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Prepared to ridicule himself, this fool Is guarded against the jibes Of those he thinks less inclined to self-criticism. How then is he to gauge his faults And turn them into something worthwhile? How can he define his foolishness If uncertain as to the extent of his limitations? How can he begin to accept the advice of others - 'Go jump! ' 'Take a good hard look at yourself! ' 'Grow up! ' - If he isn't prepared to be objective? Unprepared to accept objectivity as objective 'I know what I know', he spouts Ill-mannered, inconsiderate and obstinate. How is he to assume the more demanding role Of the one being spoken to? No words, it seems, Can convince him of his stupidity. No words, that is, Except his own. Um.... ah.... um.... a poem takes form. Ironically, loneliness is his theme Nothing else can say what he wants to say. Happiest is he, when miserable Exposing his misery for all the world to see. No one, it seems, is quite as miserable as he. He takes care not to say too much In case, To make his point He admits (in the mode of a tragic figure) That there is nothing to say. Logically, 'there is nothing to say' explains His actions Although failing to describe What bothers him. It seems that that can only be other people. In them, real feelings express themselves And a challenge presents itself for him to understand them No matter It is they not understanding him That concerns me. As querulous as it may sound It is their obsession with 'reality' That he objects to. No amount of persuasion can convince them That his feelings are real. 'Such as absurd notion demands an explanation' He hears them say, but he is only prepared To go on dreaming - Observing others observing him Observing them. His sincerity Isn't expressed in conventional terms. Unbeknownst to them, he cares And unknowingly they add to his suffering As they refuse to acknowledge his feelings. His suffering - A product of a trivial pursuit For universal meanings - Is compounded by those who think him Lacking. *** Lacking in those human qualities He most desires He turns to someone, who, Without her knowing, Possesses them for him. Kindly, she admits him - Herself lacking the assurance To comprehend the extent of his need. She feels for him As one would a child, an innocent, a poet. His feelings exist in her eyes, And his failings form His 'uniqueness' - A reason For loving him. Sufficent reason, in itself, For him to love her. Nevertheless he feels An even greater need To justify his feelings. Their differences, His reliance on her And, equally, Hers on him Need explaining. As others see it Their differences contain the germs of disunity, And in their interdependence, signs of submission. Again they see things in 'real terms' Neglecting to take into account the power of the imagination. She isn't what she appears to be Her beauty transcends experience With all pain absorbed in her - He shares in her happiness And is privy to her sensitivity. She instills in him a new faith, Another reason to write - A belief in humanity. This is what he must explain To those who think him foolish. But he remains aloof Barred by a certain quirk in his character - Whenever he tries to be serious He gives the impression Of being insincere. When he tries to explain his feelings It's as if he is the one Who needs to be convinced - His new found faith seems void Without someone else to believe it. Yet people want to listen And give him the chance he's been looking for - The chance to prove himself to them. They're not heartless, And would rather not judge anyone unfairly. The truth is, however, That he is such a fool That he needs to hear his own words From someone else's mouth Before he can believe them.
0
Aug 8, 2014
Aug 8, 2014 at 7:39 PM UTC
The Story of a Poem
Prepared to ridicule himself, this fool Is guarded against the jibes Of those he thinks less inclined to self-criticism. How then is he to gauge his faults And turn them into something worthwhile? How can he define his foolishness If uncertain as to the extent of his limitations? How can he begin to accept the advice of others - 'Go jump! ' 'Take a good hard look at yourself! ' 'Grow up! ' - If he isn't prepared to be objective? Unprepared to accept objectivity as objective 'I know what I know', he spouts Ill-mannered, inconsiderate and obstinate. How is he to assume the more demanding role Of the one being spoken to? No words, it seems, Can convince him of his stupidity. No words, that is, Except his own. Um.... ah.... um.... a poem takes form. Ironically, loneliness is his theme Nothing else can say what he wants to say. Happiest is he, when miserable Exposing his misery for all the world to see. No one, it seems, is quite as miserable as he. He takes care not to say too much In case, To make his point He admits (in the mode of a tragic figure) That there is nothing to say. Logically, 'there is nothing to say' explains His actions Although failing to describe What bothers him. It seems that that can only be other people. In them, real feelings express themselves And a challenge presents itself for him to understand them No matter It is they not understanding him That concerns me. As querulous as it may sound It is their obsession with 'reality' That he objects to. No amount of persuasion can convince them That his feelings are real. 'Such as absurd notion demands an explanation' He hears them say, but he is only prepared To go on dreaming - Observing others observing him Observing them. His sincerity Isn't expressed in conventional terms. Unbeknownst to them, he cares And unknowingly they add to his suffering As they refuse to acknowledge his feelings. His suffering - A product of a trivial pursuit For universal meanings - Is compounded by those who think him Lacking. *** Lacking in those human qualities He most desires He turns to someone, who, Without her knowing, Possesses them for him. Kindly, she admits him - Herself lacking the assurance To comprehend the extent of his need. She feels for him As one would a child, an innocent, a poet. His feelings exist in her eyes, And his failings form His 'uniqueness' - A reason For loving him. Sufficent reason, in itself, For him to love her. Nevertheless he feels An even greater need To justify his feelings. Their differences, His reliance on her And, equally, Hers on him Need explaining. As others see it Their differences contain the germs of disunity, And in their interdependence, signs of submission. Again they see things in 'real terms' Neglecting to take into account the power of the imagination. She isn't what she appears to be Her beauty transcends experience With all pain absorbed in her - He shares in her happiness And is privy to her sensitivity. She instills in him a new faith, Another reason to write - A belief in humanity. This is what he must explain To those who think him foolish. But he remains aloof Barred by a certain quirk in his character - Whenever he tries to be serious He gives the impression Of being insincere. When he tries to explain his feelings It's as if he is the one Who needs to be convinced - His new found faith seems void Without someone else to believe it. Yet people want to listen And give him the chance he's been looking for - The chance to prove himself to them. They're not heartless, And would rather not judge anyone unfairly. The truth is, however, That he is such a fool That he needs to hear his own words From someone else's mouth Before he can believe them.
peter-stavropoulos
Written by
Aug 8, 2014
Aug 8, 2014 at 7:39 PM UTC
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