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#gunshots
the walls here are thin because we can't afford to build them any stronger. we can't afford to spend money to test smoke detectors, or to build new fire escapes. if this building goes up in flames, we have accepted that we will all burn with it. we can't afford to spend money on our children's safety. but even if we could, would it matter? money can buy teddy bears and pretty flower bouquets. money can beautify our roadside memorials, but lit candles and decorated street corners can't bring back the children who died there. every night, I hear the sirens of an ambulance speeding through our streets. sirens are the lullaby that this city sings to our children, and to our children's children. if I didn't hear them when I close my eyes, I would be afraid. because no sirens does not mean that there is no crime. no sirens means only that no one has come to clean up the scene. someone told me once, that in suburbia, in the neighborhoods where the houses are built with thick walls and strong foundations, and the neighbors fight over who can buy the fanciest car, and those fights end with snarky comments instead of gunshots, their children fall asleep listening to the sound of crickets instead of sirens. in those neighborhoods, they do not raise their children to be afraid of drugs and death and violence. they raise their children to be afraid of our children. our children are buried six feet beneath the ground, before their children even learn the meaning of the word "death."
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Oct 27, 2020
Oct 27, 2020 at 10:12 AM UTC
crickets and crime
the walls here are thin because we can't afford to build them any stronger. we can't afford to spend money to test smoke detectors, or to build new fire escapes. if this building goes up in flames, we have accepted that we will all burn with it. we can't afford to spend money on our children's safety. but even if we could, would it matter? money can buy teddy bears and pretty flower bouquets. money can beautify our roadside memorials, but lit candles and decorated street corners can't bring back the children who died there. every night, I hear the sirens of an ambulance speeding through our streets. sirens are the lullaby that this city sings to our children, and to our children's children. if I didn't hear them when I close my eyes, I would be afraid. because no sirens does not mean that there is no crime. no sirens means only that no one has come to clean up the scene. someone told me once, that in suburbia, in the neighborhoods where the houses are built with thick walls and strong foundations, and the neighbors fight over who can buy the fanciest car, and those fights end with snarky comments instead of gunshots, their children fall asleep listening to the sound of crickets instead of sirens. in those neighborhoods, they do not raise their children to be afraid of drugs and death and violence. they raise their children to be afraid of our children. our children are buried six feet beneath the ground, before their children even learn the meaning of the word "death."
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The gun shots are heard one two three four at first until people realize what is happening and start to run while toppling over themselves as they try to find a safe spot but the gun shots keep coming five six seven eight shots and the space is too wide too open too empty only full of bodies running or bodies already down nine ten eleven twelve shots the music from the stage stops and the festival is turned upside down and vision blurs senses dissipate except for one the sense of hearing thirteen fourteen fifteen sixteen shots ring buzzing blaring in the ears of those watering the grass with their blood and those still trying to find a way to avoid being shot seventeen eighteen nineteen twenty shots accompanied by screams loud screeching screams that will haunt the survivors in their dreams and in their time awake but yet still the overwhelming amount of screams cannot overpower the sound of bullets cutting through the air and piercing into flesh twenty-one twenty-two twenty-three twenty-four shots there is nowhere to go there is nowhere to run just massive amounts of people all huddled in one large chaotic group enjoying music one minute and knocking people over to get as far away from the shooter the next through the tripping and the running and the panting and the screaming are the arrival of two colors red and blue red and blue red and blue and sirens sirens sirens twenty-five twenty-six twenty-seven twenty-eight shots and then none
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Sep 26, 2020
Sep 26, 2020 at 8:51 PM UTC
Gun shots
Their words aren't just syllables They're gunshots Bullets released from the barrel Not looking for laughter But looking to **** Taking the voices from those who need to use them most Tears aren't just tears anymore Tears have turned to blood Flowing from every exit it can find Arguments aren't just controversies They're wars.
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Nov 22, 2017
Nov 22, 2017 at 5:55 PM UTC
Gunshots
Like a bullet in love with the gun. Breaking silence just to run Flesh is found But the embrace of steel was better. It's so ****** messy. I should have stayed home.
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Apr 7, 2015
Apr 7, 2015 at 7:42 PM UTC
Cheating death
Your words melted from the heat of your mouth and dripped from your tongue. The syllables sounded like gunshots firing from your lips dropping against the ground with a metallic thud. How many times have you performed this execution? Deep down I knew you were a fox and I was a rabbit but I never thought you would stop my heart in such a way. My heart stuttered when you said my name but now the mention of yours freezes me like the cold that creeps into a lifeless body. You always said you had no soul but with every death you leave in your wake, you collect yet another. I remember begging you to stop speaking to stop reloading your bullets. But what's the point when you already planned to leave me behind, struggling to breathe?
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Nov 8, 2014
Nov 8, 2014 at 1:15 AM UTC
11/8/14
I am tired of series of unfinished poems that scream for my return. I am tired of internal, trenching, desperate calls for pen and paper. I am tired of empty pages, and pens being put down. I am tired of the fragmentary bullshit-business I have with my declaration of expression. I want to write about rough ****** efforts and soft aching feelings. I want to write about Coca Cola freezies (because they don’t even exist, why?). I am tired of looking at everyone else’s work, admiring it, criticising it, admiring it, criticising it, admiring it, crying, loving it. I want to be 60 and look at what I wrote When I was 19, And sob.
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Aug 19, 2014
Aug 19, 2014 at 1:41 PM UTC
tired of headshots.
I asked if there was anyone there remotely my age, and she said yes. I had just dumped all the money in my wallet into trying to make my savings not negative. It didn't work. I walked over, stepped inside, and saw teenagers. She told me, there's a guy outside and he's twenty. I got ******* duped by a kid. Her parent's left, unwisely. I met another half-black person, a 15 year old girl who had dark skin and hated everything that resembled "blackness" or "black culture". She even called herself white. Here I was, outside drinking grape soda out of a hello kitty mug, discussing radical feminism to teenage girls- **and ******* five shots were fired**. Not even 15 feet away, behind the garage. [A fake 100 was exchanged, to which distaste was shown, also this sentence is in parentheses, and technically doesn't even exist]. So now there are teenage girls crying over gunfire, hyperventilating, the high school boys jogging- people in a swarm heading indoors, and me. The stupid-fucking-tragic-yet-benal artist, running in his stupid ******* circle, trying to decide if he should go inside with the crazy juvenile people, or see if he can get shot, because he already lives life awaiting some stupid ******* narcissistic tragedy to wipe him off the map. My opportunities had rushed away already however. I walked inside and sat on the couch hugging one of those puffy round pillows and laughing maniacally. It was intense after all. Kid Duper tried to relate to me. I know she didn't get it. No one ever really ******* gets it. Understood, maybe? No one understands. I left shortly after with a copy of Fahrenheit 451. I was told I could borrow it.
0
May 24, 2014
May 24, 2014 at 4:02 AM UTC
"I Went to A Party Where's There's No Way Someone Wasn't ***** Statutorily."
I asked if there was anyone there remotely my age, and she said yes. I had just dumped all the money in my wallet into trying to make my savings not negative. It didn't work. I walked over, stepped inside, and saw teenagers. She told me, there's a guy outside and he's twenty. I got ******* duped by a kid. Her parent's left, unwisely. I met another half-black person, a 15 year old girl who had dark skin and hated everything that resembled "blackness" or "black culture". She even called herself white. Here I was, outside drinking grape soda out of a hello kitty mug, discussing radical feminism to teenage girls- **and ******* five shots were fired**. Not even 15 feet away, behind the garage. [A fake 100 was exchanged, to which distaste was shown, also this sentence is in parentheses, and technically doesn't even exist]. So now there are teenage girls crying over gunfire, hyperventilating, the high school boys jogging- people in a swarm heading indoors, and me. The stupid-fucking-tragic-yet-benal artist, running in his stupid ******* circle, trying to decide if he should go inside with the crazy juvenile people, or see if he can get shot, because he already lives life awaiting some stupid ******* narcissistic tragedy to wipe him off the map. My opportunities had rushed away already however. I walked inside and sat on the couch hugging one of those puffy round pillows and laughing maniacally. It was intense after all. Kid Duper tried to relate to me. I know she didn't get it. No one ever really ******* gets it. Understood, maybe? No one understands. I left shortly after with a copy of Fahrenheit 451. I was told I could borrow it.
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