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#1957
Why do you run everywhere? the Italian woman said as I ran past her up the stairs of the flats. I didn't reply just smiled and went into my parents' flat. My cousin said when I met her by the railway bridge my mother was home from hospital with my twin sisters.   My mother was in the sitting room feeding one of my sisters. She said my other sister was in a carry cot in the bedroom. There she was my little sister with dark hair and eyes closed sleeping. I'm your big brother I said and touched her tiny hand with little thin fingers. Funny what memories remain how that memory lingers.
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Jun 3, 2025
Jun 3, 2025 at 3:57 AM UTC
Perché Corri Dappertutto 1957.
You served the Latin Mass with the priest Father Jones who had a deep affection for St Thomas a' Beckett you prepared all his items before Mass began and listened as he muttered the Latin prayers as he dressed in the various items in the vestry you heard sometimes when one of the little boys was there say at the mea culpa I'm a cowboy I'm a cowboy I'm a Mexican cowboy but you glared at him hoping Father Jones never overheard after Mass you took the boy aside and whispered and said It is mea culpa mea culpa mea maxima culpa not cowboy nor Mexican cowboy he stood there wide-eyed What does it mean? Through my fault through my fault through my most grievous fault he nodded and said So no cowboys? No cowboys you replied nor Mexican cowboy so he went off disappointed and you said nothing to the priest although be may have heard and smiled being kind and understanding the child.
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Oct 8, 2019
Oct 8, 2019 at 12:05 PM UTC
No Cowboys 1957.
Her father passed me on the stairs of the flats. He didn't speak but gave a nod of his head. I watched him descend the concrete stairs hands in his pockets cigarette on his lower lip hat pushed to the back of his tilted head. I wondered if Enid was allowed out so climbed the stairs up to the top floor and knocked at her door. Her mother answered and stood and poked her head out through the gap between door and jamb. "What you want?" she said eyeing me with her frightened eyes. "Is Enid allowed out?" I asked. She looked past me at the balcony behind. "Where you going?" she said. "Thought maybe the park" I replied. She turned her head out of sight and bellowed "ENID" with all her might. I looked back at the balcony and the Square beyond. Kids were playing on the pram sheds or playing skip rope or riding bikes up and down the slope. Enid came to the door and stood beside her mother. "What did you want me for?" Enid asked. Her mother eyed me. "This boy wants to take you to the park." I smiled at Enid and she smiled back. " Can I go?" she said. "The park and no where else" her mother moaned "no bomb sites or that kind of lark." She let her out and off we went down the stairs and through the Square and across the road to the park to ride on the swings and slide and roundabout. She said her father had been in a mood and rowed with her mother before breakfast and after but all we heard then was calling voices and children's laughter.
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Apr 22, 2018
Apr 22, 2018 at 10:56 AM UTC
To the Park with Enid 1957
"This is how you skip" she said jumping over the turned rope. But Benny wasn't interested and said so. "What you want to do then?" she said. He suggested they go to Meadow Row bomb site so he could collect small stones for his catapult. She pulled a face and said "How long for?" He said until he had enough for war. So they walked from the Square and down the slope and up Meadow Row to the bomb site. He collected small stones with her help. She had her skip-rope tucked in a pocket of her dress. After fifteen minutes he said he had enough and so he showed her how to fire the catapult. "Do girls fire catapults?" she said. "Sure they do" he said. She did what he showed her. The stone sped past the tin-can. Pigeons flew up in the air in fright. He showed her again and she fired the stone and it hit the can and spun it over. She was pleased she had done it. "Better than skip-rope" she said. He let her have another go and she did it again. Then the skies darkened and it began to rain.
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Apr 9, 2018
Apr 9, 2018 at 3:22 AM UTC
Enid and the Catapult 1957
Above the TV you can hear your parents row; their voices sharp as knives. You lay in bed wrapped tight in sheets and blankets pretending sleep. His voice bellows; hers shrieks. You open your eyes and stare in the semi-dark. Street lights filter at the side of curtains. You hope the rowing stops; you hope it will not erupt into your room and up on you. The TV blares in contrast to their voices; a smack, a cry, then weeping. The TV is switched off; just soft whimpering seeping the air. You close your eyes and feign sleep. You lay on edge; listen for other sounds. Just her whimpering softly in your dark. A whole world turns out there; a moon glows; stars shine beyond your sight. A night within a night.
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Mar 9, 2018
Mar 9, 2018 at 2:10 AM UTC
Enid's Night 1957
Benny, do you know what balderdash means? she asked, standing beside me on the balcony of the flats. Why? I asked. My daddy said don't talk balderdash, she said, but if I don't know what it means how am I to know if I am talking about it. I watched the baker draw up in his horse drawn cart, stop and put bread in a wooden basket and go to one of the doors of the flats. I think it means something to do with making things, I suggested. No, that haberdasher, she said, a lady who sells ribbons and silk things, like my aunt. I thought hard(unusual for me). The baker came along the balcony. Hey, Mister, what's balderdash mean? I asked him. What you're doing: idle and senseless talk, he said, walking on to the end flat. Well there you are, I told her, don't talk idle and senseless talk to your old man. But I don't, she said. She rabbited on about something or other and I guessed he was talking about her and her mother.
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Feb 24, 2018
Feb 24, 2018 at 11:57 AM UTC
Talking Balderdash 1957
Enid hears cries in the night: her mother, an argument, Father's voice bellowing through the flat. Enid hides beneath wool blanketing and grey sheets. Mother screams; more shouting. Enid hears the coal trucks now being shunted by the shunter on the tracks in the old dark coal wharf. She stares out in darkness; just glimmer of street lamps. Whimpering, then silence. Back to sleep; soul to keep.
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Sep 29, 2017
Sep 29, 2017 at 1:55 AM UTC
NIGHT SOUNDS 1957
I had a 2 wheeled blue scooter; I rode it down the slope from the Square down through one of the gaps at the end and onto Rockingham Street, then turned around and scooted it back up again. Enid stood watching me at the top Can I have a go Benny? she said. Sure you can; I handed her the scooter. She put a foot on and scooted down the slope; she put both feet on the scooter as it picked up speed, passing people who were coming up and going down the slope. She went through the right hand gap and onto Rockingham Street. She looked back up at me and smiled; she turned around and shooter up the slope her left foot pushing the ground. She got to the top that was great, she said can I have a go again? Sure you can; she turned the scooter around and off she went. I watched her go pleased to see her happy and smiling, hoping her old man didn't come along and see her or she'd be for it as he was in his dark moods once more and she be for it for sure.
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Sep 6, 2017
Sep 6, 2017 at 3:32 AM UTC
Scooter Riding 1957.
Benny ****** a tin can. He watched it fall off the wall. He put another stone in his catapult aimed and hit another tin can. Enid watched him she still felt where her old man had beat her. She watched the tin can fall again watched Benny load his catapult once more and aim the last tin can stood on the wall. Her old man had been in a bad mood her mother had said nothing no help there. The last tin can fell from the wall with a loud sound and hit the ground. Want a go? Benny said offering her the catapult. She took the catapult and he stood   put the tin cans on the wall of the bombed-out house on the bomb site off Meadow Row. She watched him as she held the weapon he placed all three tin cans on the wall and came to her. He showed her how to hold and aim he gave her small stones. She put them in her dress pocket. He stood back and watched as she pulled back the leather holder with stone and aimed. The pain where her old man beat her caused her hands to shake as she aimed. Benny watched took in the pale blue dress her shaking hands. She let go the load it shot off into foreign lands.
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Aug 9, 2017
Aug 9, 2017 at 3:24 AM UTC
CATAPULTING 1957.
I took Enid behind the ABC cinema on the New Kent Road (on an adventure trip of mine). It was dimly lit. We passed the side doors of the cinema which were usually locked from the inside but sometimes were open. You could get in for free if you were careful and quiet. A rat rushed past Enid screamed it disappeared ahead of us. She grabbed my arm a rat! she said. Yes I often see them down here in the evenings. A woman in a short dress was standing against a wall ahead of us beneath a light from a wall. Who's she? Enid said. Don't know my old man says prostitutes are up here so maybe she's one of them. What's a ********** Enid asked. Don't know but my old man said they men happy so maybe they're kind of church women I said. Maybe Enid said should we say hello to her? Best not I said my mum said not to speak to people you don't know. Enid nodded O yes I think my mum said that. Another sleeky animal went past us Another rat? Enid said quietly. No I said gently a cat.
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Jul 19, 2017
Jul 19, 2017 at 3:45 AM UTC
EVENING ADVENTURE 1957.
Enid met me on the bomb site off Meadow Road. I had two of my six shooter cap guns in holsters each side of my waist hanging from my S belt. I showed her how to draw the guns and shoot straight BANG BANG I went. She jumped and stared shitless at me. Is it loaded? No just caps I said twirling the guns around my fingers as I’d seen the cowboys do in the cowboy films. I let them into the two holsters. Can I have a go? I smiled at her if you like. I undid the gun belt and handed it to her. She did the belt around her narrow waist and straightened the guns. What's the string for? She said. It's to keep the holsters rising when you go for the guns I said shall I tie it around your legs? She nodded. I knelt down and tied the two pieces of string around each of her thighs. She winced. What's up? Nothing she said. I tied it gently and stood back. I guessed her old man had belted her again hence the pain. Ready? I said. She nodded and stood with her hands at her sides her thin fingers moved like spiders as she waited to go for the guns. She seemed nervous looking down at her hands. Each gun is capped I said. She went for guns and drew quick and shot BANG BANG. I was zapped.
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Jul 16, 2017
Jul 16, 2017 at 4:44 PM UTC
ZAPPED 1957.
You met Benny by the slope off the Square. People walked past up and down as you talked. He said we could go to Camberwell go round the shops and I could show you the hospital I was born in. But you were unsure whether to go that far especially as your dad was in a mood. What's new? Benny said. He has been all right until recently you said. So what he's going to know where you go? Benny said. No but if he asks me he will you said. Why tell him? Benny said. Because I can't lie to him you said. So where then? Benny said. What about Bedlam Park? you said we could go there go to the war museum? He nodded all right I can show you my favourite weapons he said. So you went with him along Rockingham Street under the railway bridge and then to the subway where Benny sang a cowboy song he'd heard on TV it echoed along the walls he also (to make you laugh) made monkey calls.
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Jul 1, 2017
Jul 1, 2017 at 3:37 AM UTC
ENID UNSURE 1957
Your mother says goodbye to you her eyes are red she's been crying. She and father had rowed during the late evening and night. You climb down the concrete stairs of the flats. The morning is dull a grey sky greets you. Benny waits for you at the bottom. He looks at you how's things? he says. You try smiling but he knows you're not happy. They rowed again yesterday and last night you tell him. He nods but says nothing. You walk on through the Square and down the slope. What they row about? he asks. Money I think you say. You cross Rockingham Street and go up Meadow Row. He talks about other things trying to take your mind off the rowing and home life. You cross the bomb site listening to him aware of his hazel eyes and quiff of brown hair. You want to say how unhappy you are how you didn't sleep too well. But you walk beside him let him do the talking. You remember how you were fearful your father would enter your room while they rowed and hit you one as the row spilt over in the passageway. But he didn't that time they moved into their room and closed the door and rowed the more.
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Jun 20, 2017
Jun 20, 2017 at 2:20 AM UTC
ENID AND THE ROW 1957
Your father is in a mood. Your mother wary walking around him trying to please. You dress for school hoping he won't pick up on you no matter what you do. He sits at the table by the window the radio pushing out music. He mouths his breakfast in silence eyes staring into space. Your mother sits opposite sipping her tea gazing at him apprehensively on the edge of the chair fingers pushing through her hair. You sit in between them facing the window the net curtains filtering the light. They had rowed in the night you couldn't sleep lay there watching the door in case he came in an overflow from the row. You spoon in cereals looking at the table cloth not wishing to be the victim of his wrath.
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Jun 7, 2017
Jun 7, 2017 at 1:23 PM UTC
ENID'S APPREHENSION 1957.
I walked home from school with Enid it was Friday and the sun was bright. Enid said her old man was taking her and her mother to Sheerness for the weekend. I would ask if you could come too but I am afraid he would get mad and call it off she said. No no don't mention me or he'll go off the roof I said. I shall miss not seeing you over the weekend she said. Why Sheerness? I said. He has relatives down there she said. We passed a record store a Guy Mitchell song was being played. I've been to Sheerness with my grandparents I said nice place I like the beach and watching passing ships hope your old man is in a good mood then I said. So do I she said Mum's not looking forward to it she told me this morning after Dad had gone to work but she said we'll have to go or hell will break loose. We walked down the subway steps and along. What will you do? She said. Go to the morning matinee flicks and maybe the afternoon one too if there's anything worthwhile on I said. We came out the other end of the subway and along by the cinema. We stopped and looked at the photos on the wall showing what film was on it was a war film. I might go see that if my old man'll go too I said. We walked on across the bomb site where I picked up a few small stones for my catapult. We went our separate ways at the top of the stairs of the flats. Mrs Tooks was standing there like some witch with her two thin cats.
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Apr 10, 2017
Apr 10, 2017 at 3:37 AM UTC
WEEKEND FREE 1957.
Mr Finn wrote on the blackboard about 1066. I sat watching what he wrote in his neat hand. The Battle of Hastings was underlined in red chalk. I'd been to Hastings once with my grandparents sat on the beach with bucket and ***** and ice cream the hot orange sun in the sky. King Harold got an arrow in his eye the teacher had written. I tried to imagine that bad enough getting a fly in the eye or piece of grit but an arrow O **** I mused. William the Conqueror won the battle brought the Normans with him I read. Dennis next to me whispered there are some Normans up our street tough buggers he said. One of the sisters is on the game my mother said Dennis informed. I tried to guess the game that sister played but gave up maybe rounders or netball I mused. The teacher stood by the blackboard and talked about the battle the weapons used the numbers killed and what happened after. Dennis talked on in an undertone of the Norman mother slept apparently with her husband's brother.
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Apr 9, 2017
Apr 9, 2017 at 10:04 AM UTC
1066 AND AFTER 1957.
Quiet please Mr Finn said. The class became quiet. Benny at the back with Jupp sat staring at the blackboard where the teacher had written a number of paragraphs on the Great Plague of London 1665 in white chalk with red chalk to illustrate names. I want you now to copy this down Mr Finn said. Jupp raised a hand in our exercise book? he said. Yes in your exercise book Mr Finn said gazing at Jupp with a sense of pity. Benny gazed at the blackboard with a sense of excitement (rare for him) and began to copy in his own scribble what was written neatly on the blackboard. Jupp whispered what a bore who gives a monkey's about a ****** plague and especially in 1665 why that's history. Quiet Jupp Mr Finn said pointing at Jupp with a ruler. Jupp took up his pen and began to write what was on the blackboard. The bit about rats on the ships brought to mind for Benny the rat he'd seen on the balcony back home that day running swiftly along by the wall. The coal man managed to stamp on it with his big black boot and blood oozed over the balcony and his black boot. Lydia who had been with him screamed. Now in class it seemed unreal like something he had dreamed.
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Apr 1, 2017
Apr 1, 2017 at 4:14 AM UTC
QUIET PLEASE 1957.
Blow after blow Enid's father gave her mother. Enid ran to her room and closed the door and stood by the window. She peered at the door in case her father followed her there and hit her too. Cries came from the other room conflicting with the TV sounds. She bit her lip waiting wondering what started up this latest argument pushing the door shut with her mind against her father's entrance should he come. The TV stopped whimpers simmered from the other room a door slammed. Enid stared at the door wished Benny was there beside her. She hugged herself her small hands on her arms noticing the dark wooden panels. The radio was turned on from the front room the crying stopped. Enid ventured out and stood in the passageway wishing her father far far far away.
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Mar 19, 2017
Mar 19, 2017 at 12:15 PM UTC
BLOW AFTER BLOW 1957.
Enid and I got the bus to the South Bank. The sky was blue and cloudless. We walked along the embankment looking over at the River Thames at the boats passing by and tugs and pleasure boats with passengers onboard and we waved and some waved back. Are you sure my dad said it was all right for me to go with you today? she said. Sure it is I met him on the stairs of the flats and he said yes but not to be late I said. She looked apprehensive. I wouldn't lie to you I said. No I know you wouldn't she said but he didn't seem in a good mood this morning and him and Mum were rowing when I got up. Well he was all right when I met him I said. She nodded and we walked on past the tennis courts on our left until we came to a shop selling ice creams and drinks. Want an ice cream? I said. I haven't any money she said. I have some I said so we bought two ice creams and sat on a seat and watched the boats and tugs go by. I watched her sideways on as she licked her ice cream. She looked happy briefly as if she'd put away her fears and anxiety and sat like a gull floating on a quiet sea.
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Mar 18, 2017
Mar 18, 2017 at 5:05 AM UTC
A QUIET SEA 1957.
Enid's old man passed me on the concrete stairs of the flats. Hello Benny he said pausing briefly eyeing me with his eyes. Is Enid allowed out? I asked. He looked past me as if Enid stood behind me. Depends what you are up to he said his eyes on me again. I'm going to South Bank to look at the River see the boats and tugs and ships pass I said. He raised his eyebrows not sure that Enid would be interested in boats he said. I'm sure she'd like to see the River pass by and maybe see gulls I suggested. He looked past me again I have to go to work you can ask her if you want but don't be late back he said. No we won't be late I said. He nodded and walked down the stairs and out of sight. I went to the balcony and watched him walk across the Square hands in the pockets of his coat. Once he was gone I climbed the stairs to Enid's flat and knocked at the door. Enid's mother came to the door yes? she said. I've come to see Enid I said see if she wants to go see the boats and tugs on the Thames. Not sure if her father will allow that she said timidly. I've just seen him he said it's ok I said. She looked at me are you sure? Yes he's just gone we met on the stairs I said. I noticed a mild bruising of her left eye. She stared at me then called Enid over her thin shoulder she gazed at me then walked to the balcony and looked down to see if her old man was coming back again but he wasn't so she came back. Enid came to the door and I repeated to her what I had said before.
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Feb 9, 2017
Feb 9, 2017 at 9:25 AM UTC
UNCERTAINTY 1957.
Enid's old man passed me on the concrete stairs of the flats. Hello Benny he said pausing briefly eyeing me with his eyes. Is Enid allowed out? I asked. He looked past me as if Enid stood behind me. Depends what you are up to he said his eyes on me again. I'm going to South Bank to look at the River see the boats and tugs and ships pass I said. He raised his eyebrows not sure that Enid would be interested in boats he said. I'm sure she'd like to see the River pass by and maybe see gulls I suggested. He looked past me again I have to go to work you can ask her if you want but don't be late back he said. No we won't be late I said. He nodded and walked down the stairs and out of sight. I went to the balcony and watched him walk across the Square hands in the pockets of his coat. Once he was gone I climbed the stairs to Enid's flat and knocked at the door. Enid's mother came to the door yes? she said. I've come to see Enid I said see if she wants to go see the boats and tugs on the Thames. Not sure if her father will allow that she said timidly. I've just seen him he said it's ok I said. She looked at me are you sure? Yes he's just gone we met on the stairs I said. I noticed a mild bruising of her left eye. She stared at me then called Enid over her thin shoulder she gazed at me then walked to the balcony and looked down to see if her old man was coming back again but he wasn't so she came back. Enid came to the door and I repeated to her what I had said before.
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I see Enid looking over the balcony outside my front door of the flats. What you doing here? I say. Just watching my dad go off to work, she says, he was in a good mood this morning didn't row or hit either of us even joked with me. I look over the balcony but her old man has gone. He's playing cat and mouse with you, I say. Cat and mouse? She says. Yes being nice one minute being horrible the next, I explain. He was all right last night too, even let me stay up to watch TV. So what's cheered him up then? I say. Don't know, she says, as long as he is nice I don't care. I watch as the coal man loads a big sack of coal onto his back and walks along to the far end flat where a door is open. Are you ready for school? I ask. Just got to get my bag and coat, she says, and walks off up the stairs to her flat above. The coal man walks back with an empty sack and puts it on the back of his lorry, then heaves another sack on his back and walks back to the flat again. Enid comes down the stairs again: ready now, she says. So we walk down the concrete stairs together: both dressed up against the winter weather.
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Jan 9, 2017
Jan 9, 2017 at 4:04 AM UTC
WINTER WEATHER 1957.
Benny waits for you on the balcony of the flats outside his parents place, he's looking down at the milkman in his horse-drawn cart. He turns as you approach: Hi Enid, he says, just looking at the milkman and his horse, wondering what it'd be like to ride him. You look over the balcony at the horse attached to the cart. With or without the milk cart? You ask. Without of course, he says. The milkman gets down from the cart, and selects milk from crates at the back, and walks with two in each hand to a doorstep out of view. I quite fancy riding that, he says, be a proper cowboy then wouldn't I? You nod, I guess you would, you say, looking at his quiff of brown hair, his hazel eyes peering down. My dad's back to his old ways again, you say, looking at Benny to see what he will say. Benny turns and looks at you: has he hit you again? He did last night, you say, not going into too much detail. The big **** Benny says, thought he'd changed. He stares at you: does he mind you being with me? He didn't say anything about not seeing you this time, you say. Benny looks at you, trying to see if there are any visible bruises, but there aren't any where he can see. Benny looks over the balcony again. The milkman takes four more bottles to another doorstep out of sight. Thought he'd be back to his old ways, thought it was too good to last, Benny says. You look over the balcony too. The horse eats from a nose bag. It's the wrong colour horse though, Benny says, needs to be black to be any good for a cowboy. I suppose it is, you say, looking as your father walks from the flats darkly over the way.
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Dec 2, 2016
Dec 2, 2016 at 2:45 AM UTC
BACK TO HOW IT WAS 1957.
Benny waits for you on the balcony of the flats outside his parents place, he's looking down at the milkman in his horse-drawn cart. He turns as you approach: Hi Enid, he says, just looking at the milkman and his horse, wondering what it'd be like to ride him. You look over the balcony at the horse attached to the cart. With or without the milk cart? You ask. Without of course, he says. The milkman gets down from the cart, and selects milk from crates at the back, and walks with two in each hand to a doorstep out of view. I quite fancy riding that, he says, be a proper cowboy then wouldn't I? You nod, I guess you would, you say, looking at his quiff of brown hair, his hazel eyes peering down. My dad's back to his old ways again, you say, looking at Benny to see what he will say. Benny turns and looks at you: has he hit you again? He did last night, you say, not going into too much detail. The big **** Benny says, thought he'd changed. He stares at you: does he mind you being with me? He didn't say anything about not seeing you this time, you say. Benny looks at you, trying to see if there are any visible bruises, but there aren't any where he can see. Benny looks over the balcony again. The milkman takes four more bottles to another doorstep out of sight. Thought he'd be back to his old ways, thought it was too good to last, Benny says. You look over the balcony too. The horse eats from a nose bag. It's the wrong colour horse though, Benny says, needs to be black to be any good for a cowboy. I suppose it is, you say, looking as your father walks from the flats darkly over the way.
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Benny knocked at Lydia's parents' flat to see if she was coming out to the morning cinema matinee, the door opened and her mother stood there hair in curlers cigarette hanging from the corner of her thin lipped mouth, yes what do you want? she said folding her arms over her aproned breast, is Lydia coming to the matinee? Benny asked, no she's not well got a cold or something the mother said letting out a puff of smoke as she spoke, O Benny said sorry about that hope she's feeling better soon, the mother looked at him I will pass on your words she said, could I see her for a few minutes? Benny said, no she's seeing no one the mother replied her eyes staring at him, he nodded and said ok and walked away, the door closed behind him with a hard click, he walked back across the Square disappointed Lydia wasn't coming but there was nothing he could do, he took out his 6 shooter toy gun out of the holster and spun it around his finger a few times like he'd seen Billy the Kid do in a film he'd seen, then quickly put it back in the holster with a flourish, then walked on down the slope towards Meadow Row, off to the matinee at the ABC cinema, across the bomb site, looking forward to going to the cinema with his old man that night.
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Nov 1, 2016
Nov 1, 2016 at 7:20 AM UTC
LYDIA UNWELL 1958.
Enid slept badly. Voices came and went, winds blew, trains shunted. She woke up slowly to a grey morning. The voices had stopped, just the birds singing. Had the rowing stopped? Where was her father? She sat on the side of her narrow bed. She could still feel where her father hit her. Back to how it was: him hitting them both. She got up and walked to the bedroom door. She listened for sounds, but nothing was there. She opened the door and looked down the hall. Had he gone to work? Had her father gone? She walked down the hall to the small toilet. Went past their bedroom, the green door still closed. Went to the toilet and sat on the seat. She felt the chill bite at her naked feet. What would Benny say when she told him all? Things don't change he'd say: your old man's a **** Benny often said your old man's a **** She heard fresh voices; her father was up. She heard his footsteps. The door handle shook: is that you Enid? Her father called out. Won't be long, she said. You better not be, her father replied. They were arguing, both her mum and dad. She finished quickly and opened the door. Good about time too, her father shouted, what you been doing, laying ****** eggs? He went in and shut the door behind him. Enid saw her mum by her bedroom door, her thin arms folded, her hair in curlers. Best get washed and dressed and don't be too long, her mother told her. Enid washed and dressed, then ate her breakfast. Still her parents rowed loudly from the hall. What would Benny say when she told him this? Your old man's a **** and give her a kiss.
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Oct 31, 2016
Oct 31, 2016 at 4:42 AM UTC
ROWS AGAIN 1957.
Enid slept badly. Voices came and went, winds blew, trains shunted. She woke up slowly to a grey morning. The voices had stopped, just the birds singing. Had the rowing stopped? Where was her father? She sat on the side of her narrow bed. She could still feel where her father hit her. Back to how it was: him hitting them both. She got up and walked to the bedroom door. She listened for sounds, but nothing was there. She opened the door and looked down the hall. Had he gone to work? Had her father gone? She walked down the hall to the small toilet. Went past their bedroom, the green door still closed. Went to the toilet and sat on the seat. She felt the chill bite at her naked feet. What would Benny say when she told him all? Things don't change he'd say: your old man's a **** Benny often said your old man's a **** She heard fresh voices; her father was up. She heard his footsteps. The door handle shook: is that you Enid? Her father called out. Won't be long, she said. You better not be, her father replied. They were arguing, both her mum and dad. She finished quickly and opened the door. Good about time too, her father shouted, what you been doing, laying ****** eggs? He went in and shut the door behind him. Enid saw her mum by her bedroom door, her thin arms folded, her hair in curlers. Best get washed and dressed and don't be too long, her mother told her. Enid washed and dressed, then ate her breakfast. Still her parents rowed loudly from the hall. What would Benny say when she told him this? Your old man's a **** and give her a kiss.
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London Bridge railway station was busy as Lydia and Benny walked in and sat on one of the seats on the platform where a big black steam train was about to go off grey and white steam shushed from beneath and from on top of the engine Benny was fascinated by steam engines he loved to watch the power and sound and smell of them Lydia's thoughts were on her home and her parents rowing and her big sister snoring away after a ***** night (as her mother called it) and her father coming home drunk and singing in the Square so all could hear him the train steamed off slow at first then fast and faster shush shush and a loud whistle and it was off Benny watched it go and Lydia turned her head and watched it too do you think my parents' rowing will end by the time I get home? She said expect so Benny said usually short lived they'll be all lovely dovey by the time you get home she wasn't so sure they were going at it hammer and tongs when she left and she didn't say where she was going and she supposed she'd get a telling off for that too let's get 2 glasses of milk and biscuits from the station cafe Benny said she looked worried come on he said race you to the cafe she looked at him they will have stopped by the time I'm home won't they? I don't like it when they row of course Benny said all will be fine when we get back she nodded her head and they walked to the cafe on the station and went in the place was quiet packed but Benny told her to get table and sit down and he'd get the stuff so she sat at a table by the window and Benny queued up behind a man in a stripe black and white suit who smelt of tobacco Lydia imagined her mum and dad going at each other her mother throwing cups  and saucers and her dad trying to get a word in sidewards and her sister Gloria snoozing in it all smelling of ***** and a good night out she looked over at Benny in the queue hands in his trouser pockets head to one side looking at the labels of biscuits in the glass window of a cabinet deciding which to buy and she looking all silent and shy.
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Sep 26, 2016
Sep 26, 2016 at 3:22 AM UTC
SILENT AND SHY 1957.
London Bridge railway station was busy as Lydia and Benny walked in and sat on one of the seats on the platform where a big black steam train was about to go off grey and white steam shushed from beneath and from on top of the engine Benny was fascinated by steam engines he loved to watch the power and sound and smell of them Lydia's thoughts were on her home and her parents rowing and her big sister snoring away after a ***** night (as her mother called it) and her father coming home drunk and singing in the Square so all could hear him the train steamed off slow at first then fast and faster shush shush and a loud whistle and it was off Benny watched it go and Lydia turned her head and watched it too do you think my parents' rowing will end by the time I get home? She said expect so Benny said usually short lived they'll be all lovely dovey by the time you get home she wasn't so sure they were going at it hammer and tongs when she left and she didn't say where she was going and she supposed she'd get a telling off for that too let's get 2 glasses of milk and biscuits from the station cafe Benny said she looked worried come on he said race you to the cafe she looked at him they will have stopped by the time I'm home won't they? I don't like it when they row of course Benny said all will be fine when we get back she nodded her head and they walked to the cafe on the station and went in the place was quiet packed but Benny told her to get table and sit down and he'd get the stuff so she sat at a table by the window and Benny queued up behind a man in a stripe black and white suit who smelt of tobacco Lydia imagined her mum and dad going at each other her mother throwing cups  and saucers and her dad trying to get a word in sidewards and her sister Gloria snoozing in it all smelling of ***** and a good night out she looked over at Benny in the queue hands in his trouser pockets head to one side looking at the labels of biscuits in the glass window of a cabinet deciding which to buy and she looking all silent and shy.
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