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Leave the clean up to the professionals, the conspiracies to the airs. The dance macabre, music all-strutting a life-expression, worn in the ingratiating shimmer off Time’s surface, bright as a smile and decent as a memory. Like a worn blade incapable of cutting so much of what is needed of cloth, and leaving only ruin in its wake. Just so, matter turns to finer matter, and of the, well, supposed immaterial, the to be not-to-be-so abstract that-is-a-life, a worn-to-pieces quilt of finer thread than dust, ambivalently contrasting in the light of: what is useful, what is not, loves me, loves me not,
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Jan 16, 2024
Jan 16, 2024 at 11:06 AM UTC
1.16.24
Leave the clean up to the professionals, the conspiracies to the airs. The dance macabre, music all-strutting a life-expression, worn in the ingratiating shimmer off Time’s surface, bright as a smile and decent as a memory. Like a worn blade incapable of cutting so much of what is needed of cloth, and leaving only ruin in its wake. Just so, matter turns to finer matter, and of the, well, supposed immaterial, the to be not-to-be-so abstract that-is-a-life, a worn-to-pieces quilt of finer thread than dust, ambivalently contrasting in the light of: what is useful, what is not, loves me, loves me not,
Explanation: the intent here is to liken the body to the wear of cloth, which happens persistently and impersonally, and also diminishes the character of what we once knew into - an unfamiliarity. With emphasis on this unfamiliarity. Thank you for reading!
sean-fitzpatrick
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Jan 16, 2024
Jan 16, 2024 at 11:06 AM UTC
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