*She plays to mimic harps and dance and form thereof
The great bashed dingy thing is glossed with extra coats of drone string grease to ease and abound
Ribbing notes and notes meretriciously
Never brazened by shy low count numbers of heads when live
Always accommodated by the secreted bar life
She plays a province of many never back for second shows
Your luck is idled to capture the girl and her Bazantar
Zero rendezvous of travel by car
Zero by plane or train
She is as spurious as main instrument held
Unknown is her home, and unknown is her name
The many graceful played and sowed from baryton, vilola d,amore, lute, and sitar
Only predilection to her is he the Bazantar
Basking her flare slight tilted and wared
He is meek but bold with her as his gold and him as her stone
They are eternity prone
The 33-stringed object and girl implode
Nothing less than reciprocal to her Bazantar flow*
Sep 22, 2010
Sep 22, 2010 at 12:17 AM UTC
*She plays to mimic harps and dance and form thereof
The great bashed dingy thing is glossed with extra coats of drone string grease to ease and abound
Ribbing notes and notes meretriciously
Never brazened by shy low count numbers of heads when live
Always accommodated by the secreted bar life
She plays a province of many never back for second shows
Your luck is idled to capture the girl and her Bazantar
Zero rendezvous of travel by car
Zero by plane or train
She is as spurious as main instrument held
Unknown is her home, and unknown is her name
The many graceful played and sowed from baryton, vilola d,amore, lute, and sitar
Only predilection to her is he the Bazantar
Basking her flare slight tilted and wared
He is meek but bold with her as his gold and him as her stone
They are eternity prone
The 33-stringed object and girl implode
Nothing less than reciprocal to her Bazantar flow*
