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O Cântico do Douro que Ainda Não Foi Ouvido No princípio não foi o mercado. Nem o preço. Nem o contrato. Foi a terra. E antes da terra, foi o silêncio. Um silêncio antigo, mais velho que impérios, onde o xisto se partiu para dar lugar à raiz, e a raiz chamou o homem. Ali nasceu o Douro não como região, mas como consciência viva. Entre montanhas que falam em ecos de Mesopotâmia, nos gestos herdados de Anatólia, e na memória líquida do Mediterrâneo, o vinho sempre foi mais do que bebida: foi ponte. foi sangue. foi linguagem entre deuses e homens. E no Douro esse altar inclinado sobre o tempo o vinho não se faz: revela-se. Mas eis que chegaram os números, as contas frias, os mercados sem rosto. E aquilo que era sagrado foi medido em cêntimos. Aquilo que era herança foi reduzido a custo. Aquilo que era destino foi negociado como excedente. E o homem do Douro guardião de séculos, filho do sol e da pedra foi empurrado para a margem daquilo que ele próprio criou. Mas há leis que não se escrevem em papel. Há leis que vivem na terra. E a terra… nunca esquece. Tal como nas vinhas antigas, onde cada cepa guarda a memória de mil estações, também o Douro guarda uma verdade inevitável: Nenhum sistema que nega o valor da origem pode sobreviver ao tempo. Hoje fala-se de aguardente, de dentro e de fora, de custos e equilíbrios. Mas isso é apenas a superfície. Porque no fundo no fundo verdadeiro a questão é outra: Quem tem o direito de definir o valor daquilo que nasce da terra? O Viticultor não responde com revolta. Responde com visão. Porque ele sabe: o Douro não precisa de gritar. Precisa de despertar. E esse despertar virá. Como veio o vinho às civilizações antigas, como veio a luz às catedrais invisíveis do espírito, como vem sempre a verdade quando o tempo amadurece. Haverá um tempo não anunciado por decretos, nem controlado por interesses em que: a aguardente voltará à sua origem o vinho voltará à sua dignidade e o homem voltará ao centro do valor Nesse tempo, o Douro deixará de pedir permissão. E passará a afirmar-se como aquilo que sempre foi: um dos últimos territórios sagrados do mundo. E então, quem hoje compra barato terá de aprender a respeitar. Quem hoje controla terá de aprender a partilhar. E quem sempre resistiu em silêncio, em pedra, em suor será finalmente reconhecido. Porque o vinho… não esquece quem o fez nascer. E a terra… não trai quem a honra. 🌿 Victor Marques Douro
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Mar 31
Mar 31, 2026 at 7:51 AM UTC
O Cntico do Douro que Ainda No Foi Ouvido
O Cântico do Douro que Ainda Não Foi Ouvido No princípio não foi o mercado. Nem o preço. Nem o contrato. Foi a terra. E antes da terra, foi o silêncio. Um silêncio antigo, mais velho que impérios, onde o xisto se partiu para dar lugar à raiz, e a raiz chamou o homem. Ali nasceu o Douro não como região, mas como consciência viva. Entre montanhas que falam em ecos de Mesopotâmia, nos gestos herdados de Anatólia, e na memória líquida do Mediterrâneo, o vinho sempre foi mais do que bebida: foi ponte. foi sangue. foi linguagem entre deuses e homens. E no Douro esse altar inclinado sobre o tempo o vinho não se faz: revela-se. Mas eis que chegaram os números, as contas frias, os mercados sem rosto. E aquilo que era sagrado foi medido em cêntimos. Aquilo que era herança foi reduzido a custo. Aquilo que era destino foi negociado como excedente. E o homem do Douro guardião de séculos, filho do sol e da pedra foi empurrado para a margem daquilo que ele próprio criou. Mas há leis que não se escrevem em papel. Há leis que vivem na terra. E a terra… nunca esquece. Tal como nas vinhas antigas, onde cada cepa guarda a memória de mil estações, também o Douro guarda uma verdade inevitável: Nenhum sistema que nega o valor da origem pode sobreviver ao tempo. Hoje fala-se de aguardente, de dentro e de fora, de custos e equilíbrios. Mas isso é apenas a superfície. Porque no fundo no fundo verdadeiro a questão é outra: Quem tem o direito de definir o valor daquilo que nasce da terra? O Viticultor não responde com revolta. Responde com visão. Porque ele sabe: o Douro não precisa de gritar. Precisa de despertar. E esse despertar virá. Como veio o vinho às civilizações antigas, como veio a luz às catedrais invisíveis do espírito, como vem sempre a verdade quando o tempo amadurece. Haverá um tempo não anunciado por decretos, nem controlado por interesses em que: a aguardente voltará à sua origem o vinho voltará à sua dignidade e o homem voltará ao centro do valor Nesse tempo, o Douro deixará de pedir permissão. E passará a afirmar-se como aquilo que sempre foi: um dos últimos territórios sagrados do mundo. E então, quem hoje compra barato terá de aprender a respeitar. Quem hoje controla terá de aprender a partilhar. E quem sempre resistiu em silêncio, em pedra, em suor será finalmente reconhecido. Porque o vinho… não esquece quem o fez nascer. E a terra… não trai quem a honra. 🌿 Victor Marques Douro
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90
Freya Shield-Maiden, Lover Sister, Mother Embraces owing Life unfolding Blessings upon the fiery hearth Tears above Love below: relieve our toil Darkness ebbing Rhyme unending Listen to my bold tale! Freya Red hair flowing Sunlight growing Rising upon the hill A song of springtime Complete this bold rhyme Hear now my tale! Set out into the dark forest with newly picked flowers for the hearth, grasped within a meager coat. Clutched in bare hands and protected against her chest from the cold wind which blew so insistent. She was not far from the village when she met a woman on the road. "A penny for your thought? A purpose for your soul?” “I do not think so.”   Mysterious crones on a lonely road. “Perhaps mittens to keep an old woman’s hands warm?” scratched the voice of the Crone. The girl who wished to be on her way produced one flower from her coat,   “May the thorns keep your hands warm as they do mine.” Fresh blood dripping from the open wound, the Crone graciously accepted the rose. “For this trouble” she said “I will return a favor of my choosing...for you did not give me what I asked... I give a warning. You may not know of such things, but on this night, in these hills is a crone not unlike me. When she asks a favor of someone, and they do not give it to her...she takes them, then buries them in her garden to make the spring come faster. She always asks for that which cannot be given. The snow cover and the full moon coming will sneak night upon you. Wherever you are heading you must stay the night. For if you travel back you will surely lose your way and find yourself food for the flowers.” The girl who had been taught to be polite even to witches nodded and replied, "Thank you for your gift.” She headed on her way not believing a word of what the old Crone said. Still this dread loom is woven with defeat. Even for the gods who would keep us safe from evil, and guard us from death 'till the end of days was determined. I say for us all in this song that after light had dropped, the first of the frost did melt.
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Sep 15, 2021
Sep 15, 2021 at 8:31 PM UTC
A Tale of Spring
Freya Shield-Maiden, Lover Sister, Mother Embraces owing Life unfolding Blessings upon the fiery hearth Tears above Love below: relieve our toil Darkness ebbing Rhyme unending Listen to my bold tale! Freya Red hair flowing Sunlight growing Rising upon the hill A song of springtime Complete this bold rhyme Hear now my tale! Set out into the dark forest with newly picked flowers for the hearth, grasped within a meager coat. Clutched in bare hands and protected against her chest from the cold wind which blew so insistent. She was not far from the village when she met a woman on the road. "A penny for your thought? A purpose for your soul?” “I do not think so.”   Mysterious crones on a lonely road. “Perhaps mittens to keep an old woman’s hands warm?” scratched the voice of the Crone. The girl who wished to be on her way produced one flower from her coat,   “May the thorns keep your hands warm as they do mine.” Fresh blood dripping from the open wound, the Crone graciously accepted the rose. “For this trouble” she said “I will return a favor of my choosing...for you did not give me what I asked... I give a warning. You may not know of such things, but on this night, in these hills is a crone not unlike me. When she asks a favor of someone, and they do not give it to her...she takes them, then buries them in her garden to make the spring come faster. She always asks for that which cannot be given. The snow cover and the full moon coming will sneak night upon you. Wherever you are heading you must stay the night. For if you travel back you will surely lose your way and find yourself food for the flowers.” The girl who had been taught to be polite even to witches nodded and replied, "Thank you for your gift.” She headed on her way not believing a word of what the old Crone said. Still this dread loom is woven with defeat. Even for the gods who would keep us safe from evil, and guard us from death 'till the end of days was determined. I say for us all in this song that after light had dropped, the first of the frost did melt.
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33
Please don’t mind me, I’m just a splinter of the past. Wandering blindly, and hands are tied so I can’t grasp. Just like the thought, of giving up after giving all I’ve got, I admit that it wasn’t a lot. Now it’s too late to pretend that I’m not broken; could be so easy to mend, I’ll hide the shatter point where you made me bend. I’ll return to my other fix, it succeeds in dulling my heart with it’s mind tricks, a perfect combination just mix and blend. Nightly I lay awake sketching scenarios involving us, where you give and I take, I return equal amounts; a benefit of respect & trust. When it’s time to fill in each word, I admit I’m aware I’m not what she deserves, someone better who won’t lose their nerve. ‘Cause it’s too late to pretend that it’s not plagued in every thought I spend, should be thankful that I’m important enough to still be called friend. And there’ll always be somebody else, completely oblivious to a heart’s wealth, and too focused on their self to ever expend. We can’t fix the mistake but we can make a new one; drain each ocean and lake, and completely block out the sun. Yes it’s too late too pretend that you’re not draped in every word I’ve penned, even with the lowest odds I’ll still contend. And do you see each blow and broken bone, wishing that I’d just leave and find a home? On me you can depend to not be alone, do you think the same you could lend?
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Oct 8, 2019
Oct 8, 2019 at 2:12 AM UTC
Inferno Canto
Ascending to the second layer, a stench of nauseating breath expands across the zephyr. I attempt to avoid a cough and the opaque fog thickens as we reach an abrupt drop-off. Depicted below are frantic beings who have only the remembrance of anxiety, torment, and panicked feelings hiding amongst the remaining rubble in a soft whisper they beg for mercy, neglecting against their fatal, violent destruction on the vitality of the innocent. The scent swells to an intense sickening along with the dryness of incalescence. A low growl begins to rise! Traveling across the infinite distance, a foul creature comes to brutalize. The petrified beings cower in their hideouts and I hold my breath carefully as three giant, damp, and cold snouts emerge from the heavy smog. A rush of frigid wind washes over and I come to realize, it is the Watchdog. One risks a dangerous error in the act of running to the void, but the motion distracts the devious hunter. He strikes and pins the immoral, viciously tearing the flesh to pieces. Finally, taking him in the muzzle Cerberus violently tosses the limp body for it no longer contains value nor interest. And I ask my Lover very faintly: “What becomes of the one enduring torture?” And he, nonchalantly: “Don’t worry, my dearest. They have yet to regain their composure.” As we escape from the horror below to the unknown exceeding cruel, the dying mortal begins to regrow.
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Dec 21, 2016
Dec 21, 2016 at 7:26 PM UTC
Canto III
Upon entering the vast crystal dome we venture through the endless that such vile creatures call home. Before me, occurring a ghastly sight of those cursed to these depths are confined to the blackest night. Embedded into the surrounding walls, irregularity complicates the network when one wanders the immortal halls of a timeless place that captures its victims to intensify the thoughts inside their head, eluding the state of true mortem. With heavy rope held agonizingly tense woven within their eyes and mouth blocking all intellection of the sense, the creatures meander aimlessly forevermore nervous and cautious of their movements, bloodied and grimy from the soot-ridden floor. I question my Lover out of curiosity: “Why must these souls dwell in a daunting labyrinth without physical perceptivity?” And the Lover addressed sweetly: “My one and only, Greed is a moral infection of the human mind, be wary of the heart and the desire Lustfully.” He then turned, and I followed him through up to a Beast whom I would not dare test for he validates the lack of your virtues.
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Dec 18, 2016
Dec 18, 2016 at 9:40 PM UTC
Canto II
Awoken in a wood of dark and eerie I find myself alone and lost with an arising feeling of anxiety amidst the ash in the thick air that leaves a sour and bitter taste, filling my lungs with despair. The sudden unbearable heat from the lifeless forest around me pulses like a heartbeat. As I walk beneath the scorched and rotten to discover my Lover isolated before me in a world where I am forgotten. Dolan, my Dearest, effortlessly strides towards the distraught, roaming soul and with a saddened lack of pride he speaks to me calmly and awaits for the precise explanation as to “Why have you strayed from our fate?” Despite the uncomfortable torridity I manage to utter a sentence or two: “I do not wish to trouble thee! You see, for I have no recollection of where I could possibly envision, for us, the proper direction.” My guide then willfully took my hand leading me to a massive, clear sphere in which controls the eternity of the ******
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Dec 17, 2016
Dec 17, 2016 at 10:01 PM UTC
Canto I
Over the many years which have passed, my mind constantly brings me back to one place Where the strong waves crash against the heavy rocks So powerful, whitecaps form on the waters surface Could easily knock a grown man off his feet. But I am secure on shore, dry and content Blindly in love For you are beside me where I've always envisioned you Hand firmly wrapped, untwined with my fingers You told me I have no reason to fear. We sit here for a long time, in silence Connected by our hands, our bodies lost in an unspoken moment with Mother Nature The wind confirms it's affair with the trees, deep gusts of air blow through rustling up a wonderful sound I become cold, involuntarily shiver. Your arm wraps around me, and I shiver again Just not because of the wind this time Drawing me closer, I am with you The birds, the lake This is all for us I never want to leave Transfixed in a dimension furthest from our own My eyes grow heavy, and I am afraid if we leave here now that things might change I'm always weary and afraid of the unknown You pull me to my feet and kiss me so strongly Breaking apart you say the first spoken words in hours "I don't know where you came from, but I am so glad you're mine". The wind carried those words away from us High above, under the winds of sea birds. Across the lake, whispering Across time. As I sit here, in my Cobweb covered rocking chair, miles and miles from that spot I could've sworn I heard your voice carried with that last gust of wind As it blew through my hair "I don't know where you came from, but I am so glad you're mine" Sleep overcame me,                              And I dreamed.
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Aug 5, 2015
Aug 5, 2015 at 3:32 PM UTC
Carried with the Wind
Over the many years which have passed, my mind constantly brings me back to one place Where the strong waves crash against the heavy rocks So powerful, whitecaps form on the waters surface Could easily knock a grown man off his feet. But I am secure on shore, dry and content Blindly in love For you are beside me where I've always envisioned you Hand firmly wrapped, untwined with my fingers You told me I have no reason to fear. We sit here for a long time, in silence Connected by our hands, our bodies lost in an unspoken moment with Mother Nature The wind confirms it's affair with the trees, deep gusts of air blow through rustling up a wonderful sound I become cold, involuntarily shiver. Your arm wraps around me, and I shiver again Just not because of the wind this time Drawing me closer, I am with you The birds, the lake This is all for us I never want to leave Transfixed in a dimension furthest from our own My eyes grow heavy, and I am afraid if we leave here now that things might change I'm always weary and afraid of the unknown You pull me to my feet and kiss me so strongly Breaking apart you say the first spoken words in hours "I don't know where you came from, but I am so glad you're mine". The wind carried those words away from us High above, under the winds of sea birds. Across the lake, whispering Across time. As I sit here, in my Cobweb covered rocking chair, miles and miles from that spot I could've sworn I heard your voice carried with that last gust of wind As it blew through my hair "I don't know where you came from, but I am so glad you're mine" Sleep overcame me,                              And I dreamed.
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36
The fatter rains are beneath the canopy, but deafened Come the flowers whom I’d sing mournful songs, Our latter-day hymns of Benjamin Gibberd So, I say to them all as they to the earth, twinges of falsehood In loved embraces to the earth they bind themselves (But the quiet soothes of incurable ills). Their voices become intolerable candors of intolerable people That echo between the ash and locust who seem to melt darker. This empty way comes in sudden inspiration, a heart Ready to fill with blood again, to beat love and passion Into nature’s core and I stand in its middle, crushed By endless gallons of living things; but, I need not surprise Or overwork myself since the airs taken for granted That I put on or breath, settle in my lungs Pressing heavy with every love that could have been Or every natal anxiety come to plume. As flies, I am not ready to make vines spring or reek up the woods And my feet take the flight, take the prayer—I’ve only ever Prayed to myself, anyway—this tilled earth of my hand, What will come of me someday, grows out moss In fibres of a self-conceit remaining in sorrow and censure Youth and in pleasure, run until my foot gives way in the mud. I lay sinking at the rude audience of tongues and tangles And the open world, far too distant to really hear the speeches They’ve heard far too many times. Perhaps I’ve saddened them They do not respond to the resigned gurgle of the mud But, there are tears in the woods, too marked up like pistils Of much-quitted innocence given no reason to act No comfort are they, nor am I to them The only true comfort now, is the weight of the world And the wind on my back.
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Jun 5, 2015
Jun 5, 2015 at 1:17 PM UTC
Canto 3
The fatter rains are beneath the canopy, but deafened Come the flowers whom I’d sing mournful songs, Our latter-day hymns of Benjamin Gibberd So, I say to them all as they to the earth, twinges of falsehood In loved embraces to the earth they bind themselves (But the quiet soothes of incurable ills). Their voices become intolerable candors of intolerable people That echo between the ash and locust who seem to melt darker. This empty way comes in sudden inspiration, a heart Ready to fill with blood again, to beat love and passion Into nature’s core and I stand in its middle, crushed By endless gallons of living things; but, I need not surprise Or overwork myself since the airs taken for granted That I put on or breath, settle in my lungs Pressing heavy with every love that could have been Or every natal anxiety come to plume. As flies, I am not ready to make vines spring or reek up the woods And my feet take the flight, take the prayer—I’ve only ever Prayed to myself, anyway—this tilled earth of my hand, What will come of me someday, grows out moss In fibres of a self-conceit remaining in sorrow and censure Youth and in pleasure, run until my foot gives way in the mud. I lay sinking at the rude audience of tongues and tangles And the open world, far too distant to really hear the speeches They’ve heard far too many times. Perhaps I’ve saddened them They do not respond to the resigned gurgle of the mud But, there are tears in the woods, too marked up like pistils Of much-quitted innocence given no reason to act No comfort are they, nor am I to them The only true comfort now, is the weight of the world And the wind on my back.
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31
“For God’s sake, let us sit upon the ground And tell sad stories of the death of Kings.” The smell of fresh grasses lefts stifled underfoot, A thousand tiny voices, wheaten, bug, or no, Can call up to the elderly trees, whose white palms Gave surrender only moments ago to this wandering eye. To think, I am but that hole of many in a chain Of lattices made only by their breakage, For I relinquish myself to the spirit or biology Two gods my life’s work has been to destroy. The sun comes through that shattered mat of life A fallen crest, defining the morose bedding of Victim and trap, so that I may hear it speaking; Strung up and dragging on its gaunt, breathless rot It claims a stupid animal lived in this body once, Relinquished itself by flight to the unwavering, silky Thread of beautiful frailness, or motionless spectra, Thus, it deserves to lose what it did not want Since it did not flee life, it did not flee death. I wanted to study it more, enchanted by the hollowness Until water came onto my brow, fell onto my passive lips Uttering, till then, a prayer to fly from here, Till my eyes color over and I’ve finally escaped. But, this motif, I see, is overplayed, too trite For secular gods who prefer the wiles of game We, the peak of human life, I the most sufferable of them I, the most thirsting of my image, tend to consume. If it were boredom, then plagues would sweep hot winds Everywhere; thus, it is not, it is the constant reminder, We are but nothing, but flesh to die, unwitting flies To the spider’s web.
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Jun 5, 2015
Jun 5, 2015 at 1:17 PM UTC
Canto 2
“For God’s sake, let us sit upon the ground And tell sad stories of the death of Kings.” The smell of fresh grasses lefts stifled underfoot, A thousand tiny voices, wheaten, bug, or no, Can call up to the elderly trees, whose white palms Gave surrender only moments ago to this wandering eye. To think, I am but that hole of many in a chain Of lattices made only by their breakage, For I relinquish myself to the spirit or biology Two gods my life’s work has been to destroy. The sun comes through that shattered mat of life A fallen crest, defining the morose bedding of Victim and trap, so that I may hear it speaking; Strung up and dragging on its gaunt, breathless rot It claims a stupid animal lived in this body once, Relinquished itself by flight to the unwavering, silky Thread of beautiful frailness, or motionless spectra, Thus, it deserves to lose what it did not want Since it did not flee life, it did not flee death. I wanted to study it more, enchanted by the hollowness Until water came onto my brow, fell onto my passive lips Uttering, till then, a prayer to fly from here, Till my eyes color over and I’ve finally escaped. But, this motif, I see, is overplayed, too trite For secular gods who prefer the wiles of game We, the peak of human life, I the most sufferable of them I, the most thirsting of my image, tend to consume. If it were boredom, then plagues would sweep hot winds Everywhere; thus, it is not, it is the constant reminder, We are but nothing, but flesh to die, unwitting flies To the spider’s web.
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31
I may tend to the soil. At 21, growing flowers with my cries for help Feels criminal, ridiculous. Those ******* children, On their mute petals flourish jealously In more lush and verbal company, But their speak fades out as color and as light The last of the sounds is celebration and surprise. Of course, I am tied to this soil, watching waves And waves of new life rise in clouds of pollen, Migrating and impatient; New things seem to form, Divisions where there is only space barring austere tongues Their desired juices, but I command Myself, abstain, And keep the teeth and silence like fences Made of mockery, ridicule, and other forms of self-control. And yet, the time of false gods effervesces in a comforting dream When I feign sleep, vines creeping up while I regret their invitation Standing amongst them, beautifully crafted shapes, lacking color. I admonish quietly, I suggest furtively, I command passively And amongst plenty of others, I am one open eye, a slit for lamentations And they are the doomed recanters of permanence, forever happy Forever in death, there is no time to wither.
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Jun 5, 2015
Jun 5, 2015 at 1:16 PM UTC
Canto 1