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#compartmentalize
I'm seeing you tonight And it's been quite a while Four days to be exact I remember a time when It drove us crazy To not see each other most days I act like I don't care Sometimes it feels like I don't But I feel the sadness looming over me How can I not when I know I want to see you more? Life isn't that easy though It's best not to feel Not to care A self-protective coping mechanism That lets me function as human again I'm nervous to see you I don't know how I'll feel and If I really am compartmentalizing I know it doesn't hold up When I'm laying next to you I don't want to want you this much I still want to be with you though Just not so invested It's unsafe It's uncontrollable And as someone who needs to feel A variation of both of those I'm terrified that seeing you Will destroy these walls I've built Until I'm left with nothing but Myself and My feelings
0
Mar 29, 2018
Mar 29, 2018 at 2:56 PM UTC
Shut Down in Love
My heart weighs heavy Tipping this scale so far Until I hit the ground So unsure if it's the alcohol Or these feelings That keep me so far down I just want to breathe And I want to hold you But I don't know what that means I compartmentalize my feelings so much All tucked sweetly away in the empty crawl spaces Until I look in the mirror and don't know who I see I want to feel something Anything but this sadness leaking out Of all the holes in all the closed doors My mind is a maze without a map Even though I've created it myself I still don't know the ceilings from the floors How can I look at your face and not hear her words? "Just stop hurting people" she says Trust me baby all I do is try I try so hard to not leave scars on these beautiful souls My instinct is to help the broken Though as soon as I'm ready to leave they're ready to die Babe I promise that I see you I haven't known you long but that's never been the issue The problem is that I can't see myself I'll feel this love for someone one minute And the next I could ice them out for days at a time Left to wonder if it's actually me or just the liquor off the shelf I don't believe in God but I'm praying now Begging someone to help salvage this broken soul Yet I'm still surrounded by silence In this life you have to save yourself But we all need help sometimes And too much pressure leads to self-directed violence I'm trying so hard I just want to be ok I just want to be free Then I get nights like these Choking on this random sadness Left to question if this life is really for me But I'm trying And I'm growing And this will pass one day I just hope until then You love me enough To want to stay
0
Mar 29, 2018
Mar 29, 2018 at 4:19 AM UTC
Love, Alcohol, and Childhood Trauma
My heart weighs heavy Tipping this scale so far Until I hit the ground So unsure if it's the alcohol Or these feelings That keep me so far down I just want to breathe And I want to hold you But I don't know what that means I compartmentalize my feelings so much All tucked sweetly away in the empty crawl spaces Until I look in the mirror and don't know who I see I want to feel something Anything but this sadness leaking out Of all the holes in all the closed doors My mind is a maze without a map Even though I've created it myself I still don't know the ceilings from the floors How can I look at your face and not hear her words? "Just stop hurting people" she says Trust me baby all I do is try I try so hard to not leave scars on these beautiful souls My instinct is to help the broken Though as soon as I'm ready to leave they're ready to die Babe I promise that I see you I haven't known you long but that's never been the issue The problem is that I can't see myself I'll feel this love for someone one minute And the next I could ice them out for days at a time Left to wonder if it's actually me or just the liquor off the shelf I don't believe in God but I'm praying now Begging someone to help salvage this broken soul Yet I'm still surrounded by silence In this life you have to save yourself But we all need help sometimes And too much pressure leads to self-directed violence I'm trying so hard I just want to be ok I just want to be free Then I get nights like these Choking on this random sadness Left to question if this life is really for me But I'm trying And I'm growing And this will pass one day I just hope until then You love me enough To want to stay
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48
I. I cannot seem to picture holes in my body like most people do. That popular metaphor they use to represent loss. I think of those cardboard boxes that come in different shapes, displayed in bookstores. Those you don't especially need but feel like walking away with like they've always been yours. One resembles an emptied pool, another like a cake eaten so carefully, the sponge remains barely intact, imitating a box. And yet, for some reason, you don't want to put anything in them. They look appealing as they are, empty. When a friend loses something, maybe a blown-off cap, I picture a green oblong box neatly caved in his crown, through his skull. I can't visualize a hole, or a collapsed floorboard, nor dug-out soil. Assorted colored boxes in odd shapes, at different locations and time, fitting flawlessly, like an expensive upgraded sink, through people's body parts. Sometimes I picture them with a lid on but they're still visible: an obvious bright patch of cardboard ingrained in someone's palm, or at one side of another's abdomen. II. Holes, usually from gunshot, are intentionally plumbed by nature and open till the other end. True loss, to become irretrievable, has to have an element of reach and is then restricted by space—tracing inevitability. You lose a phone and you search through the rectangle case by your thigh, and seize nothing, there's only cardboard and skin. III. You lose someone. But an entire box the shape of your body can't possibly replace you or your whole skeletal system would pop out. So you imagine that loss, an open cocoon, as a single organ—a heart, or at least half of it. You can't tell whether that side is capable of beating, but when you knock on it, it sounds the same. You feel that compartment in your chest and it's all solid and compact, maybe even scratchy. You reach and your hand doesn't go through. Of course, it never arrived like a bullet. You deliberately chose to put something in that box. And as much as you rather wanted to see that bright ear-shaped box empty, leaving it's contents to imagination, you compromised, thinking half a heart wouldn't take too much space. And losing that person, you think back on the day you first got the box. It was never meant to be filled, you imagine. It looked better on a shelf behind glass among other colored boxes: firm as new and all equally fragile, maybe even bearing a scent or taste. I believe this is one way to cope with loss, by disassociating it—turning it into a pretty spectacle you'd want to buy but don't, just another section one passes in a mall.
0
Apr 29, 2017
Apr 29, 2017 at 10:55 AM UTC
Assorted boxes
I. I cannot seem to picture holes in my body like most people do. That popular metaphor they use to represent loss. I think of those cardboard boxes that come in different shapes, displayed in bookstores. Those you don't especially need but feel like walking away with like they've always been yours. One resembles an emptied pool, another like a cake eaten so carefully, the sponge remains barely intact, imitating a box. And yet, for some reason, you don't want to put anything in them. They look appealing as they are, empty. When a friend loses something, maybe a blown-off cap, I picture a green oblong box neatly caved in his crown, through his skull. I can't visualize a hole, or a collapsed floorboard, nor dug-out soil. Assorted colored boxes in odd shapes, at different locations and time, fitting flawlessly, like an expensive upgraded sink, through people's body parts. Sometimes I picture them with a lid on but they're still visible: an obvious bright patch of cardboard ingrained in someone's palm, or at one side of another's abdomen. II. Holes, usually from gunshot, are intentionally plumbed by nature and open till the other end. True loss, to become irretrievable, has to have an element of reach and is then restricted by space—tracing inevitability. You lose a phone and you search through the rectangle case by your thigh, and seize nothing, there's only cardboard and skin. III. You lose someone. But an entire box the shape of your body can't possibly replace you or your whole skeletal system would pop out. So you imagine that loss, an open cocoon, as a single organ—a heart, or at least half of it. You can't tell whether that side is capable of beating, but when you knock on it, it sounds the same. You feel that compartment in your chest and it's all solid and compact, maybe even scratchy. You reach and your hand doesn't go through. Of course, it never arrived like a bullet. You deliberately chose to put something in that box. And as much as you rather wanted to see that bright ear-shaped box empty, leaving it's contents to imagination, you compromised, thinking half a heart wouldn't take too much space. And losing that person, you think back on the day you first got the box. It was never meant to be filled, you imagine. It looked better on a shelf behind glass among other colored boxes: firm as new and all equally fragile, maybe even bearing a scent or taste. I believe this is one way to cope with loss, by disassociating it—turning it into a pretty spectacle you'd want to buy but don't, just another section one passes in a mall.
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43
1                                                                    4 she offers me,                                             a spot of dust she raises me                                              under the couch, on platitudes and warm bread                I know it’s in return for my devotion                         there she loves me like the boats                       today, I start spring-cleaning, she keeps out on the ocean                      (this alone she loves me to be molded,                      should receive not to be unfolded                                     more recognition than it will)                                                                       I pull out the couch she bore me bones                                     the vacuum doesn’t quite the lacrimal bone                                       reach the dust lying the breastbone                                            on unused carpet, all the cervical vertebrae                          the head I use them to simulate                              keeps hitting the wall her expectations                                        unproductive                                                                      I put the furniture back 2                                                                   in place I have names,                                             no one will see the lack I wear them like badges                           of progress inspired by something not quite earned yet                                                   5                                                                      while lucid dreaming I assigned                                                   constellations were on each name                                                  my skin a compartment                                          and freckles in of me                                                           the night sky If I name them maybe they will become                                       pollution drowned out real, not just necessary                             two thirds                                                                      even if most imploded                                                                      before they were seen 3                                                                   6 with enough necessity                             were it not for shadows anyone can tell a lie                                  I would surely learn to                                                                      hate the light
0
Jul 4, 2015
Jul 4, 2015 at 6:43 PM UTC
on deception (vignettes)
1                                                                    4 she offers me,                                             a spot of dust she raises me                                              under the couch, on platitudes and warm bread                I know it’s in return for my devotion                         there she loves me like the boats                       today, I start spring-cleaning, she keeps out on the ocean                      (this alone she loves me to be molded,                      should receive not to be unfolded                                     more recognition than it will)                                                                       I pull out the couch she bore me bones                                     the vacuum doesn’t quite the lacrimal bone                                       reach the dust lying the breastbone                                            on unused carpet, all the cervical vertebrae                          the head I use them to simulate                              keeps hitting the wall her expectations                                        unproductive                                                                      I put the furniture back 2                                                                   in place I have names,                                             no one will see the lack I wear them like badges                           of progress inspired by something not quite earned yet                                                   5                                                                      while lucid dreaming I assigned                                                   constellations were on each name                                                  my skin a compartment                                          and freckles in of me                                                           the night sky If I name them maybe they will become                                       pollution drowned out real, not just necessary                             two thirds                                                                      even if most imploded                                                                      before they were seen 3                                                                   6 with enough necessity                             were it not for shadows anyone can tell a lie                                  I would surely learn to                                                                      hate the light
Continue reading...
36