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Young Johannes keeps his theory dressed up with petty pink flourishes and tucked inside her wicker basket. She's plopped fat on a spangled, off-center perch while surrounded by tangles of circular mirrors, each reflecting his fragmented eye. “The fluid mechanics of my camera’s lens imbues its gaping human subject with a soul,” this caged bird sings, just as he’s coached her. She doesn’t require very much care -- a few scattered meat-filled husks and white space for flapping her clipped-tones -- but reluctantly Johannes must set Prolly free to wing it openly upon the waves of patterned noise his vacuous glass can’t see.
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Jul 10, 2010
Jul 10, 2010 at 1:25 PM UTC
Gaze here, into the eye of my soulless contraption
Young Johannes keeps his theory dressed up with petty pink flourishes and tucked inside her wicker basket. She's plopped fat on a spangled, off-center perch while surrounded by tangles of circular mirrors, each reflecting his fragmented eye. “The fluid mechanics of my camera’s lens imbues its gaping human subject with a soul,” this caged bird sings, just as he’s coached her. She doesn’t require very much care -- a few scattered meat-filled husks and white space for flapping her clipped-tones -- but reluctantly Johannes must set Prolly free to wing it openly upon the waves of patterned noise his vacuous glass can’t see.
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francis-scudellari
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Jul 10, 2010
Jul 10, 2010 at 1:25 PM UTC
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