends sleep, watching Polly undress, washing naked with cold water from the enamel bowl, watching through the slits of her eyes, but says nothing just a mouthful lies.
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Sep 3, 2017
Sep 3, 2017 at 3:38 AM UTC
MOUTHFUL OF LIES 1912.
Susie watches Polly undress for bed. Watches as she takes off the white headdress lets loose her black hair the tresses down over her shoulders. Sees her unbutton the black maids' dress at the back with her thin fingers. Takes in how she steps out of the dress and folds it and puts into the chair by the window. Studies her removing the thin white slip which she puts on top of the dress. Polly sighs and unclips the black stockings sits on the side of the bed takes them off throwing them over the side. She stands up removes her girdle puts it on the chair and looks back at Susie and says the **** you gawking at? Just waiting for you Susie says Polly grabs an old nightdress and puts it on sniffs it then grabs her dressing gown and puts it on. She climbs into the double bed pulls up the sheet and blankets lies down next to Susie. The bed creaks and the springs groan. Shall I blow out the candle now? Susie says. Sure why not what's to see Polly replies. Susie blows out the candle by the bed they plunge into darkness except where the moon glows outside. Susie senses lust kept shut up inside.
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Aug 8, 2017
Aug 8, 2017 at 11:09 AM UTC
WATCHING POLLY 1912.
Polly lies on George's bed, eyes closed, feeling the mattress beneath her, trying to imagine George there beside her, or better still on top of her, as he was that last night before he went back to the Front and war. She tries to pretend he is kissing her, touching her, impregnating her with his upper-class seed. She holds herself, embraces her body with her own hands, What you doing Polly? Susie Simmons says. Polly opens her eyes, and leaps from the bed. Frightened the ****** life of out me, you silly cow, Polly says, grabbing hold of Susie's maid's uniform. Sorry, Susie says, Gripe asked me to see where you were; what was you doing lying on Master George bed? Never you mind what I was doing, what the heck do you think you were doing making me nigh wet myself? Polly releases Susie's uniform and tidies her own hair, and brushes down her uniform. Was you thinking of him? Susie says. What's it to you if I were? Nothing just asking, Susie says. Well let's get back to Gripe and see what she wants, Polly says. Susie nods and leaves the room, and Polly gives a last look back at the room and bed, and keeps the memories of him and her in her head.
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Jun 30, 2016
Jun 30, 2016 at 2:15 AM UTC
BREAKING INTO DREAMS 1916.
Susie holds me close, whispers in my ear, Polly ain't you cold with your arms outside the blankets, put them inside, hug me closer. I want George to hug, not her, his arms about me, not her clutching me in her desperate way, his lips on mine, not her wet lips dribbling on my shoulder. What you want me so close for? I say, just get off to sleep, and don't slobber on me. But she hugs me closer, her breath on my ear whispering, Come on, Polly, keep me warm, I'm cold with the draft from the attic windows that don't meet properly, Susie moans. I put my arms inside, put my arms about her waist(skinny mare), and think of George stuck in some hospital somewhere, damaged by the War's shock and blast, and heads blown past, and eyes sitting staring on their own, and wounded men's moan. What you thinking of? Susie says, sniffing my ******* The War, and the Somme, and Master George away, hurt in mind they say. Susie nods her head, but wants me huddled nearer, holds me close, touches me, and says, Shame about war, and loss, and pain, then she kisses my neck again.
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May 28, 2016
May 28, 2016 at 1:21 PM UTC
NIGHT KISSES 1916
Susie wrapped her thin arms right around Polly's waist in the bed in the cold attic space Polly's thoughts were on George in his bed where she thought she should be making love as they did times before but since his return from the war front he's not been his old self mentally off balance she allowed Susie's arms to enfold about her permitted Susie's lips to kiss her cold shoulder but it was his lips she pretended were kissing his arms there around her holding tight to keep cold in the night.
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Mar 9, 2016
Mar 9, 2016 at 1:29 PM UTC
IN THE NIGHT 1916
Susie lies in bed watching Polly get up and go to the wash stand and break the ice in jug and pour in the icy water the air is cold and fresh she wants to lie in bed all day not get up and go down to the kitchen and help the cook prepare breakfasts she want to lie in the bed and rest and sleep Polly undresses quickly and washes her face and neck and under her arms Susie watches wishes Polly was in bed again she misses her not being there wishes she'd let her hold her close and kiss her neck but she's washing quickly and cursing and Susie catches a glimpse of Polly's **** as she raises her arm to wash the curve of her body Polly turns around and stares at her get your backside out of bed you lazy mare we've work to do she says Susie pulls a face and shoves her hands between her thighs to keep them warm want to stay here all day Susie says get out or I'll pull you out Polly says and undress you myself and slap your backside Susie gets up and reluctantly gets undressed in the cold air and stands as Polly dresses and gives a secret stare.
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Feb 24, 2016
Feb 24, 2016 at 3:41 AM UTC
A SECRET STARE 1916.
Susie lies beside Polly in their bed in their room in the attic. Chill in the air, dark with only moonlight to break up the darkness. Polly had cried herself to sleep, moping after Master George and his plight being home from the Front. She sleeps now and Susie lays her head against Polly's shoulder, a hand about her waist, sniffing the body for soap and odour and hugging close. Polly would have been in his bed had he been well and them up to no good having *** but she is here now with Susie, keeping her warm, satisfying some of her dreams and desires that lie deep within like small lit fires.
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Feb 18, 2016
Feb 18, 2016 at 6:45 AM UTC
SMALL LIT FIRES 1916.
Polly knows some thing’s wrong George is not his old self since he came home on leave from the Front she begins to undress before bed in the cold attic room with Susie who lays there in the bed shivering hurry up get in bed Susie says it's freezing Polly thinks of George in his own bed all alone normally she'd have slept in his bed making love when he came home on leave she the maid he the son of the lord her master with George's head between her young thighs his moustache tickling her to joy mounting her like a horse riding off to love fields come on Pol Susie says getting cold Polly sighs stands naked then dresses in the thick grey nightgown climbs into the old bed with Susie not with George's excepting making love hot with him in her head.
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Feb 13, 2016
Feb 13, 2016 at 8:36 AM UTC
IN HER HEAD 1916
Susie watches Polly walk along the kitchen tray in hand eyes peering Mrs Gripe moaning Susie'd watched Polly get out of the bed that morning in their shared room in the attic freezing cold watched her go to the basin and pour cold water into the bowl and taking off her nightdress (faded blue) began to wash face and neck and arms all the time shivering cursing under her breath Susie'd studied the body shiver the legs the arms move the bottom move then Polly turned and said come on get up get your **** out of bed don't lay there like some ****** princess now she watches as Polly puts the tray on the side beside her and look at her her eyes searching Mrs Gripe(the cook) saying Susie girl get a move on with that washing up there's more to do after that Susie nods and washes up quicker and Polly says Master George maybe here today and you know what that means Susie nods and looks at Polly as she moves away the black and white uniform the hips swaying the hair pushed under the white headpiece and o yes she knows what that means she'll sleep alone most of the night while Polly's having it away with Master George while I'm hugging myself against the cold she looks back as Polly goes by Mrs Gripe getting orders her backside swaying side to side o Susie muses if only it was me she was getting all excited about not him and a wave of darkness comes over her dull and dim.
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Jan 12, 2016
Jan 12, 2016 at 3:00 AM UTC
DULL AND DIM 1916.
Maids at noon Performers in the eve' Maria and Ayla worked, For every penny they stole.
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Mar 31, 2013
Mar 31, 2013 at 2:12 AM UTC
Crisis