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#limp
mind maggots nesting in the farthest recess of your brain a cranium turned cottage at the hour of your sleep where toyed emotions play you leaving to run the hamsters' wheel where helplessness overpowers you to see your quickened pulse in silvery starlight
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Nov 22, 2020
Nov 22, 2020 at 12:11 AM UTC
I'm so tired
My joints dance under my skin Grating against each other Until I am aching The pain howls and clings to my legs I can feel it swinging and diving along my nerves Limping, I keep walking forward And watch as my destination Becomes farther and farther away These years hang on me And I carry the baggage upon my back Soon, I know I will have to let go Let every issue fall to the floor Or they will dig me a grave And I will slowly drown in the pain
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Jul 8, 2020
Jul 8, 2020 at 11:42 PM UTC
Limp
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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Mar 20, 2020
Mar 20, 2020 at 1:25 AM UTC
Vera Pavlova "Shattered" translation
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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73
Some days I feel like getting up, others, I don't. I lift my finger off my bed, and I say, not today. Sometimes I wonder if people notice the small things, like my eye bags getting bigger, or the slight limp in my walk. Maybe they do and maybe they don't, that's not up to me. It's all up for grabs. I like to think I'm in charge, but I know I'm just drifting. People around me are just carrying me along through life. I'll never be the person they all look to. The "Imma 2020 president candidate," tik tok that people actually support. No love, no nothing. Drifting. Drifting. Drifting. Some days I do my homework, some days I can't even open my laptop. It's not up to me, it's all up for grabs.
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Feb 29, 2020
Feb 29, 2020 at 1:14 AM UTC
Some Days
The figure Tall Wearing black and white Walking to the side With a limp Is he hurt? Do I know him? Does he know me?
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Apr 12, 2019
Apr 12, 2019 at 10:28 PM UTC
The Figure
Like a wilting plant he became a limp But he fought He fought the heavy burdens Like a traveler He lost his way to the heart of the woman he love He was blinded He was crippled But again he fought Things were too complex to be solved Things are too hard to understand But the love will last And the moments will embed in his heart
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Nov 15, 2018
Nov 15, 2018 at 10:27 PM UTC
To the man who loved
bodies for my shrapnel lay limp on the street like dogs in the summer time. i will bring my storm to you. have faith in my punch, believe it. but don’t you trust a survivor. they wouldnt know how to leave a city in wake. they wouldnt know not to pull the knife out. i am a hurricane with skin and i will rip your house in half if i have time to catch a glimpse. you can pack your bags and flee but i dont stay gone. i live on forever, i dont die easy. the toll will raise.
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Sep 8, 2018
Sep 8, 2018 at 6:56 PM UTC
grieving for snakes
Limp effigies of childhood memories, still holding so many secrets. Woven within tattered tears, now long since evaporated. Now vacant, an amnesia of fallen promises that are retained. But uninhabited threads, decompose beneath every dewdrop. becoming undone.
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Mar 2, 2018
Mar 2, 2018 at 6:36 PM UTC
An Amnesia Of Fallen Graces
That carrot, what could be said a little girl gave her, Well we wondered why an anatomically Correct Miss Snow lady had such an amicable smile. Her nose always seemed to descend to below, She had a friend but his carrot was as Limp as could be, it wasn’t his fault it’s the cold you see… But never fear, where there is ingenuity there is away… In their morning Miss Snow seemed to ice up below, But she seemed to have a rather defrosted glow… For when it was time for this artificial carrot to wind down, She evaporated in pleasure but Mr Snowman was still there ***** but no place to go. Poor Mr Snowman, we'll blame it on the cold…
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Dec 30, 2017
Dec 30, 2017 at 4:03 PM UTC
Moist Little Snow
Chemicals of the heart,                      mixtures not quite precise.. Now reacting, corroding devotions                         Ill emotions corrupting.
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Sep 16, 2017
Sep 16, 2017 at 5:04 PM UTC
Hearts Decomposing
Today I got lost while staring up into the popcorn ceiling Being surrounded by family wasn't enough to hold my attention Instead I paid a few precious seconds to the ceiling I can't find the words to help me describe the feeling I felt whole The emptiness inside disappeared For a few seconds I felt what it was like to let go, to let my mind cleanse itself of any emotion
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Jul 4, 2017
Jul 4, 2017 at 3:15 AM UTC
Side Effects
I came down to make brunch, Early on In the afternoon. I cracked the eggs And lit the stove, My dog limped up beside me. A three legged beast of Enormous size Humbled by The lack of limbs. I fried the bacon, But threw no scraps, Though I was her support.
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Apr 25, 2016
Apr 25, 2016 at 3:14 PM UTC
Crippled Stride
I) They tell you that when you fall it hurts less if you go limp before hitting the ground release all that muscular tension go spaghetti noodle loose when you collide no part of you will bear the full brunt of your error I’m great at this at risk of bragging, I would say I'm an expert II) You see, I liked to climb as a child. There was something cat – like inside of me that felt safe up high, safe where no one would follow. The solitude kept me oh so vertically inclined. But that wasn't my favorite feeling. At age 10, I decided I would learn to skateboard. Despite my mother's pleas, I returned day after day to my concrete proving grounds, eager to catch something. At first it did not flee quickly, it wanted me hooked and oh my god, I was. The more I learned, the faster I had to move to catch it, the more the wind became my adversary and the simple act of pushing off the hard ground made me feel. The feeling itself was my coach, my carrot on a stick, and my reward all in one. But that wasn’t my favorite feeling. In high school, I joined the gymnastics team. I found my peace in the moment of apex, the height of the swing, whole body poised, ready to go around one more time. The only time in my life I’ve ever felt so shaped by fear, pressure, and pride. That still was not my favorite feeling. My favorite feeling was the moment the branch cracked underneath me. The moment those hard little rubber wheels skrtchd so loudly. When the floor didn’t pop quite right, or when the bar would wah-wah-wah-wah in protest as my grips pulled away. These warning shouts, alerting the subject that in a few moments, they would be in one of two states: 1a) folded like a pretzel, limbs aching, squirrel entertainment 1b) spread across the pavement, butter on toast 1c) a broken model, still clutching his 'control' Alternatively: 2a) laying in the damp grass, with nature 2b) dizzy from rolling, exhilarated, mind on the 'next try' 2c) finding comfort in the thin mats, wondering about their sanitation That moment is a prompt, a call to action. Most cant hear it, but the pop, the wah-wah, the crack and the skrtch all whisper beneath their warning the same message. “Go limp”, they coo, “let go, give it up. Release.” And that moment, where my control is imagined anyways, is where I find my favorite feeling. It is sinking slowly into warm, thick waters. It is flopping onto the sofa after a long day. It is being embraced by someone you love when you really just want to cry. III) At college I met this girl. I'll spare you the details, but I want you to consider something. Have you ever tried to carry someone who really, really did not want to be lifted? I fell that hard, I went that limp, no matter how I hit the ground, I knew into something beautiful I would bounce. IV) I've spent months in mourning, no, I've spent months in a thick morning fog, no, I've spent months feeling nothing but numb each morning. I've spent months letting all day be a morning in bed, I've spent months in morning. I'm great at this, at the risk of bragging I would say I’m an expert. It still feels like sinking, flopping, needing to cry, unadorned. Here is to my last lasting hope, that something is made of the words that bubble to the surface.
0
May 2, 2015
May 2, 2015 at 3:17 PM UTC
limp
I) They tell you that when you fall it hurts less if you go limp before hitting the ground release all that muscular tension go spaghetti noodle loose when you collide no part of you will bear the full brunt of your error I’m great at this at risk of bragging, I would say I'm an expert II) You see, I liked to climb as a child. There was something cat – like inside of me that felt safe up high, safe where no one would follow. The solitude kept me oh so vertically inclined. But that wasn't my favorite feeling. At age 10, I decided I would learn to skateboard. Despite my mother's pleas, I returned day after day to my concrete proving grounds, eager to catch something. At first it did not flee quickly, it wanted me hooked and oh my god, I was. The more I learned, the faster I had to move to catch it, the more the wind became my adversary and the simple act of pushing off the hard ground made me feel. The feeling itself was my coach, my carrot on a stick, and my reward all in one. But that wasn’t my favorite feeling. In high school, I joined the gymnastics team. I found my peace in the moment of apex, the height of the swing, whole body poised, ready to go around one more time. The only time in my life I’ve ever felt so shaped by fear, pressure, and pride. That still was not my favorite feeling. My favorite feeling was the moment the branch cracked underneath me. The moment those hard little rubber wheels skrtchd so loudly. When the floor didn’t pop quite right, or when the bar would wah-wah-wah-wah in protest as my grips pulled away. These warning shouts, alerting the subject that in a few moments, they would be in one of two states: 1a) folded like a pretzel, limbs aching, squirrel entertainment 1b) spread across the pavement, butter on toast 1c) a broken model, still clutching his 'control' Alternatively: 2a) laying in the damp grass, with nature 2b) dizzy from rolling, exhilarated, mind on the 'next try' 2c) finding comfort in the thin mats, wondering about their sanitation That moment is a prompt, a call to action. Most cant hear it, but the pop, the wah-wah, the crack and the skrtch all whisper beneath their warning the same message. “Go limp”, they coo, “let go, give it up. Release.” And that moment, where my control is imagined anyways, is where I find my favorite feeling. It is sinking slowly into warm, thick waters. It is flopping onto the sofa after a long day. It is being embraced by someone you love when you really just want to cry. III) At college I met this girl. I'll spare you the details, but I want you to consider something. Have you ever tried to carry someone who really, really did not want to be lifted? I fell that hard, I went that limp, no matter how I hit the ground, I knew into something beautiful I would bounce. IV) I've spent months in mourning, no, I've spent months in a thick morning fog, no, I've spent months feeling nothing but numb each morning. I've spent months letting all day be a morning in bed, I've spent months in morning. I'm great at this, at the risk of bragging I would say I’m an expert. It still feels like sinking, flopping, needing to cry, unadorned. Here is to my last lasting hope, that something is made of the words that bubble to the surface.
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29
She soldiers on with a limp from an old gunshot wound that put a stammer in her soul. She hesitates upon standing, and often winces at an over-hastened step. Stairs are her nightmare, as is most anything up. Like being trapped in a cage made of rubber bands she is limited, but can force her way in some direction. She wont tell you how she got it nor even where it really is. The thigh, the hip, the gut; as is anyone's guess. My money's on somewhere else. She is dissolved in some solution made with three parts carbolic acid two parts toothsome regret one part pure concentrated time. If I could pick her up and carry her I would but she would scream, and kick, and holler I know. So I'll let her limp It's her way. I don't mean to be trigger happy.
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Oct 25, 2014
Oct 25, 2014 at 2:14 PM UTC
Shotgun, or #6
She said she wanted to "Eat the meat" Biting as she went down By the time She got down to the package It went limp As I had bled out. Now I'm a stiff Never have a "Zombie lover" it never works out
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Aug 30, 2014
Aug 30, 2014 at 4:53 AM UTC
Zombie Lover
The smoke does not bother me any more than the burning flesh The scars will heal slowly beneath my clothes and I will turn my head the other way should anyone notice the ash on my skin or the limp in my stride because they are the only things you have left to control me and I will heal and I will move on After all, like pain you are only temporary
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Feb 18, 2014
Feb 18, 2014 at 12:59 PM UTC
Branded