Miryam walks along the beach
in her swimming attire, some red
and flowered design, Benedict
notes, walking just behind, having
left the two Moroccan guys behind
with the camel, with whom she'd
posed while he took camera shot.
Bet they don't do that everyday, she
says, swaying her delicious backside
side to side. No, guess not, least
not by the look on their faces,
Benedict says. She laughs, does
a Monroe kind of walk and wiggle.
We came down here last night, she
says, it was quite romantic what
with the moon, stars and warm air.
She stops and turns to look at him.
Was it about here? she asks. He
gazes about him, at the sand and
tufts of grass, the sky blue and the
odd white clouds, could be, hard
to say, it being dark and all. You
found your way around all right,
she says, smiling. Well, a guy gets
to know his way around after a while,
bit like a ****** gets to know the sea,
the rough times and the smooth,
the high tides and the low, when
its best to set out and when to stay
in port. She frowns. Is that what it's
like for you guys? Just like that? No,
he says, just being philosophical, in
fact, it was a good evening, a fine
**** he says softly. Is that all? she
asks. She stands there her hands
on hips, her head to one side. No,
of course not, it's just us guys hate
to get all soft about these things,
he says. She pouts. Soft? These
things? she says. Can't you just
say it was romantic? She says, is
it hard to say that? A fine ****
Is that easier to say? It's just one
syllable instead of three, he says.
She turns and walks on through
the sand. He follows, taking in
her figure, her side to side ***
the tight red hair. OK, he says, it
was a romantic night, I loved the
whole set up, the stars, the moon,
you and me, the sand, the soft tufts
of grass, the *** the kisses, the holds.
She stops and turns and gazes at him.
It has to mean something, she says,
otherwise we waste our lives in such
pointlessness. He nods, zooms in on
her small **** her eyes, her whole features.
Sure we do, he says, you're right, it
was one fine romantic never to be
forgotten night. She smiles and walks
to him and kisses him and holds him.
He holds her, feels her, senses her lips
on his, and out of the corner of his eye,
he sees the two Moroccan guys and
camel walk away up the beach, they'll
never know this, he thinks, feeling smug,
far beyond their lives or random reach.
Nov 13, 2013
Nov 13, 2013 at 2:27 AM UTC
Miryam walks along the beach
in her swimming attire, some red
and flowered design, Benedict
notes, walking just behind, having
left the two Moroccan guys behind
with the camel, with whom she'd
posed while he took camera shot.
Bet they don't do that everyday, she
says, swaying her delicious backside
side to side. No, guess not, least
not by the look on their faces,
Benedict says. She laughs, does
a Monroe kind of walk and wiggle.
We came down here last night, she
says, it was quite romantic what
with the moon, stars and warm air.
She stops and turns to look at him.
Was it about here? she asks. He
gazes about him, at the sand and
tufts of grass, the sky blue and the
odd white clouds, could be, hard
to say, it being dark and all. You
found your way around all right,
she says, smiling. Well, a guy gets
to know his way around after a while,
bit like a ****** gets to know the sea,
the rough times and the smooth,
the high tides and the low, when
its best to set out and when to stay
in port. She frowns. Is that what it's
like for you guys? Just like that? No,
he says, just being philosophical, in
fact, it was a good evening, a fine
**** he says softly. Is that all? she
asks. She stands there her hands
on hips, her head to one side. No,
of course not, it's just us guys hate
to get all soft about these things,
he says. She pouts. Soft? These
things? she says. Can't you just
say it was romantic? She says, is
it hard to say that? A fine ****
Is that easier to say? It's just one
syllable instead of three, he says.
She turns and walks on through
the sand. He follows, taking in
her figure, her side to side ***
the tight red hair. OK, he says, it
was a romantic night, I loved the
whole set up, the stars, the moon,
you and me, the sand, the soft tufts
of grass, the *** the kisses, the holds.
She stops and turns and gazes at him.
It has to mean something, she says,
otherwise we waste our lives in such
pointlessness. He nods, zooms in on
her small **** her eyes, her whole features.
Sure we do, he says, you're right, it
was one fine romantic never to be
forgotten night. She smiles and walks
to him and kisses him and holds him.
He holds her, feels her, senses her lips
on his, and out of the corner of his eye,
he sees the two Moroccan guys and
camel walk away up the beach, they'll
never know this, he thinks, feeling smug,
far beyond their lives or random reach.
MOROCCO IN 1970
Request permission to use this poem