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On campus--at the very top of the new eagle pole--a raven struts, one fleck of blood stuck to his beak from morning carrion, bright black eyes the same primeval color as those on the pole.  This ode to nature, this prayer, this harmony of adzeman’s skill, tradition, inspiration, and sacred task—I’ll admire it later—was carved by folks who knew from childhood each crest and its nature. Mostly from the clan, and of course blood relatives, they memorized each color of each crest, how to mix together bright pigments from this root, that bulb--right amounts of everything, reagent to skill to alchemy--required to make each color sing.  The importance of ritual to renew. Significance of Nature, consequence of blood. Black iron raven in landscaped nature patch consults his brother.   “Our nature is belligerent, our destiny to chase bright, shiny objects and live off the blood- sticky leavings of another’s **** Don’t you think we should blaze a new path for ourselves?”  Replies the other,  “The color of your coat is lighter than the color of your mood today.”All around them Nature labors.  “Brother, we don’t need a new direction.  Our future, as always, is bright. We’re the keepers of knowledge.  Our skill at irony keeps us relevant. As long as blood is red They will need us.” He ***** on the blood red head of the top crest.  A streak the color of snow bounces down the faces.  “If you ask, I’ll reply,” he cackles, which makes Nature grin.  A fuzzy red vole begins to climb right up the front of the pole, as I realize how new it is, how fresh the pine.  When I think of the blood shed by men for money I am struck dumb.  Right here--the only color green you ever need--Nature.  I’d as soon carve as **** 11/3/10
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Nov 5, 2010
Nov 5, 2010 at 1:15 PM UTC
Raven and the Eagle Pole -- a sestina
On campus--at the very top of the new eagle pole--a raven struts, one fleck of blood stuck to his beak from morning carrion, bright black eyes the same primeval color as those on the pole.  This ode to nature, this prayer, this harmony of adzeman’s skill, tradition, inspiration, and sacred task—I’ll admire it later—was carved by folks who knew from childhood each crest and its nature. Mostly from the clan, and of course blood relatives, they memorized each color of each crest, how to mix together bright pigments from this root, that bulb--right amounts of everything, reagent to skill to alchemy--required to make each color sing.  The importance of ritual to renew. Significance of Nature, consequence of blood. Black iron raven in landscaped nature patch consults his brother.   “Our nature is belligerent, our destiny to chase bright, shiny objects and live off the blood- sticky leavings of another’s **** Don’t you think we should blaze a new path for ourselves?”  Replies the other,  “The color of your coat is lighter than the color of your mood today.”All around them Nature labors.  “Brother, we don’t need a new direction.  Our future, as always, is bright. We’re the keepers of knowledge.  Our skill at irony keeps us relevant. As long as blood is red They will need us.” He ***** on the blood red head of the top crest.  A streak the color of snow bounces down the faces.  “If you ask, I’ll reply,” he cackles, which makes Nature grin.  A fuzzy red vole begins to climb right up the front of the pole, as I realize how new it is, how fresh the pine.  When I think of the blood shed by men for money I am struck dumb.  Right here--the only color green you ever need--Nature.  I’d as soon carve as **** 11/3/10
It might help to have some knowledge of Tlingit/Haida culture to get the full buzz off this one.  Then again, maybe not.  There is a huge iron sculpture in the main campus area at UAS of a raven, and maybe 70 yards away a raven totem pole.  The balancing eagle pole was erected this spring.
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Nov 5, 2010
Nov 5, 2010 at 1:15 PM UTC
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