Good god son.
Looking straight at feet never got no one no where in this world
Son, can you imagine?
What it’s like to be passed over for shoe leather?
To have eyes, arms, legs, knees, all ignored?
Ignored for an inanimate object with a pleasant scent but nothing more
Salt water and leather.
Or son.
Can you begin to imagine what it’s like to melt?
What it’s like to fold in a too large chair
Staring straight ahead
At a screen
Flashing colors/lights
Sliding into and out of semblances and meanings
Hands searching and
not finding.
And son, your knees jutting out like jetties among the foam
Crossing right over left over left over right
Cool air lifting up hairs like shocks, but god son.
You must look at them.
And son could you ever imagine?
How deep a chair can feel
When you know the folding’s real
And the water isn’t still for any lack of menace
Oh god!
How the screams will peal.
But son, I hope you’ve guessed that from under the refracting and refracted water
That cuts the light up so beautifully
From under that water you’ll never see bottom.
And son, my love, this is vital
What they say about screams in space is true.
I know you’re a child, kid, but think, really think on this one,
How’s it got to taste?
Fed nothing
But expecting much
Can you conceive of the empty imperial dry rot
Upon which, believe this if anything, the sun never sets
And child, it tastes like carrion.
When the chair starts its own folding in.
Holy Lord in Heaven, my beloved son, when the sea foam green monoliths roll in with the moon.
They **** against the wood legs of the jetty
The feet, and knees too,
Those that are foundationed in the sand and bound up with the shoe leather
That you,
My ingrate son,
Cannot seem to ignore
Oct 8, 2010
Oct 8, 2010 at 2:19 PM UTC
Good god son.
Looking straight at feet never got no one no where in this world
Son, can you imagine?
What it’s like to be passed over for shoe leather?
To have eyes, arms, legs, knees, all ignored?
Ignored for an inanimate object with a pleasant scent but nothing more
Salt water and leather.
Or son.
Can you begin to imagine what it’s like to melt?
What it’s like to fold in a too large chair
Staring straight ahead
At a screen
Flashing colors/lights
Sliding into and out of semblances and meanings
Hands searching and
not finding.
And son, your knees jutting out like jetties among the foam
Crossing right over left over left over right
Cool air lifting up hairs like shocks, but god son.
You must look at them.
And son could you ever imagine?
How deep a chair can feel
When you know the folding’s real
And the water isn’t still for any lack of menace
Oh god!
How the screams will peal.
But son, I hope you’ve guessed that from under the refracting and refracted water
That cuts the light up so beautifully
From under that water you’ll never see bottom.
And son, my love, this is vital
What they say about screams in space is true.
I know you’re a child, kid, but think, really think on this one,
How’s it got to taste?
Fed nothing
But expecting much
Can you conceive of the empty imperial dry rot
Upon which, believe this if anything, the sun never sets
And child, it tastes like carrion.
When the chair starts its own folding in.
Holy Lord in Heaven, my beloved son, when the sea foam green monoliths roll in with the moon.
They **** against the wood legs of the jetty
The feet, and knees too,
Those that are foundationed in the sand and bound up with the shoe leather
That you,
My ingrate son,
Cannot seem to ignore