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You are not a narrative, not prepared, not braced save for your teeth. Your eyes, surrounded by shields of glass have their quotas of emigrate emotion to fill like morning mugs, so they're seldom gone from their post upon the crossing bridge of your nose. Your eyes, with their Chernobyl centers, like candied apples with caramel lace, blanketed with coldness and a cunning vision glaring from the pupil with a sparkle smirk. Your cheeks are, like you, high and haughty, bones pressing against the cream of your face like a lover needing release from these non-consensual bonds. You seem to have a thing for blondes and non-committed things: shrugs and loves. Your podium skirt, your pedestal boots do little to solidify. You are sly liquid slipping between mental cracks and broken minds like Eden's serpent infestation. You're the breaker of greater paradises. You revise the despised accent to suit you like a tailor, a censor, black bars going lengthwise across your chest when you wear that dress and vertically in your future. Get used to grey. You're a marker, standing tall like a tombstone, dates written in sharpie, a conviction epitaph from your days of being corrected by greater minds you accept like false diplomas. A crimson bracelet once twinkled around your wrist, or so you say with your eyes. You think you've died before, once more to live. Maybe once you were someone worth a **** before you turned into prom incarnations. You seem to think that, like the wine your daddy bought you, you have a kick, and even though you're all leg, your thighs were never good enough for you and maybe you show them off too much. Like a hotel, you try to accommodate other souls within you, a biome, but there's only vacancy inside your heart and that's the pool with the broken filter. Your sign mouth, neon lips all aglow promote you and your greater philosophical concepts written from eight thirty to eleven on notebook pages and margins.
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Mar 20, 2014
Mar 20, 2014 at 8:57 AM UTC
To The One Who Does
You are not a narrative, not prepared, not braced save for your teeth. Your eyes, surrounded by shields of glass have their quotas of emigrate emotion to fill like morning mugs, so they're seldom gone from their post upon the crossing bridge of your nose. Your eyes, with their Chernobyl centers, like candied apples with caramel lace, blanketed with coldness and a cunning vision glaring from the pupil with a sparkle smirk. Your cheeks are, like you, high and haughty, bones pressing against the cream of your face like a lover needing release from these non-consensual bonds. You seem to have a thing for blondes and non-committed things: shrugs and loves. Your podium skirt, your pedestal boots do little to solidify. You are sly liquid slipping between mental cracks and broken minds like Eden's serpent infestation. You're the breaker of greater paradises. You revise the despised accent to suit you like a tailor, a censor, black bars going lengthwise across your chest when you wear that dress and vertically in your future. Get used to grey. You're a marker, standing tall like a tombstone, dates written in sharpie, a conviction epitaph from your days of being corrected by greater minds you accept like false diplomas. A crimson bracelet once twinkled around your wrist, or so you say with your eyes. You think you've died before, once more to live. Maybe once you were someone worth a **** before you turned into prom incarnations. You seem to think that, like the wine your daddy bought you, you have a kick, and even though you're all leg, your thighs were never good enough for you and maybe you show them off too much. Like a hotel, you try to accommodate other souls within you, a biome, but there's only vacancy inside your heart and that's the pool with the broken filter. Your sign mouth, neon lips all aglow promote you and your greater philosophical concepts written from eight thirty to eleven on notebook pages and margins.
Dedicated to you-know-who.
brendan-watch
Written by
Mar 20, 2014
Mar 20, 2014 at 8:57 AM UTC
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