I used to dress like a storm.
Black denim,
ripped sleeves,
mascara smudged into something almost intentional,
like I wanted the world to know
I was made of thunder
and broken guitar strings.
Grunge was armor.
It said
don’t touch me
don’t read me
don’t try.
And then you left,
and somehow
even the way I dressed
started missing you.
So I changed.
Not all at once,
not like flipping a switch,
but slowly,
like sunlight creeping through a room
that used to belong to night.
I traded silver chains for gold rings and brown sugar colored beads,
tight ripped jeans for loose high wasted leggings ,
black lipstick for honey gloss
that tastes like summer.
Now I wear flowing skirts
that move when the wind breathes,
and loose shirts
that fall off my shoulders
like they’re tired of holding things up.
I started looking like
a girl who believes in peace.
A girl who puts flowers
behind her ears
even when nobody is watching.
A girl who twirls in mirrors
just to see if the fabric
catches the light.
But the truth is—
I only really wear the pretty ones
on the days I work.
On the days
I know there is a chance
you might walk through the door.
And I hate admitting that
even to myself.
Because I pretend
I’m doing it for me.
I pretend
I woke up and thought,
Today feels like a soft brown dress day.
But really,
I am standing in front of my closet
like it’s a battlefield
asking questions
that fabric cannot answer.
Would he notice this one?
Would he think I look happy?
Would he see me
and pause
for half a second longer than necessary
and remember
that I used to belong to him?
Sometimes I pick outfits
like I’m building a memory.
The loose white blouse
you once said made me look
like I stepped out of a painting.
The skirt that moves like water
when I walk.
The bracelets that make small,
hopeful sounds
when I reach for things.
I imagine you noticing.
I imagine your eyes doing that thing
where they soften
before you even realize it.
Maybe you’d think,
She looks different.
Maybe you’d think,
She looks beautiful.
And maybe—
for just a second—
you’d wonder
what it would feel like
to come back.
So I walk into work
looking like sunlight
stitched into fabric.
I move carefully,
like every step is a performance
for an audience of one.
Every laugh
a little louder.
Every smile
a little brighter.
Because maybe
if I shine enough
you’ll remember
I used to be your favorite light.
But the thing about hope
is that it stretches time
until it almost snaps.
Hours pass.
Doors open.
People come and go.
And every time the bell rings
my heart jumps
like a foolish animal
that still believes in rescue.
But it’s never you.
Just strangers.
Just coworkers.
Just the quiet realization
that I built an entire version of today
around a ghost.
Still,
I keep the outfit on.
Because if I take it off
then the illusion ends.
If I change back into sweatpants
and wipe off the gloss
then I have to admit
that the person I dressed for
is not coming.
And that’s the cruelest part of love,
I think.
How it teaches you
to decorate yourself
for someone
who no longer lives in your life.
How it turns mirrors
into confession booths.
How it makes you wonder
if maybe,
just maybe,
you could be beautiful enough
to reverse time.
So I stand there
in soft fabrics
and soft sunlight,
pretending the world
is still the one
where you walk in.
Pretending you might still see me.
Pretending my heartbeat
isn’t just echoing
through empty space.
But the day always ends.
The lights dim.
The door closes.
And hope finally
loosens its grip on my ribs.
Because the truth waits for me
in the quiet of the night,
whispering the only thing
I cannot outrun:
I got dressed
for someone
who isn’t coming back.
And the flowers in my hair
are starting to wilt.
And the mirror
no longer lies for me.
And even though I changed my style—
traded storms for sunshine,
boots for soft fabrics
and peace signs—
some things never changed.
Because when I get dressed,
when I stand there
trying to make the outfit perfect
like it might matter if you see me—
I still reach
for your mom’s shoes.
Every time.
They don’t match the skirts.
They throw off the whole look.
They ruin the careful picture
I tried to paint of myself.
But they feel like your house,
and late night drives,
and the life
I almost had.
So I wear them anyway.
And I will keep wearing them.
I’ll wear them until the fabrics
start loosening at the seams,
until the careful stitching
that holds everything together
begins to fray.
I’ll wear them until the threads
give up their quiet grip
one by one.
I’ll wear them
until you notice.
Until you see them
and realize
I never stopped.
Until you remember
what you used to call me—
your baby.
You said it was my name,
scrambled in your mouth.
like it belonged there.
Until you look down
at those worn-out shoes
and understand
I’m still wearing them-
for you.
Mar 11
Mar 11, 2026 at 12:59 AM UTC
I used to dress like a storm.
Black denim,
ripped sleeves,
mascara smudged into something almost intentional,
like I wanted the world to know
I was made of thunder
and broken guitar strings.
Grunge was armor.
It said
don’t touch me
don’t read me
don’t try.
And then you left,
and somehow
even the way I dressed
started missing you.
So I changed.
Not all at once,
not like flipping a switch,
but slowly,
like sunlight creeping through a room
that used to belong to night.
I traded silver chains for gold rings and brown sugar colored beads,
tight ripped jeans for loose high wasted leggings ,
black lipstick for honey gloss
that tastes like summer.
Now I wear flowing skirts
that move when the wind breathes,
and loose shirts
that fall off my shoulders
like they’re tired of holding things up.
I started looking like
a girl who believes in peace.
A girl who puts flowers
behind her ears
even when nobody is watching.
A girl who twirls in mirrors
just to see if the fabric
catches the light.
But the truth is—
I only really wear the pretty ones
on the days I work.
On the days
I know there is a chance
you might walk through the door.
And I hate admitting that
even to myself.
Because I pretend
I’m doing it for me.
I pretend
I woke up and thought,
Today feels like a soft brown dress day.
But really,
I am standing in front of my closet
like it’s a battlefield
asking questions
that fabric cannot answer.
Would he notice this one?
Would he think I look happy?
Would he see me
and pause
for half a second longer than necessary
and remember
that I used to belong to him?
Sometimes I pick outfits
like I’m building a memory.
The loose white blouse
you once said made me look
like I stepped out of a painting.
The skirt that moves like water
when I walk.
The bracelets that make small,
hopeful sounds
when I reach for things.
I imagine you noticing.
I imagine your eyes doing that thing
where they soften
before you even realize it.
Maybe you’d think,
She looks different.
Maybe you’d think,
She looks beautiful.
And maybe—
for just a second—
you’d wonder
what it would feel like
to come back.
So I walk into work
looking like sunlight
stitched into fabric.
I move carefully,
like every step is a performance
for an audience of one.
Every laugh
a little louder.
Every smile
a little brighter.
Because maybe
if I shine enough
you’ll remember
I used to be your favorite light.
But the thing about hope
is that it stretches time
until it almost snaps.
Hours pass.
Doors open.
People come and go.
And every time the bell rings
my heart jumps
like a foolish animal
that still believes in rescue.
But it’s never you.
Just strangers.
Just coworkers.
Just the quiet realization
that I built an entire version of today
around a ghost.
Still,
I keep the outfit on.
Because if I take it off
then the illusion ends.
If I change back into sweatpants
and wipe off the gloss
then I have to admit
that the person I dressed for
is not coming.
And that’s the cruelest part of love,
I think.
How it teaches you
to decorate yourself
for someone
who no longer lives in your life.
How it turns mirrors
into confession booths.
How it makes you wonder
if maybe,
just maybe,
you could be beautiful enough
to reverse time.
So I stand there
in soft fabrics
and soft sunlight,
pretending the world
is still the one
where you walk in.
Pretending you might still see me.
Pretending my heartbeat
isn’t just echoing
through empty space.
But the day always ends.
The lights dim.
The door closes.
And hope finally
loosens its grip on my ribs.
Because the truth waits for me
in the quiet of the night,
whispering the only thing
I cannot outrun:
I got dressed
for someone
who isn’t coming back.
And the flowers in my hair
are starting to wilt.
And the mirror
no longer lies for me.
And even though I changed my style—
traded storms for sunshine,
boots for soft fabrics
and peace signs—
some things never changed.
Because when I get dressed,
when I stand there
trying to make the outfit perfect
like it might matter if you see me—
I still reach
for your mom’s shoes.
Every time.
They don’t match the skirts.
They throw off the whole look.
They ruin the careful picture
I tried to paint of myself.
But they feel like your house,
and late night drives,
and the life
I almost had.
So I wear them anyway.
And I will keep wearing them.
I’ll wear them until the fabrics
start loosening at the seams,
until the careful stitching
that holds everything together
begins to fray.
I’ll wear them until the threads
give up their quiet grip
one by one.
I’ll wear them
until you notice.
Until you see them
and realize
I never stopped.
Until you remember
what you used to call me—
your baby.
You said it was my name,
scrambled in your mouth.
like it belonged there.
Until you look down
at those worn-out shoes
and understand
I’m still wearing them-
for you.
