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A carriage pulled by donkeys in yellow gloves rides into the village square The moon shines in the sky carrying the wild night on its shoulders Lamb clouds darken with fear – chased by a wolf – the Evening Out of the carriage looks HE – twenty years on his head and SHE just a little less People along the road graze on them with their eyes tearing piece by piece from their bodies: For the First Time For the Last Time Once Above the procession glows in a long strip the centre of our Galaxy toward the constellation of the Eagle – breathing with a thin and fragile balance of the Universe But no one here cares astronomy is beyond their gaze People say: it will rain or: not a drop for a week We have fun today – at last! The fever won’t catch us – in the lit dormers under the red cockerel of roofs no one dies The Two walk in a tight grip – squeezing knuckles – but their touches are cold For both – this evening is stiff in shoulders and they are forgetting they are not just wooden figurines Behind them the musicians - trumpets tinny singing the violins would rather not A march of beats and musicians walking through the quiet open land The neighbour stretches her neck like a giraffe to catch a piece of the wedding melody – torn by cold and tossed in the wind over the fences Grandma and grandpa joke – baring their gappy teeth at wooden chairs The village wheel turns *** Before the inn already waits a crowd: Downcast eyes a smile or a glance up – Two three scarves – the rest bare-headed A shovel sinks into the soft soil a pint slams on the table and someone retches at the thought that tomorrow the innkeeper will wade through a stubble of empty battered chairs asleep in the wildest positions It’s alive loud noisy but not a single clear word crawls out of their mouths Only the innkeeper laughs like an animal but no one minds no one thinks of him or of the lovers now They are forgotten sooner than they managed to grow up into their wedding clothes Dinner ends – Midnight is coming The coachman cracks his whip people jostle at the door They push HER and HIM outside – huddled together so they don’t feel the silence and dark on the way to church at the hour of ghosts Outside the snow creaks frost flows along the ground The holy mass in a church without a roof flies straight into the ears of night The priest searches in the book for Holy Scripture like grains in a field and at the words of the Last Judgement the graves behind the church come alive The lovers kneel on the tiles eyes hanging on the cross Their hands are trembling but the crowd sweeps them up tears the shyness slides on the wedding rings and joins together the first married kisses *** The way from the church is easier – outside God cannot guard them All the pagan desires stand along the road hidden behind the dewy trees
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May 15
May 15, 2026 at 3:40 PM UTC
Village wedding
A carriage pulled by donkeys in yellow gloves rides into the village square The moon shines in the sky carrying the wild night on its shoulders Lamb clouds darken with fear – chased by a wolf – the Evening Out of the carriage looks HE – twenty years on his head and SHE just a little less People along the road graze on them with their eyes tearing piece by piece from their bodies: For the First Time For the Last Time Once Above the procession glows in a long strip the centre of our Galaxy toward the constellation of the Eagle – breathing with a thin and fragile balance of the Universe But no one here cares astronomy is beyond their gaze People say: it will rain or: not a drop for a week We have fun today – at last! The fever won’t catch us – in the lit dormers under the red cockerel of roofs no one dies The Two walk in a tight grip – squeezing knuckles – but their touches are cold For both – this evening is stiff in shoulders and they are forgetting they are not just wooden figurines Behind them the musicians - trumpets tinny singing the violins would rather not A march of beats and musicians walking through the quiet open land The neighbour stretches her neck like a giraffe to catch a piece of the wedding melody – torn by cold and tossed in the wind over the fences Grandma and grandpa joke – baring their gappy teeth at wooden chairs The village wheel turns *** Before the inn already waits a crowd: Downcast eyes a smile or a glance up – Two three scarves – the rest bare-headed A shovel sinks into the soft soil a pint slams on the table and someone retches at the thought that tomorrow the innkeeper will wade through a stubble of empty battered chairs asleep in the wildest positions It’s alive loud noisy but not a single clear word crawls out of their mouths Only the innkeeper laughs like an animal but no one minds no one thinks of him or of the lovers now They are forgotten sooner than they managed to grow up into their wedding clothes Dinner ends – Midnight is coming The coachman cracks his whip people jostle at the door They push HER and HIM outside – huddled together so they don’t feel the silence and dark on the way to church at the hour of ghosts Outside the snow creaks frost flows along the ground The holy mass in a church without a roof flies straight into the ears of night The priest searches in the book for Holy Scripture like grains in a field and at the words of the Last Judgement the graves behind the church come alive The lovers kneel on the tiles eyes hanging on the cross Their hands are trembling but the crowd sweeps them up tears the shyness slides on the wedding rings and joins together the first married kisses *** The way from the church is easier – outside God cannot guard them All the pagan desires stand along the road hidden behind the dewy trees
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96
These ole' Ghetto streets You got beef?? then bring the heat, Don't make this an issue, I might just diss you, When You living in the hood, and you wish a n**** Would!! Aye, you good??? Everything's Aiight!!! Aye, Ya'll cool??? Yeah we tight???, Trash all over the place, it's just a sin and a shame it's such a disgrace, Get outta my face, or Imma put you in your place, Don't make a sound, not even a peep, Can't keep your mouth shut, then take several seats, It's about to go down, IN THESE OLE' GHETTO STREETS!!! B.R. Date: 10/29/2024
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Oct 30, 2024
Oct 30, 2024 at 3:34 PM UTC
These Ole' Ghetto Streets
Cascading, at scale, eye service, watching, int'resting, virtue really, worth, feel touched, touched in the head, late onset berdach. Nah, tubes tied, abortions never needed. but what, eight billion eaters on a world, Malthusian Darwinian, luck of the draw, live hard, die young. Too late. I sigh, and make peace with that one old joke, I am too old, to be the youngest anything.
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Oct 8, 2022
Oct 8, 2022 at 5:43 PM UTC
All downhill from here
I saw Sting in the lobby this morning, we were going out and he was coming in. Lisa nudged me, “Sting” was all she whispered. He was with a woman and a man. The woman was talking to the doorman. Sting was dressed all in black except for a long stark-white cashmere scarf, he was chatting and working a dark-gray French-flat-cap around in his hands. His hair is very short and white. We wanted to walk in the snow, if only for a minute. A gust of wind caught us as we reached the sidewalk. The two American flags, on either side of the entrance, went rigid, at 9-o’clock as if saluting us. “Jeeez!” I said, like the Georgia girl I am - or was. “Don’t be a baby,” Lisa answered, like a true, pittyless New Yorker but her cheeks had turned a child-like pink. She flipped up her collar. I patted my pocket, relieved to feel my phone and know that if we froze to death the authorities could use “find my friends” to locate our bodies. Leeza joins us a moment later and I can’t help but notice that she’s dressed like it’s a cool fall day. Back in the day, when my brother would dress like summer even though temperatures in Georgia had dipped cruelly into the fifties. Seeing him, my mom would say, “Where there’s no sense, there’s no feeling,” but I don’t. “Did you see Sting?” I asked Leeza (12). She gives me a blank look. “Sting”, I said, “the lead singer for The Police?” I add, as clarification. “I don’t know who that is,” she says flatly. “He was famous,” I say in surrender, “a long time ago, in the 90s.” Maybe the next generation won’t be as celebrity driven. Thank God Lisa suggested I pin my artist-beret down or it would have blown away, like my resolve to walk in the snow. Still, I followed Lisa into the park like a cat on a leash - unwilling to be seen as any less Canadian. The show crunched like we were trampling over snow-cones. Trees began turning away the wind as we entered Central Park, “I think we may survive.” I said cheerfully. Just because you're freezing to death doesn’t mean you can’t be ​​affable. Why don’t pigeons freeze to death - I thought birds flew south for the winter?
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Jan 10, 2022
Jan 10, 2022 at 9:17 AM UTC
Stinging January morning
I saw Sting in the lobby this morning, we were going out and he was coming in. Lisa nudged me, “Sting” was all she whispered. He was with a woman and a man. The woman was talking to the doorman. Sting was dressed all in black except for a long stark-white cashmere scarf, he was chatting and working a dark-gray French-flat-cap around in his hands. His hair is very short and white. We wanted to walk in the snow, if only for a minute. A gust of wind caught us as we reached the sidewalk. The two American flags, on either side of the entrance, went rigid, at 9-o’clock as if saluting us. “Jeeez!” I said, like the Georgia girl I am - or was. “Don’t be a baby,” Lisa answered, like a true, pittyless New Yorker but her cheeks had turned a child-like pink. She flipped up her collar. I patted my pocket, relieved to feel my phone and know that if we froze to death the authorities could use “find my friends” to locate our bodies. Leeza joins us a moment later and I can’t help but notice that she’s dressed like it’s a cool fall day. Back in the day, when my brother would dress like summer even though temperatures in Georgia had dipped cruelly into the fifties. Seeing him, my mom would say, “Where there’s no sense, there’s no feeling,” but I don’t. “Did you see Sting?” I asked Leeza (12). She gives me a blank look. “Sting”, I said, “the lead singer for The Police?” I add, as clarification. “I don’t know who that is,” she says flatly. “He was famous,” I say in surrender, “a long time ago, in the 90s.” Maybe the next generation won’t be as celebrity driven. Thank God Lisa suggested I pin my artist-beret down or it would have blown away, like my resolve to walk in the snow. Still, I followed Lisa into the park like a cat on a leash - unwilling to be seen as any less Canadian. The show crunched like we were trampling over snow-cones. Trees began turning away the wind as we entered Central Park, “I think we may survive.” I said cheerfully. Just because you're freezing to death doesn’t mean you can’t be ​​affable. Why don’t pigeons freeze to death - I thought birds flew south for the winter?
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9
The Century’s Wake by Michael R. Burch (lines written at the close of the 20th century and introduction of the 21st century) Take me home. The party is over, the century passed—no time for a lover. And my heart grew heavy as the fireworks hissed through the dark over Central Park, past high-towering spires to some backwoods levee, hurtling banner-hung docks to the torchlit seas. And my heart grew heavy; I felt its disease— its apathy, wanting the bright, rhapsodic display to last more than a single day. If decay was its rite, now it has learned to long for something with more intensity, more gaudy passion, more song— like the huddled gay masses, the wildly-cheering throng. You ask me— “How can this be?” A little more flair, or perhaps only a little more clarity. I leave her tonight to the century’s wake; she disappoints me. Originally published by The Centrifugal Eye. Keywords/Tags: new, century, wake, new year, party, Central Park, fireworks, song, display
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Apr 13, 2020
Apr 13, 2020 at 12:51 AM UTC
The Century’s Wake
A stop that my heart know. Where I said goodbye, I have to go. A stop that my mind could remember. Where he held me gently and kissed my temple. I am not drunk, I was sober. He poured too much butterflies in me that made me tremble.
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May 23, 2019
May 23, 2019 at 8:30 AM UTC
Central
a brave boo suit belfry bat and gob for her *** up the line and Oviedo worried in romance wouldn't dire the leader with a draw but this question not heard flew the coup
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Apr 3, 2019
Apr 3, 2019 at 9:37 AM UTC
Flannery
My mother doused herself in pale blue cloth and lighter fluid. Inch by inch, she covered her flesh and tightened her shroud; her eyes screamed regret as soon as her skin touched the match. Wailing shrilly “ya, Hussain,” my mother went up in flames. I shut my eyes tightly and counted to eleven. I heard her last choke and the thud that came after the turning. Her blue skirts turned white, and in my mind they still billow. Thundering through the doorway my father came unannounced, he took a single glance at my charred mother and shut his eyes. Her burqa was no longer blue, her body was a mess of boils, on hands and knees he swept her up, no sound did he emit from his mouth. My mother took no path into heaven: she spoke no gentle words but rather she whirled burning. Her movements, like a dervish, I watched amongst the pillows.
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Dec 5, 2018
Dec 5, 2018 at 8:22 PM UTC
Dar Muharram
*Thin like the willow Grey as the dove Quiet as the wind beneath which pesters the cat floats the wings and sweeps the city streets clean of debris Dark as the asphalt Soft as the paws Lean like meat Old like soil And slick like oil as it drips from beneath Shaking like the bedrock The running water whips Damp as the corners And dry as your eyes It slips And where asphalt meets the mossgrown bricks Corners are placed and worlds collide And the man within is locked away Within the metaphorical city street Would the Central Park I know and love, return to me? In all such glory The Willow trees*
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Jan 21, 2018
Jan 21, 2018 at 1:13 AM UTC
A Well Known Place
Borodin's On the Steppes of Central Asia Lost in a remote province of the mind A youth attends to the cheap gramophone Again: On the Steppes of Central Asia, A recording by a mill town orchestra Of no repute.  But it is magic still: While washing his face and dressing for work In a clean, pressed uniform of defeat, For ten glorious minutes he is not A function, a shop-soiled proletarian Of no repute.  Beyond the landlord’s window, Beyond the power lines and the pot-holed street, He searches dawn’s horizons with wary eyes For wild and wily Tartars, horsemen out To blood the caravans for glory and gold. A youth greets the day as he truly is: A cavalryman, a soldier of the Czar, Whose uniform is stained with victory.
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Jan 2, 2017
Jan 2, 2017 at 7:42 AM UTC
Borodin's *On the Steppes of Central Asia*
Have you ever made a pit stop on the road to success, to just sit and marvel at the gifts of the ghetto? Like the individually wrapped Treats that are left about. have you seen the gum plastered across pavements, the tagged up scenes... all of these things. The **** that people tend to turn their nose up to is the most beautiful to me. it reminds me of where I am and fuels me to reach for where I want to be. Broken sidewalks, broken homes babies out hustlin' to make their own. For as long as I can remember, this is all I've known this is the land that I call home. city buses and ratchet fights ****** scenes in broad daylight beautiful ugliness at my eyesight but it all pushes me to get it right. Land of promises Land of fame home to Hollywood and making a name it is also home to heartache and home of pain. but if I must refrain.. If you make a pit stop on the road to success and marvel at the ghetto you'd realize you are blessed. -ari b
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Apr 15, 2014
Apr 15, 2014 at 2:16 PM UTC
Pitt Stop Thru The Ghetto