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#camus
rays of sun stabbed my skin like a thousand knives, setting it ablaze a burning. before me stood a shadow in the distance, looming. all threatening. beside me rested the sea, outstretched into a thin line vast, shimmering. its waves settling into fraught at my feet i approached the green paradise at the end of the mirage the figure transforming with each step an Arab. the sand was hot beneath my feet when the man had reached into his jacket from it, a ray of light beneath the horizon, its dissipating clouds from my jacket, hard cold metal, to his chest—lead bullets as he bled, I wiped the sweat from my forehead pounding was the heat atop my head when I shot him four times again. ib: ‘The Stranger’ Albert Camus 1942
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Apr 22
Apr 22, 2026 at 4:24 PM UTC
The Beach
If all babies are innocent, killer in the womb or not, then we are all guaranteed heaven and its supreme divinity Why not **** one at birth and transcend one to a place of eternal happiness instantaneously? Why succumb to living a life where you are bound to commit a plethora of sins? The Christians pray for long and eternal life But the longer the life, the longer the pending doom Why pass on the happiness of this life in hope of the next, then fear the death guaranteed when you took your first breath? It’s absurd You must live this life to the fullest, For your happiness no matter how subtle or grand, can turn to ashes in your mouth quicker than a man condemned can turn to religion and God For like the people of 1940 Oran, Disaster will not yield to normalcy nor wait on one’s acceptance of it It is random, to fight best against and outlast it, one must be happy now.
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Apr 22
Apr 22, 2026 at 4:24 PM UTC
On Happiness.
There's no God But it's okay The paper printed we might live another day No one read it, even though it was free But the message still counts, right? Sitting dusty in a diner on a tiny wire rack With a decade's worth of issues piled in the back But it's okay No judgemental deity condoning atrocities Could possibly remain in office when we the people vote Ballot boxes stuffed with suggestions For the next thing to answer every question Campaign slogans for a comfortable eternity after a few laps around the sun The paper would probably even run an ad No one would read it, But it's okay
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Mar 13
Mar 13, 2026 at 12:26 PM UTC
Good News (FREE)
I can't handle the unknowable But I hold on either way Fingers splintering concrete Form shifting under my grip It's a very short trip Falling from the insurmountable mountain The fact of inescapable nonexistence Rising hungrily to meet me
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Mar 13
Mar 13, 2026 at 11:31 AM UTC
Grasp
42. Sure. A decent punchline. At least it doesn’t lie to you. Religion always does. It sells you answers like cheap cigarettes. You cough. You keep buying. Camus says it’s the absurd. Fine. The world doesn’t care. I already knew that by the way mornings feel. So you make your own way. Or you don’t. Most people don’t. I can live with it. Most days. If I don’t think too hard about how easy it is to get lost and call it choice.
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Jan 21
Jan 21, 2026 at 10:52 PM UTC
The Meaning of Life
"wreckage of a crown" And then—tree or tarmac, it mattered little— the absurd crowned him back: not laurel, but twisted chrome and shattered glass. Chance felled the philosopher of chance, his ticket unpunched, his sentence unfinished— wreckage for a crown. .
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Oct 17, 2025
Oct 17, 2025 at 10:46 PM UTC
wreckage of a crown
I have loved, but the kind of love that fades like handwriting on rain-soaked paper; not with betrayal, but with the quiet indifference of days that don’t answer back. Kafka whispered to me once not in words, but in the way doorways narrow just when you think you’ve made it through. Every connection was a trial without verdict, a journey without destination. Camus sat beside me in the nights, cigarette in hand, Moonlight on a meaningless world. He taught me how to breathe in futility without asking for more than breath. He said: you must imagine Sisyphus happy, but I still don’t know if I can. Love, in my life, has been a stranger who knew my name but not my language. People come.. They meet the surface, Share a laugh, a habit, a warmth and miss the abyss beneath. There is a frequency I emit, low, steady, almost imperceptible. Most call it vibe. But it is a beacon. A signal for one who has read Kafka at 2 a.m. and did not flinch, who has opened a window before dawn Jumped out and hugged a tree.. She will not complete me. Completion is a myth sold by those who fear solitude. But she will understand that despair is not weakness, and silence is not absence. I do not wait with hope. I wait with clarity knowing I may never be heard, and choosing to speak anyway. This, too, is love. To remain open in a world that misunderstands your every honest word. I still keep sending the signal. Because… in this godless static of the cosmos, the real rebellion is to be understood exactly as you are.. and still be loved for it. -Himanshu Kumar
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Oct 22, 2025
Oct 22, 2025 at 11:33 PM UTC
In the Absurd, I Broadcast
I have loved, but the kind of love that fades like handwriting on rain-soaked paper; not with betrayal, but with the quiet indifference of days that don’t answer back. Kafka whispered to me once not in words, but in the way doorways narrow just when you think you’ve made it through. Every connection was a trial without verdict, a journey without destination. Camus sat beside me in the nights, cigarette in hand, Moonlight on a meaningless world. He taught me how to breathe in futility without asking for more than breath. He said: you must imagine Sisyphus happy, but I still don’t know if I can. Love, in my life, has been a stranger who knew my name but not my language. People come.. They meet the surface, Share a laugh, a habit, a warmth and miss the abyss beneath. There is a frequency I emit, low, steady, almost imperceptible. Most call it vibe. But it is a beacon. A signal for one who has read Kafka at 2 a.m. and did not flinch, who has opened a window before dawn Jumped out and hugged a tree.. She will not complete me. Completion is a myth sold by those who fear solitude. But she will understand that despair is not weakness, and silence is not absence. I do not wait with hope. I wait with clarity knowing I may never be heard, and choosing to speak anyway. This, too, is love. To remain open in a world that misunderstands your every honest word. I still keep sending the signal. Because… in this godless static of the cosmos, the real rebellion is to be understood exactly as you are.. and still be loved for it. -Himanshu Kumar
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Gently indifferent, resolved, hardened in stasis As rain on unallowing concrete In earthbound unflow downward: Gravity’s darkbow so torpid Roaring past chronology: the machinery of 10 minutes later, blurring echo and desire, calling time bygone time. Lying. Murmuring and rustling, grasped in closure, the absence of leaves Subtly and steadily The absence of mother. In obeisance I cede to these greater forces and stoically belt myself Insufficient enough and ready in faith That ever comforting rope An irrevocable condition, tethered beyond windows cruel and secure, communion estranged, in a handful of sand, scattered to some outside home tenderly viewed Yellow the visage glares oblique A hazy, flat omen Blinking, too, as it drives onward Sentimentally no longer: The sterile plane of a new day Gentle, gentle waking world Icarus me in sky not sea
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Jul 8, 2025
Jul 8, 2025 at 11:39 PM UTC
Plane Outside
I woke from a dream this morning with three penises and three sets of testicles sprouting from my groin I was astonished wondering about the implications could they all perform? could I have *** with three women? or three men? which gender did these penises prefer? and how would that work? or would I be too embarrassed by this mutation to ever have *** again? I imagined a hand touching down there and felt extreme embarrassment no, this was definitely the end of my *** life I would never have *** again then something shifted in my mind and I woke from THAT dream original factory settings restored (I checked) relieved (so relieved) this was one problem the universe had not thrown in my lap (haha) I can still see those tiny peckers though like a bouquet of newborn masculinity what high jinks are going on at the bottom of the ocean in my brain?
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Feb 2, 2025
Feb 2, 2025 at 9:46 AM UTC
three penises
Martin Buber, I and thou, du, nicht Sie, see, I am, thou art and it is nothing other. Okeh, the sound, not the letter runes to fix my meaning to your way of taking grace as granted. Simple magi? I am acted on by your you, I see, how strange I seem, from you, looking out for one, I say, one, may say, what I am then not accountible for, or something like that, eh no-account, you know who you seemed to be in that one book, you passed through in a trance, thinking this feels real, as any reason given listen, we are not the first to make this connection, it only feels crazy at first, then it turns, eh turn turn turn a spiral ******** as from the too small to imagine past the last edge of ever and back to now, speed of thought imaginable due to vast increase in how far our tools can go to gather bits to blow up with AI assistant importance, gage, the twisted spot a galaxy, by god, there are billions of billions of things, and I have but one breath. What am I to be, wait and see, I think I am the string, soaked in hummingbird juice from the feeder, from when the oriole tipped the balance, and soaked me, the string, thinking this is as absurd as being a bug, and I have been led to imagine being tried, while being a bug, and some time, after all that I thought I ought to imagine Sisyphus happy, due to not knowing the whole truth of any given circumstance, here I and it is me and thee, the ready written and the reader wrote. I am with you always, even, smooth, no ripple, even to the final valley filling with peace I made with friends since who knows when, this is the time, we gather to measure worth of knowing who has lied, to whom, today, all things being open, to the art intuitive, thou seest all things, each thing accounted for in the grand motion going on, make it better, AM BIG I dare you, live on and learn off chance bets cheat the stats, if you knew what I know then, when it counts. You be the judge. What good can contain the likes of us?
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Oct 19, 2021
Oct 19, 2021 at 6:19 PM UTC
Kafka, Buber, Camus and me, thinking
Martin Buber, I and thou, du, nicht Sie, see, I am, thou art and it is nothing other. Okeh, the sound, not the letter runes to fix my meaning to your way of taking grace as granted. Simple magi? I am acted on by your you, I see, how strange I seem, from you, looking out for one, I say, one, may say, what I am then not accountible for, or something like that, eh no-account, you know who you seemed to be in that one book, you passed through in a trance, thinking this feels real, as any reason given listen, we are not the first to make this connection, it only feels crazy at first, then it turns, eh turn turn turn a spiral ******** as from the too small to imagine past the last edge of ever and back to now, speed of thought imaginable due to vast increase in how far our tools can go to gather bits to blow up with AI assistant importance, gage, the twisted spot a galaxy, by god, there are billions of billions of things, and I have but one breath. What am I to be, wait and see, I think I am the string, soaked in hummingbird juice from the feeder, from when the oriole tipped the balance, and soaked me, the string, thinking this is as absurd as being a bug, and I have been led to imagine being tried, while being a bug, and some time, after all that I thought I ought to imagine Sisyphus happy, due to not knowing the whole truth of any given circumstance, here I and it is me and thee, the ready written and the reader wrote. I am with you always, even, smooth, no ripple, even to the final valley filling with peace I made with friends since who knows when, this is the time, we gather to measure worth of knowing who has lied, to whom, today, all things being open, to the art intuitive, thou seest all things, each thing accounted for in the grand motion going on, make it better, AM BIG I dare you, live on and learn off chance bets cheat the stats, if you knew what I know then, when it counts. You be the judge. What good can contain the likes of us?
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The pot-bellied Mercedes squealed As Meursault withdrew and Marvelled at the flames Licking The air Like marigolds on Ritilin. 'Raymond would have no reason not to admire this act.' He stopped by a shimmering sea of Ubers. The scrape and drawl of siren made no impression on him. Leaking smoke reminded him of Snow White’s Cottage Where he had taken Marie when Lucie was born: The place where he would go out at dawn to chop wood. He liked the way her roses played With the restlessness of children. Then he thought: 'if only mother could see me now.'
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Mar 22, 2021
Mar 22, 2021 at 6:57 AM UTC
Revolt-on-Avon
One must imagine Sisyphus ripped. Shoulders like Boulders. Quads like God's. He was literally doing Olympian training!
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Mar 2, 2020
Mar 2, 2020 at 6:21 PM UTC
Sisyphus
Broken lovers float around Like blind shadows looking for light And sleepless walkers searching for night. Like burned matches in winter forests Disguised as trees, Awaiting fire.
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Apr 5, 2019
Apr 5, 2019 at 11:20 AM UTC
Winter Forest
She was that Chekhovian girl who fell for Dostoevsky and Camus and Sartre and    you.
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Nov 29, 2018
Nov 29, 2018 at 12:15 AM UTC
Alicia
This mind, this ability to create, and study and learn and teach, this is the tool which harms us. This mumbling about meaning, this world devoid of purpose, the world from which it sprung. -the struggle at it's root and so the Absurd is born.
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Nov 6, 2018
Nov 6, 2018 at 8:49 AM UTC
Absurdism in a nutshell
but your way of v a n i s h i n g has the power to question my own existence. was it real? or was it just an awfully l o n g dream? - анна о. к.
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Jul 26, 2018
Jul 26, 2018 at 9:35 AM UTC
You’re No Camus or Dostoyevsky.
Camus asked, his question A cup of coffee Or death? Because life has no meaning So the absurdists said These actions are equal They mean as much as you decide So why choose death I guess its saying It's no more or less Than life So every day When I wake If I'm feeling, like i normally do I have a cup of coffee Because coffee burns It is bitter Truthfully though It's over quicker Than a noose And why Should I Die? When the universe Will not Cry For me Another insignificant Human life To fork no lightning And to vainly Oh so vainly Rage, as Thomas said Against the dying of the light So instead I strive To be free of my darkness And to live free Live a life so meaningless Yet filled with beauty This I will do.
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Jul 24, 2017
Jul 24, 2017 at 11:49 AM UTC
Absurdist ramblings
My problem isn't with the philo- sophical side, but lies more  in the how and the when and the courage required.
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Jan 29, 2017
Jan 29, 2017 at 9:31 PM UTC
Camus' one truly serious philosophical problem
they say god is perfect. that holds true for me, too. no concept contains me in totality. Stirner wrestled with the undefinable: an indefatigable Unique, anarchic, lacking category. Camus perhaps said it best, "i rebel, therefore i exist." i strive to personify resistance. i find the answers in harmony with Counterparts, defining *The Difference Between Hell and Home*: "i am what i am and i am an outcast." an outlaw, a nobody akin to Nietzsche, returning infinitely— stretched like so many grains of sand on time's flat surface, orbiting eternally around the creative Nothing at half-past 3:00 in the morning. a singularity, deconstructing Derrida's Différance. a nomad on the margins, wandering aimlessly, roaming perpetually with Deleuze and Foucault, an astronaut arranged along the endless frontiers of an ever-expanding cosmos. Vonnegut recognized the periphery affords a radical view to the few who choose to embrace that which cannot be Known. a zero-sum game between Death and me, staving off manic-depressive ennui if only momentarily.
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Dec 19, 2016
Dec 19, 2016 at 2:55 AM UTC
outlaw
i'm wandering along a beach and i just killed the Arab i'm waking up one day sophomore year and i'm deciding that it will be the last day of my entire life as i tie my shoes to go to school i'm at my mother's wake and i'm trying to care but i just can't and i'm okay with it i'm walking down the hallway and no one is making eye contact with me because they are afraid or disgusted or don't care or all of the above i'm using some of my last breaths to yell at the priest and feeling no remorse i'm making conversation with my last period teacher and smiling for the first time all day i'm looking out at the crowd about to witness my death and feeling the gentle indifference of the world i'm relating more to a sociopathic man in an absurdist novel than anyone i've ever met and i'm not worried about it at all
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Feb 11, 2016
Feb 11, 2016 at 9:26 PM UTC
meursault
contemplations of an angsty agnostic otherwise known as the subtitle to my lengthy biopic or the fumbling intellectual journey the endless search to find the divine reality behind, to trace, pinpoint exactly what lies at the center of the cosmos at the crucified heart of all humankind some days i feel there is no God no chance of a higher power i'm resigned to spewing cliched aphorisms as nihilistic as Schopenhauer fragmented theories and meditations on life consuming my thoughts and flooding my mind ideas tessellate and twist as i'm crumbling, stumbling to try and make sense of all this i find the existential condition that burdens the shoulders of the wonder filled kids from the blinkered blues of the beats to the hopeful hedonism of the hippies and the time tick ticks regardless of the passing ecstasy of our dream-filled kicks i feel there must be something more than this. absurdity has the tendency to consume the very core of me ultimately, does that not make me more free? like Sisyphus, i stagnate repetitive routines threaten to enchain me but i believe i know the path i'm on and i have to know it will save me we live in times of overwhelming, reeling uncertainty is it true that one day the gleaming, spinning light will find me?
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Jan 29, 2016
Jan 29, 2016 at 4:46 PM UTC
Untitled
Wanderer. From window to window. Seeking              something in different glass scenes from offices and trains and restaurants. Like she'll see something or someone or somebody. And the world will no longer be a tilted painting. Clear spring cold papers over the scene of the city of her world. She's freezing. There is a cafe at the end of the road where sidewalk snow has mingled with trod-on mud from commuter's shoes. It's called 'Les yeux qui voient tout' She can smell coffee and cigarettes and paper and words and smiles and wine all the way from Bordeaux. She sits by the window. Tendrils of hair cut across her cheek as she lowers. The seat is cold. Legs crossed,                        arms clasped, high-heeled shoes with straps that cross, head bent over a crossword. 'Un cafe au lait, s'il vous plait.' Last four-letter word pencilled in so she crumples up the paper. The eyes don't notice origami birds dangling above her. Somehow they're all angled towards the glass window like sunflowers reaching for the sun. Perhaps the casual shuttered-open winds are the birds' oxygen; reminders that                           something like sky, air, wind, exist, beyond coffee-smoked counters. Reminders that they could breathe, live, fly in some other city of some other world. Cup and saucer on a silver platter hover over. Idle fingers and then a clatter. She stares down into the white porcelain pit, teeming with hot brown                                            alarms. It isn't a portal into        something. Just a cup of coffee. Now that is an alarm. Slow and                 shaking, drip,          drip,                   drip. The milk is poured. Curling, italic, Persian carpet spread from the cup's centre into warm-cream brown. She imagines it is blood in her heart. She raises the little silver teaspoon napping on the saucer and stirs. 'Le sucre?' Does she want it all to be sweeter? Two packets, long like Marlboros, hastily, desperately dumped into the mix. Quick and                   shaking, she raises the little silver teaspoon and stirs. Little sugar grains ****** into a vortex, dissolved and melted into the city of the world of the cup. With her little finger, she dabs stray sugar grains on the table and tries to bring sweetness to her sleep-thick tongue. Slow and                 shaking, sip,       sip,             sip. She's tricked herself into feeling warmth. Ticker-tape banner pops up in her head: 'All of this will not fix you.' Porcelain clatter as cup meets saucer. Again. She arms herself with a cigarette case and a book. Maybe now she will belong amongst these people with sad eyes and burning lips, clinging on to cups and drinks. So desperately-lit smoke trails out of her warm mouth, steaming up her face like a window on a cold winter day. And meanwhile Camus perches in her hand. Her eyes swim in the choppy seas of French. The cigarette dangles, painting the air grey, grey, tilting, tilting, tilting. Slow and                 shaking, she weeps. Half-aglow in the white sunshine filter from the glass window, a woman is wondering. She drinks her coffee, wipes her smudged mouth and leaves. Nobody notices the wobble in her high-heeled gait. She's just a part of another tilting painting, another glass scene. These simple acts,            simple things, define the speaking soul. In a scene of the city of the world.
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Jul 4, 2015
Jul 4, 2015 at 5:25 AM UTC
Scene out of Glass
Wanderer. From window to window. Seeking              something in different glass scenes from offices and trains and restaurants. Like she'll see something or someone or somebody. And the world will no longer be a tilted painting. Clear spring cold papers over the scene of the city of her world. She's freezing. There is a cafe at the end of the road where sidewalk snow has mingled with trod-on mud from commuter's shoes. It's called 'Les yeux qui voient tout' She can smell coffee and cigarettes and paper and words and smiles and wine all the way from Bordeaux. She sits by the window. Tendrils of hair cut across her cheek as she lowers. The seat is cold. Legs crossed,                        arms clasped, high-heeled shoes with straps that cross, head bent over a crossword. 'Un cafe au lait, s'il vous plait.' Last four-letter word pencilled in so she crumples up the paper. The eyes don't notice origami birds dangling above her. Somehow they're all angled towards the glass window like sunflowers reaching for the sun. Perhaps the casual shuttered-open winds are the birds' oxygen; reminders that                           something like sky, air, wind, exist, beyond coffee-smoked counters. Reminders that they could breathe, live, fly in some other city of some other world. Cup and saucer on a silver platter hover over. Idle fingers and then a clatter. She stares down into the white porcelain pit, teeming with hot brown                                            alarms. It isn't a portal into        something. Just a cup of coffee. Now that is an alarm. Slow and                 shaking, drip,          drip,                   drip. The milk is poured. Curling, italic, Persian carpet spread from the cup's centre into warm-cream brown. She imagines it is blood in her heart. She raises the little silver teaspoon napping on the saucer and stirs. 'Le sucre?' Does she want it all to be sweeter? Two packets, long like Marlboros, hastily, desperately dumped into the mix. Quick and                   shaking, she raises the little silver teaspoon and stirs. Little sugar grains ****** into a vortex, dissolved and melted into the city of the world of the cup. With her little finger, she dabs stray sugar grains on the table and tries to bring sweetness to her sleep-thick tongue. Slow and                 shaking, sip,       sip,             sip. She's tricked herself into feeling warmth. Ticker-tape banner pops up in her head: 'All of this will not fix you.' Porcelain clatter as cup meets saucer. Again. She arms herself with a cigarette case and a book. Maybe now she will belong amongst these people with sad eyes and burning lips, clinging on to cups and drinks. So desperately-lit smoke trails out of her warm mouth, steaming up her face like a window on a cold winter day. And meanwhile Camus perches in her hand. Her eyes swim in the choppy seas of French. The cigarette dangles, painting the air grey, grey, tilting, tilting, tilting. Slow and                 shaking, she weeps. Half-aglow in the white sunshine filter from the glass window, a woman is wondering. She drinks her coffee, wipes her smudged mouth and leaves. Nobody notices the wobble in her high-heeled gait. She's just a part of another tilting painting, another glass scene. These simple acts,            simple things, define the speaking soul. In a scene of the city of the world.
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