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I. Well you know that I sip on my sadness, my dear, filthy palms, filled to the brim. And I know that you watch trains passing by, dizzy eyed, still drunk with sin. Your teeth reek of reality lately, You smile facts, figures and cracked calcium. Now, once more with cupped hands leaking, shaking delirium up to your chin. Well I know that I’ve missed the point, honey I should get it tattooed on my wrists, but you know you talk like firecrackers so flinching gets awful hard to resist. I make believe that I’m right like craters make moons believe. So I’ll comment on comets and ignore truths popping between parentheses. My delusion has your lips liquored up, but I notice your tongue... II. You say, *“It’s fiction we live in. You play in pastels and fake hollywood rhythms and I’m tired, staring up at your screen.* *You're addicted to this diction. My voice is lost, screaming these words you keep stealing and twist for yourself what they mean."* III. Your lips liquored up, but I notice your tongue's not numb. Drink deep, darling. Let's inoculate. IV. And you say, *“It’s fiction we live in. It’s intended for men like you, bottled, up-ended, but I've watched you drain out in my palm."* *It's this clothing, from bedpost to box-spring, It's all wax-coats and smoke screens, live lit-candle lasting When did skin begin to fit wrong?* V. So they say, one day Or, one day, they say, we’ll find ghosts sewed to the seams of Fringe Wolf bones picked clean who waltz wicked and crooked a foxtrot to show that sometimes loss is beautiful. And when I ask for your hand you’ll look tragic like this dance was only ever for me and my feet always fall off beat Like I beat off any discreet romancing To pretend that this dancing was Anything more than masturbatory. I guess I do dance the way I drink: Heavy handed and troglodytic And a little listless, but I always fight it. So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering. You keep whispers like keepsakes. You speak so soft but Baby, your voice sticks with me like sickness. VI. And you say, *“It’s fiction we live in. It’s intended for men like you, bottled, up-ended, but I've watched you drain out in my palm."* Alright, it's fiction that we live in It's intended for men like me, bottled, up-ended, but at best I just seeped through your teeth. VII. I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway. Your voice sticks to my ghost-sewn, sea-floor bound foot steps like sickness. Tread lightly, my love. Let's inoculate. VIII. So when they ask for me at the after party With neon eyes and harlot tongues, You can tell them I traded this stale air in For forest fires and tornado lungs. Because I’ve been reading up in matchbooks how to dance with disastrous fate, and I'm finding my rhythm so wake silent or sleep long, my love. Let's inoculate.
0
Nov 18, 2013
Nov 18, 2013 at 6:12 PM UTC
Eight Steps to Sleeping In.
I. Well you know that I sip on my sadness, my dear, filthy palms, filled to the brim. And I know that you watch trains passing by, dizzy eyed, still drunk with sin. Your teeth reek of reality lately, You smile facts, figures and cracked calcium. Now, once more with cupped hands leaking, shaking delirium up to your chin. Well I know that I’ve missed the point, honey I should get it tattooed on my wrists, but you know you talk like firecrackers so flinching gets awful hard to resist. I make believe that I’m right like craters make moons believe. So I’ll comment on comets and ignore truths popping between parentheses. My delusion has your lips liquored up, but I notice your tongue... II. You say, *“It’s fiction we live in. You play in pastels and fake hollywood rhythms and I’m tired, staring up at your screen.* *You're addicted to this diction. My voice is lost, screaming these words you keep stealing and twist for yourself what they mean."* III. Your lips liquored up, but I notice your tongue's not numb. Drink deep, darling. Let's inoculate. IV. And you say, *“It’s fiction we live in. It’s intended for men like you, bottled, up-ended, but I've watched you drain out in my palm."* *It's this clothing, from bedpost to box-spring, It's all wax-coats and smoke screens, live lit-candle lasting When did skin begin to fit wrong?* V. So they say, one day Or, one day, they say, we’ll find ghosts sewed to the seams of Fringe Wolf bones picked clean who waltz wicked and crooked a foxtrot to show that sometimes loss is beautiful. And when I ask for your hand you’ll look tragic like this dance was only ever for me and my feet always fall off beat Like I beat off any discreet romancing To pretend that this dancing was Anything more than masturbatory. I guess I do dance the way I drink: Heavy handed and troglodytic And a little listless, but I always fight it. So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering. You keep whispers like keepsakes. You speak so soft but Baby, your voice sticks with me like sickness. VI. And you say, *“It’s fiction we live in. It’s intended for men like you, bottled, up-ended, but I've watched you drain out in my palm."* Alright, it's fiction that we live in It's intended for men like me, bottled, up-ended, but at best I just seeped through your teeth. VII. I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway. Your voice sticks to my ghost-sewn, sea-floor bound foot steps like sickness. Tread lightly, my love. Let's inoculate. VIII. So when they ask for me at the after party With neon eyes and harlot tongues, You can tell them I traded this stale air in For forest fires and tornado lungs. Because I’ve been reading up in matchbooks how to dance with disastrous fate, and I'm finding my rhythm so wake silent or sleep long, my love. Let's inoculate.
chris-voss
Written by
American
Nov 18, 2013
Nov 18, 2013 at 6:12 PM UTC
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