*there is a tourniquet on his tongue.
he is a risqué bloke
with alkaloid fingers,
they are wearing
yellow asylum jackets
yet he calls me
mad-
emoiselle, his, in between the lines
he cuts with razorblades and mirrors.
i find myself in between legs
of a stanza (not standing),
pale femurs and inner thighs
french-kissing into
surpine ampersands
where the first word
is a proclaimed ugly disease -- perhaps 'love.'
and the other, its escapade -- perhaps 'tuberculosis.'
but i must be the period:
oxidised bones.
within the eyes
of a stanza (still not standing)
abides no fancy lines
no avarice for contemplative meanings
there is but space and void
and i've filled his femur marrows
with metaphors
to the verge of the patella.
he writes poetry for me
with a needle
and an eight-ball.
there is a tourniquet on his tongue
and his spine fits my stocking
seamlessly.*
Dec 9, 2010
Dec 9, 2010 at 5:12 AM UTC
*there is a tourniquet on his tongue.
he is a risqué bloke
with alkaloid fingers,
they are wearing
yellow asylum jackets
yet he calls me
mad-
emoiselle, his, in between the lines
he cuts with razorblades and mirrors.
i find myself in between legs
of a stanza (not standing),
pale femurs and inner thighs
french-kissing into
surpine ampersands
where the first word
is a proclaimed ugly disease -- perhaps 'love.'
and the other, its escapade -- perhaps 'tuberculosis.'
but i must be the period:
oxidised bones.
within the eyes
of a stanza (still not standing)
abides no fancy lines
no avarice for contemplative meanings
there is but space and void
and i've filled his femur marrows
with metaphors
to the verge of the patella.
he writes poetry for me
with a needle
and an eight-ball.
there is a tourniquet on his tongue
and his spine fits my stocking
seamlessly.*
ii.
