I hear the song
of this street
a happier song
than the blues of Denver
destitution with gaiety
more hope and love,
worn souls and bodies
hoping for the
loose change that
usually ends up lost
between couch cushions
in exchange
for a simple show
instead of begging
for sympathy
carefully arranged
planter boxes
to match the seasons
and jubilance of
passers by juxtaposed
with the whitening beard
of a ***** old man
hustling for a buck
for **** or food or *****
you will never know
except for the few
honest cardboard signs
the two a.m. ***
happy and ******
eagerly striking a
conversation with
lone students
out for a simple walk
looking only for
someone to talk to
because no one
is a desert island,
we need imports
and exports of
thoughts, ideas,
and emotions
to keep the small
piece of land bearable
the man in a mask
with no skin showing
playing congas
on a hot Colorado day
hoping for a
pocket full of change,
face hidden; like
his beaten past
he is humble—
anonymously playing
for a dollar
or few without
shock or pizzazz
adults buying a drink
while a block down
children buy an
ice cream cone
both a vice
modern jazz, which flows
over the red bricked street
guitars, bongos, violins,
Home Depot bucket drums
melding together into
one, spontaneous song
improvised by the ebb
and flow of tourists
and natives with
changing verses of
a woman’s opinion
strongly voiced to a survey
while her husband
keeps the beat with his foot
—never allowed to sing
the chorus of children
shrieking and crying
in the dissonance of youth
reflected in early couples
sing infatuations
short and fleet, struggling
to keep a foot hold, but
fading like pop songs…
the experienced couples
creating movements of
pain, joy, and maturity,
dynamic blues riffs
full of emotion only
those who have felt
could understand
Feb 28, 2013
Feb 28, 2013 at 10:15 AM UTC
I hear the song
of this street
a happier song
than the blues of Denver
destitution with gaiety
more hope and love,
worn souls and bodies
hoping for the
loose change that
usually ends up lost
between couch cushions
in exchange
for a simple show
instead of begging
for sympathy
carefully arranged
planter boxes
to match the seasons
and jubilance of
passers by juxtaposed
with the whitening beard
of a ***** old man
hustling for a buck
for **** or food or *****
you will never know
except for the few
honest cardboard signs
the two a.m. ***
happy and ******
eagerly striking a
conversation with
lone students
out for a simple walk
looking only for
someone to talk to
because no one
is a desert island,
we need imports
and exports of
thoughts, ideas,
and emotions
to keep the small
piece of land bearable
the man in a mask
with no skin showing
playing congas
on a hot Colorado day
hoping for a
pocket full of change,
face hidden; like
his beaten past
he is humble—
anonymously playing
for a dollar
or few without
shock or pizzazz
adults buying a drink
while a block down
children buy an
ice cream cone
both a vice
modern jazz, which flows
over the red bricked street
guitars, bongos, violins,
Home Depot bucket drums
melding together into
one, spontaneous song
improvised by the ebb
and flow of tourists
and natives with
changing verses of
a woman’s opinion
strongly voiced to a survey
while her husband
keeps the beat with his foot
—never allowed to sing
the chorus of children
shrieking and crying
in the dissonance of youth
reflected in early couples
sing infatuations
short and fleet, struggling
to keep a foot hold, but
fading like pop songs…
the experienced couples
creating movements of
pain, joy, and maturity,
dynamic blues riffs
full of emotion only
those who have felt
could understand
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