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Most of the time, I find it difficult to harvest the proper words from the curve of my neck where the skin dips down and shakes hands with my chest.   The fine hairs raise and fall, the color of wheat, exhaling what others want and inhaling what I need. In, out, in, out. Using my primitive tools, I rip the necessary parts of speech from my throat and use the so called precious arterial mud that is equatable to manure to fertilize my lungs so that although I am dead, my voice is not. Sometimes, I can pluck proper phrases from my eyebrows; I can hunt them through the tall grass that sits upon my livid plains. I imagine my pencil is a spear and try not to look when the graphite pierces their pure bodies, killing the meaning as yet another mediocre artist paints them upon the lines of his notebook, wounding the effect words have on the world because if they are used too often, they mean nothing at all. Occasionally, my ink pen forms a circle of deep blue into which I can cast my line and retrieve the perfect letter from a sea of ephemeral pieces. I am merely part of a larger industry that traps the delicate curves of spines and sharp points of serifs nestled between ascenders and shoulders into nets made from blue lines on bleached paper.   I desperately cling to the descenders that hang past the edge of the cliff because by God I will not die even if it means shooting something as beautiful as that which I rely on to keep me afloat. However, there are times, when that is too much effort - too much exertion required of my small, inadequate equipment, I am left to abandon the ink-laden sea, to discard my fields of words and phrases in search of a way to pull the plug at the bottom of the bathtub in my brain and watch as the opaque, grimy, filth-ridden water circles around and around, exposing things I never knew were there.   In those milliseconds where the contaminants drain away and there is complete transparency, I find what I am looking for before I am even certain what I needed in the first place.
0
Dec 15, 2013
Dec 15, 2013 at 3:13 PM UTC
How to Harvest Words
Most of the time, I find it difficult to harvest the proper words from the curve of my neck where the skin dips down and shakes hands with my chest.   The fine hairs raise and fall, the color of wheat, exhaling what others want and inhaling what I need. In, out, in, out. Using my primitive tools, I rip the necessary parts of speech from my throat and use the so called precious arterial mud that is equatable to manure to fertilize my lungs so that although I am dead, my voice is not. Sometimes, I can pluck proper phrases from my eyebrows; I can hunt them through the tall grass that sits upon my livid plains. I imagine my pencil is a spear and try not to look when the graphite pierces their pure bodies, killing the meaning as yet another mediocre artist paints them upon the lines of his notebook, wounding the effect words have on the world because if they are used too often, they mean nothing at all. Occasionally, my ink pen forms a circle of deep blue into which I can cast my line and retrieve the perfect letter from a sea of ephemeral pieces. I am merely part of a larger industry that traps the delicate curves of spines and sharp points of serifs nestled between ascenders and shoulders into nets made from blue lines on bleached paper.   I desperately cling to the descenders that hang past the edge of the cliff because by God I will not die even if it means shooting something as beautiful as that which I rely on to keep me afloat. However, there are times, when that is too much effort - too much exertion required of my small, inadequate equipment, I am left to abandon the ink-laden sea, to discard my fields of words and phrases in search of a way to pull the plug at the bottom of the bathtub in my brain and watch as the opaque, grimy, filth-ridden water circles around and around, exposing things I never knew were there.   In those milliseconds where the contaminants drain away and there is complete transparency, I find what I am looking for before I am even certain what I needed in the first place.
Published in ASGARD Literary Magazine, 2014. Received a Scholastic Silver Key, 2014.
mathieu-desrochers
Written by
Dec 15, 2013
Dec 15, 2013 at 3:13 PM UTC
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