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#femmefatale
~ 💋 ~ She speaks in silk, moves like sin, Draws grown men like moths within. A kiss, a sigh, a flash of thigh And just like that, they’re begging why. She toys with hearts, delights in screams, Turns pride to dust, and love to dreams. No blood, no blade, just one slow lean… And down it falls, - the Velvet Guillotine - ~ 💋 ~
0
May 15, 2025
May 15, 2025 at 8:43 AM UTC
Velvet Guillotine
She only smokes when she’s spiraling or performing. Usually both. Says she loves a dramatic flourish— exhales like a closing line, laughs like a scratched record. You’ll meet her at a party that’s already ending. She'll kiss you like she’s trying to delete her own mouth, like you’re just the eraser. She'll leave before sunrise because she hates how the light arrives slowly, and can’t stand watching the world wake up and not call her back. If you ask what she’s looking for, she’ll point at the exit sign and say, “Something with the same glow.” You’ll think she’s flirting, but she’s actually just listening hard for the next excuse to leave. If you ask for her number, she’ll give you a poem, one with no punctuation and a key taped to the back. Not to her place. To your undoing. She tells stories like she’s double-daring the past to contradict her. Someone once told her she seems like the kind of girl who disappears mid-sentence. She said, “Only when the sentence forgets I started it.” She collects promises like matchbooks: already scorched, still reeking of places that almost got her to stay. At dinner parties, she compliments your cutlery then slices the conversation open. Asks what you hate most about your mother before the bread hits the table. You’ll want to know her real name. She’ll say something like, “It’s carved into a tree somewhere,” before you realize you’ve already said it in your sleep. And when you find the poem she gave you weeks later, crumpled in your coat pocket, you’ll swear you hear her laugh when you read the last line out loud: “Don’t follow. I haunt better when I’m alone.” She’s the reason someone, somewhere, is learning the difference between being worshipped and being watched. And when she finally leaves— because she always does— you’ll swear you still smell ozone, orange blossom, and the beginning of a very pretty ruin. She leaves you rearranged— not broken, just fluent in a dead dialect that only speaks in warning signs. You’ll start writing things you don’t remember feeling and calling it healing. But it’s just possession. The poem wasn’t for you. It was the door. She doesn’t burn bridges. She just convinces them to jump. She never really leaves. She just sets the room on fire and watches who runs toward the smoke. (And if she ever comes back— and she will— don’t blink. She’s made of edits, and she notices cuts.)
0
May 14, 2025
May 14, 2025 at 11:59 PM UTC
The Girl Who Talks to Exit Signs
She only smokes when she’s spiraling or performing. Usually both. Says she loves a dramatic flourish— exhales like a closing line, laughs like a scratched record. You’ll meet her at a party that’s already ending. She'll kiss you like she’s trying to delete her own mouth, like you’re just the eraser. She'll leave before sunrise because she hates how the light arrives slowly, and can’t stand watching the world wake up and not call her back. If you ask what she’s looking for, she’ll point at the exit sign and say, “Something with the same glow.” You’ll think she’s flirting, but she’s actually just listening hard for the next excuse to leave. If you ask for her number, she’ll give you a poem, one with no punctuation and a key taped to the back. Not to her place. To your undoing. She tells stories like she’s double-daring the past to contradict her. Someone once told her she seems like the kind of girl who disappears mid-sentence. She said, “Only when the sentence forgets I started it.” She collects promises like matchbooks: already scorched, still reeking of places that almost got her to stay. At dinner parties, she compliments your cutlery then slices the conversation open. Asks what you hate most about your mother before the bread hits the table. You’ll want to know her real name. She’ll say something like, “It’s carved into a tree somewhere,” before you realize you’ve already said it in your sleep. And when you find the poem she gave you weeks later, crumpled in your coat pocket, you’ll swear you hear her laugh when you read the last line out loud: “Don’t follow. I haunt better when I’m alone.” She’s the reason someone, somewhere, is learning the difference between being worshipped and being watched. And when she finally leaves— because she always does— you’ll swear you still smell ozone, orange blossom, and the beginning of a very pretty ruin. She leaves you rearranged— not broken, just fluent in a dead dialect that only speaks in warning signs. You’ll start writing things you don’t remember feeling and calling it healing. But it’s just possession. The poem wasn’t for you. It was the door. She doesn’t burn bridges. She just convinces them to jump. She never really leaves. She just sets the room on fire and watches who runs toward the smoke. (And if she ever comes back— and she will— don’t blink. She’s made of edits, and she notices cuts.)
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81
Pretty red lips, ice dagger stare, Secret truths laid to bare. Pointy high heel pressed against your heart— Piercing through is only a start. They say not to, but really, who’s to stop you? Pretty red lips, ice dagger stare. They say not to, but really, who’s to stop you? Secret truths laid to bare. They say femme fatales never win, But I reveal the hidden sin. The self-righteous act grows old— Who wants to do as they're told? A void within, black hole filling in. I get what's mine, until next time. This emptiness drives me, a never-ending thirst, A hunger so deep, it feels like a curse. Pride in your chest wells up, you think "I’m your man." You’re my next victim, according to plan. You poor thing, you don’t stand a chance— Every sin, a calculated dance. One gentle kiss and a wink, you’re mine. Snakes of deceit around your heart intertwine. You say it’s wrong, and it’s your last stand, But really, you know you’re in sinking sand. They say to stay away, but who’s to stop you? Those pretty red lips, that ice dagger stare. They say to stay away, but who’s to stop you, When secret truths are laid so bare?
0
Sep 27, 2024
Sep 27, 2024 at 6:49 PM UTC
Femme Fatale
Men love a good Femme Fatale. But they do not love an ugly Femme Fatale— So they plucked her naked, gave her a nose job, and called her a “mermaid” instead {Siren}
0
Nov 20, 2023
Nov 20, 2023 at 6:14 PM UTC
Synonymous
You can kneel to pray, before you commit one more sin as you do every hour and everyday. You can pray to avoid the calls of sin, before you take on a bigger atrocity, throwing both law and faith down the bin. But rules are meant to be bent, just like my body against the table, or across the vastness of your bed. But I am the revolution, your new law, and you would learn the best way that without me, you're as good as lost.
0
Oct 23, 2023
Oct 23, 2023 at 12:41 PM UTC
Rules
I can do this too, when I'm not au naturel And trying to beat all of your @sses with how well I make the gentleman, how excellently I am the imp, How swell I step, dancing, aside, how terribly I simp - Sometimes catch me getting back and giving the barman a chance - I heeded their call; I washed off the day, and stepped into a trance Of raspberry, rose and sandalwood; I donned my blue and pink silk, And my black boots, tights and blazer - She's got style; And in that ilk I also painted my face, with blues, whites, pinks, blacks, golds And it was late when I stepped out, and in the very holds Of the night that a lady like I should find terrifying, but I walked The quarter of an hour to the Silk Mill; talked For something more like four or five, Face sharp, hair artfully mad, alive In every sense, aided by the fine cocktails in this student setting I could enchant all in four languages, and I did, forgetting For a bit that another one of my faces I believe to be repugnant: Because it begs for attention; and my current, commanded it Because I came expecting nothing, and asking nothing, And I quite frankly didn't give a d@mn about much of anything, But if I wasn't very much a part of the room, and very much she Whom every boy needed to speak to, and would ideally keep the company Of, if that wasn't I Then every lie's a truth, and every truth, a lie.
0
Mar 20, 2022
Mar 20, 2022 at 11:15 AM UTC
Go on, flirt with me
You are pathology incarnate The sweat on your brow trick of the light You were the first female But you are no woman Just a beast in the shape of a girl Plucked one year before ripeness A major at everything A minor one way Your eyes betray your true nature Sharp, louche and depravity reined Soot-yellow and one dollar green Some might call it hazel I call it dirt against your aryan gold hair If you offered me fruit I’d force myself to take a bite So my soul won’t witness my guts feasted in the gutter Carnivorously carnival-carved cadaver Stamped under your cigarette-stained heels Cherry cola chipped out of chapped lips Cos I didn’t dare take a chockfull You’re the first girl who has ever touched me But I’m just the fly on your fruit Lilith Haefelin The girl before Eve.
0
Apr 7, 2021
Apr 7, 2021 at 11:33 PM UTC
Girl before Eve
Daisy flower scented for days I'll pick you this day & adore you for days Your countenance poises celestial Plaining contours from troubled faces Regard it in awe O ye searching men Feel its serene impression Piercing trails through each grain That lies glaze over every staring eye Fondling pupils taut In caresses overwhelming Mellowing all rugged souls tame Biting every heart's lip In kissy scenes elating Daisy flower hear me today Your company I've longed for everyday, Won't you be mine all my days? 🙃
0
Jun 16, 2020
Jun 16, 2020 at 5:09 PM UTC
Daisy Flower🌸
She’s the spider on your shoulder Holding you, cold and tight She’s all eyes, slitted blue, And the longest legs you’ve ever seen With flaming locks of orange Which burn brighter than the embers Of bridges she’s destroyed in arson And when she smiles, corner to wicked corner, It’s not hallowed beeswax on her lips Which gives them that crimson hue She’s slow and steady wins the race That your pounding heart Is susceptible to losing to Saccharine sweet with a smile to boot She will have you licking hers Steeped in honey, polite and courteous, She spins you into her silken web Not even of lies, but you fumble regardless And then she eats you whole
0
Sep 17, 2019
Sep 17, 2019 at 8:31 AM UTC
Red Back
"I can’t figure it out.” She said. “I like cigars, and pretty dresses and crossing my legs.” She paused, then continued, “And I like smoking cigars in pretty dresses while crossing my legs.” She uncrossed them, then crossed them again. One smooth limb over the other. Just like that. “But I never seem to have a lighter on hand. Could you— sir, please light my cigar?” “You see, I have no pockets to hold such things and my purse… Well, You’ve confiscated that, haven’t you?” “Thanks.” She breathed, and inhaled, and exhaled; Sluggish wisps of smoke dissipating into the air. Just. like .that. “I didn’t know L'homme was into women who smoke cigars in pretty dresses while crossing their legs", She said. “I mean, how was I to know? I only noticed him noticing me. It was probably the way my hair was tousled like so, Or how my lipstick shone a deep, dangerous rogue, Or the way I sipped at my champagne… That made him walk over.” “But I never asked him to light my cigar Or comment on my dress… Or stroke my legs. So when I whacked him up top over the head with my glass, I bet he never expected it to shatter and split his skull like so. He dropped so sudden, sir. I…” Another ringlet of smoke, a sigh, an uncrossing and crossing of legs again. “I had no clue, what else to do, But to sit still in my pretty dress, with my legs crossed, smoking my cigar trying to figure out... Just how I'd committed ******
0
Nov 12, 2018
Nov 12, 2018 at 5:10 PM UTC
"She Loved her Cigars, a Pretty Dress, and Crossing her Legs". A tribute to a Femme Fatale.
with eyes spotted with stars and lips painted with blood the perfect mix of your best dreams and your worst nightmares she loves like Aphrodite fights like a fatale bleeding light spitting blood people touch her and warm people abuse her and blister with hair as soft as silk but hands as rough as granite she smells of honey and jasmine in spring but tastes of rusty iron and lemons her body is a wonderland but her heart is hell in an ***** form a voice as soft as fleece but a scream as sharp as a blade many fight for her many fight against her she is a shooting star and a fallen angel satan loves her gods envy her you won't learn her name or her heart but you’ll learn her history and the list of names she broke before you
0
Nov 11, 2018
Nov 11, 2018 at 2:35 AM UTC
Nightmare and Dream
The countenance of her throne epitomizes the state of her soul, and this countenance I shall describe but only to who may tolerate the details of its most uncanny existence. A clique of stallions gallop about in a nauseating blur, their red eyes glowering under the amber light descending from an ominous sliver of moon, its mere presence prompting on the inversion of the stars and the curled screeches of the morbid beasts whose fur hangs darker than the trembling eye of Hell. Atop one lacerated saddle rides Her Majesty-- The Queen of the Circus, deranged like the specimen she keeps in her company. And, with every cacophonic rise of the carousel, she howls, her ******** cries as primal as the stallions' untamed whinnies. She bites her lip until she can taste blood (and *** throws her hands to her temples in ****** wistfulness-- pale limbs encompass teased hair where decomposing acorns (rotten kisses) and bouquets of Nightshade reside amongst the tangle of Medusa-Esque curls, amongst large, brown eyes that sparkle gold under the cursed heavens which have been simultaneously pleasured and scandalized by the sight of her bare ******* clinging to sheer leotard, by the sight of her body swaying round the rusted poles that have sunk themselves into the horses' skulls like a ring sinks round a glass bottle or a lover's finger. Of course, Her Royal Darkness is more than just a Circus Queen. She, indeed, entertains a grand variety of morbid hobbies; She is a Fire Eater {spitters are quitters}; Grave Digger {she dances the Charleston atop treasure chests of bones and bones with carnival mobsters}; Crystal Ball Prodigy {reading palm | l|i|n|e|s | like p o e t r y}; Ring Mistress **** or **** purr or bite-- what shall it be?}; Acrobat {knees perched above shoulders, a man's mouth between her legs}; Ventriloquist {"I'll steal your breath away, darling."} Why yes! She is a Jaqueline of all trades. "Pick a card! Any Card! ..." "Is this your card? ..." A heart is drawn, cleaved between her teeth, each pulse of vein a magnificent drum beat against her tongue. With the blood of her prey-- juices as thickly sweet as candy floss-- she marks her territory, parades her **** a pink handprint smeared across the hide of each stallion. "What dizzying artistry... how lovely-- how...insane," she laughs, each high pitched giggle a homage to the maddening musings of her soul (and her throne.)
0
Sep 1, 2018
Sep 1, 2018 at 1:41 PM UTC
Circus Queen
The countenance of her throne epitomizes the state of her soul, and this countenance I shall describe but only to who may tolerate the details of its most uncanny existence. A clique of stallions gallop about in a nauseating blur, their red eyes glowering under the amber light descending from an ominous sliver of moon, its mere presence prompting on the inversion of the stars and the curled screeches of the morbid beasts whose fur hangs darker than the trembling eye of Hell. Atop one lacerated saddle rides Her Majesty-- The Queen of the Circus, deranged like the specimen she keeps in her company. And, with every cacophonic rise of the carousel, she howls, her ******** cries as primal as the stallions' untamed whinnies. She bites her lip until she can taste blood (and *** throws her hands to her temples in ****** wistfulness-- pale limbs encompass teased hair where decomposing acorns (rotten kisses) and bouquets of Nightshade reside amongst the tangle of Medusa-Esque curls, amongst large, brown eyes that sparkle gold under the cursed heavens which have been simultaneously pleasured and scandalized by the sight of her bare ******* clinging to sheer leotard, by the sight of her body swaying round the rusted poles that have sunk themselves into the horses' skulls like a ring sinks round a glass bottle or a lover's finger. Of course, Her Royal Darkness is more than just a Circus Queen. She, indeed, entertains a grand variety of morbid hobbies; She is a Fire Eater {spitters are quitters}; Grave Digger {she dances the Charleston atop treasure chests of bones and bones with carnival mobsters}; Crystal Ball Prodigy {reading palm | l|i|n|e|s | like p o e t r y}; Ring Mistress **** or **** purr or bite-- what shall it be?}; Acrobat {knees perched above shoulders, a man's mouth between her legs}; Ventriloquist {"I'll steal your breath away, darling."} Why yes! She is a Jaqueline of all trades. "Pick a card! Any Card! ..." "Is this your card? ..." A heart is drawn, cleaved between her teeth, each pulse of vein a magnificent drum beat against her tongue. With the blood of her prey-- juices as thickly sweet as candy floss-- she marks her territory, parades her **** a pink handprint smeared across the hide of each stallion. "What dizzying artistry... how lovely-- how...insane," she laughs, each high pitched giggle a homage to the maddening musings of her soul (and her throne.)
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103
I am the prodigal daughter of Hestia-- Goddess of hearth, warmth, embers that do not fade, for they glow as softly as lightning bugs. But this time, I will not be returning home. Don't you see? I've burned it down already. Perhaps there shall exist no redemption for my pyromanic sins. They could not save Sylvia Plath as she ****** her head into the oven, carbon monoxide stealing away her last strands of breath. (Sadness climbs up my throat in stalagmites of flame, rises from the chasm of my soul like bile, like a phoenix reborn.) They could not save Joan of Arc, whose flesh screamed out among the ringlets of fire and threads of cinder that consumed it so mercilessly. (No, I am not a witch-- just a demi-goddess, just a dangerous woman But, unlike Joan of Arc, I am no Saint either.) They could not save Pompeii whose inhabitants lay victimized asphyxiated stolen by the magma regurgitated by the Almighty Vesuvius (I cannot decide who I am more similar to-- the inhabitants of Pompeii, or the lava itself) Perhaps then, there is no saving a woman like me-- a woman forged from brimstone, Hell's very own Femme Fatale. I wear lighter fluid atop my collar bone like its fragrance; braid singed ribbon into my hair, its ends charred and curling upwards like tendrils of smoke; rouge my lips with gunpowder. Kiss me and bite the bullet, darling-- make love to me and you will combust. But oh! How these men will  bite their lip at the thought of ******* me, of dipping their fingertips into the molten pools that dwell between my thighs similar to the way a mere girl (I, 16 years old) is fascinated by the prospect of baptizing her own melancholic hands in candle wax. (Who's the real ********* here, Baby? Sincerely, your Filthy Pyrophilliac.) I am a shadow charmer, arsonist the  Siren of this Inferno (wanted for her crimes). Perhaps I was never the epitome of darkness, perhaps I simply lured the darkness towards me (sorrow and the devil too.) It's funny now that I think about it, how the stars too reside in darkness, how, when I wish upon them, I am really only wishing on fire. And where there is fire, there is destruction; it's no wonder all these dreams-- those of love magic poetry-- have shuddered to ash. Still, l I find myself making snow angels in the ashes, stick my tongue out, let the remnants of desire scorch my taste buds. Here I lie like an extinguished cigarette, my use fulfilled and discarded. But that's just fate, stars ain't too fond of nicotine, ya see, ain't too fond of me even though the very atoms that comprise my being are made of the stuff of galaxies. But, oh, how these galaxies have escaped my brooding grasp. I do whatever it takes to re-ignite what has been lost-- chew on matchsticks, let the splinters sear themselves into my tongue; lap at the iridescent gasoline puddles that wade along lonely streets corners; howl beneath paper lanterns, for both the sun and the moon have forsaken me. I do whatever it takes to remember where I come from-- a state of limbo, wherein I am simultaneously angel (falling) |and| demon (the fallen) What am I without flame? Flame-- they could not save me from it, from burning. But perhaps the peril was never in burning; perhaps it was in  burning out; perhaps it was in disintegrating.
0
Jul 31, 2018
Jul 31, 2018 at 1:20 AM UTC
Pyrophilia
I am the prodigal daughter of Hestia-- Goddess of hearth, warmth, embers that do not fade, for they glow as softly as lightning bugs. But this time, I will not be returning home. Don't you see? I've burned it down already. Perhaps there shall exist no redemption for my pyromanic sins. They could not save Sylvia Plath as she ****** her head into the oven, carbon monoxide stealing away her last strands of breath. (Sadness climbs up my throat in stalagmites of flame, rises from the chasm of my soul like bile, like a phoenix reborn.) They could not save Joan of Arc, whose flesh screamed out among the ringlets of fire and threads of cinder that consumed it so mercilessly. (No, I am not a witch-- just a demi-goddess, just a dangerous woman But, unlike Joan of Arc, I am no Saint either.) They could not save Pompeii whose inhabitants lay victimized asphyxiated stolen by the magma regurgitated by the Almighty Vesuvius (I cannot decide who I am more similar to-- the inhabitants of Pompeii, or the lava itself) Perhaps then, there is no saving a woman like me-- a woman forged from brimstone, Hell's very own Femme Fatale. I wear lighter fluid atop my collar bone like its fragrance; braid singed ribbon into my hair, its ends charred and curling upwards like tendrils of smoke; rouge my lips with gunpowder. Kiss me and bite the bullet, darling-- make love to me and you will combust. But oh! How these men will  bite their lip at the thought of ******* me, of dipping their fingertips into the molten pools that dwell between my thighs similar to the way a mere girl (I, 16 years old) is fascinated by the prospect of baptizing her own melancholic hands in candle wax. (Who's the real ********* here, Baby? Sincerely, your Filthy Pyrophilliac.) I am a shadow charmer, arsonist the  Siren of this Inferno (wanted for her crimes). Perhaps I was never the epitome of darkness, perhaps I simply lured the darkness towards me (sorrow and the devil too.) It's funny now that I think about it, how the stars too reside in darkness, how, when I wish upon them, I am really only wishing on fire. And where there is fire, there is destruction; it's no wonder all these dreams-- those of love magic poetry-- have shuddered to ash. Still, l I find myself making snow angels in the ashes, stick my tongue out, let the remnants of desire scorch my taste buds. Here I lie like an extinguished cigarette, my use fulfilled and discarded. But that's just fate, stars ain't too fond of nicotine, ya see, ain't too fond of me even though the very atoms that comprise my being are made of the stuff of galaxies. But, oh, how these galaxies have escaped my brooding grasp. I do whatever it takes to re-ignite what has been lost-- chew on matchsticks, let the splinters sear themselves into my tongue; lap at the iridescent gasoline puddles that wade along lonely streets corners; howl beneath paper lanterns, for both the sun and the moon have forsaken me. I do whatever it takes to remember where I come from-- a state of limbo, wherein I am simultaneously angel (falling) |and| demon (the fallen) What am I without flame? Flame-- they could not save me from it, from burning. But perhaps the peril was never in burning; perhaps it was in  burning out; perhaps it was in disintegrating.
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138
how would you address me? if i wear this tight black dress as dark as the nights i might spend with you and might not would you pay for me at the restaurant? thinking that you have already won my sympathy by this act of courting tradition hoping that i'll kiss you on the first date in addition or will you blame me for my female magic spells because this is what tells you that i am just another pragmatic ***** in a dress that made your breath hitch tricked you into this act like it's not a well-known fact that i went out with you just because you wouldn't leave me alone and i couldn't defend my own without my make up nice smiles and black dress on so how will you address me after that?
0
Oct 27, 2017
Oct 27, 2017 at 1:20 PM UTC
my armor is red lips and high heels
The girls wear lipstick - red or black. They wear it for themselves or at times so like dogs or war criminals they can mark their territory.
0
Nov 27, 2016
Nov 27, 2016 at 11:27 AM UTC
Tweet Verse #82 - Raw (an excerpt)
she's a wild unconventional girl her hair flies about her in wisps she seems to be the one with bare feet everywhere her friends call her a mystery and a tease but not in the alluring curl-of-a-finger sort of way in the way that she is deep deep as her eyes are blue like the ocean eyes that are so old, they tell stories of pain buried beneath layers no one will ever see including this femme fatale herself she attracts those with the purest hearts she doesn't even corrupt them, just makes them think too much she's the other woman who is as beautiful as her photographs she throws her head back when she laughs she is familiar to everybody and yet always seems untouchable if you touch her you are brave or a fool she will always be that one the one that got away but also you got away from
0
Jul 19, 2016
Jul 19, 2016 at 12:30 AM UTC
The Other Woman
she's still coming-of-age, like those bad films with those bad boys trying to tell her secrets that aren't really secrets; to lips that only turn out tricks. they all don't dare forget her because, when she leaves, she's never gone too long. she doesn't have time for quitting-- she's a dreamer with an "ever after" in sight. she's a winner, she's a sinner. get too close and, you won't regret her, until she's left you for dead, lying half-conscious; gasping for more in the a.m.
0
Apr 2, 2016
Apr 2, 2016 at 5:07 PM UTC
dead in the a.m.
As I’m standing in the spotlight I see look-alikes swiftly passing by But none of them pull off That red dress like you do And I follow very thorough Each and every one in my mind But all roads lead to home Where rooms are filled with memories You’ve always had me caught Between the fire and your vicious sensuality Playful debauchery I’d never would have thought That everything would end up in this way As you take me by the hand And lead me down memory lane A love in black and white With hints of perfume in the air You hold on to the leading role Despite the fact that you’re long gone But no-one would be able To replace this femme fatale anyway With passion and despair You always lured me into petty ambiguity Mental disparity If only I had said That life would stop being the same
0
Mar 16, 2016
Mar 16, 2016 at 8:09 AM UTC
Femme Fatale