after Ansel Elkins
Carabao **** isn't permafrost,
temperature, disdain — climates
stirring into a tornado soup
of force, melting, seclusion.
In the heartbeat of gulls,
the waves gargled froth and
spat on charred limestone.
Then the grass beneath our
wet feet writhed in the
slice of wind atop the hills
of Hiyop, in Catanduanes
where roads go unmoored from
their skiffs like violin
strings curling under sharp
slide. You can invent a new
word to describe transformations,
but these will never catch it
in the act — the moment
vibration somersaults into
howl, when swinging grass
is louder than jetplanes
then suddenly quieter than
prayer. I like to dig my thumb
into the soft marsh, dirt
occupying the folds, creases;
labyrinthine pathways of skin
blanketed with Earth.
At this point the mountain
knows me;
and I dare to know the
mountain but come short, reaching
only its narrow berms,
pockmarks,
and shit-ridden sheath of
dry flowers cooking the
words to a song of its
people.
May 3, 2019
May 3, 2019 at 10:48 PM UTC
after Ansel Elkins
Carabao **** isn't permafrost,
temperature, disdain — climates
stirring into a tornado soup
of force, melting, seclusion.
In the heartbeat of gulls,
the waves gargled froth and
spat on charred limestone.
Then the grass beneath our
wet feet writhed in the
slice of wind atop the hills
of Hiyop, in Catanduanes
where roads go unmoored from
their skiffs like violin
strings curling under sharp
slide. You can invent a new
word to describe transformations,
but these will never catch it
in the act — the moment
vibration somersaults into
howl, when swinging grass
is louder than jetplanes
then suddenly quieter than
prayer. I like to dig my thumb
into the soft marsh, dirt
occupying the folds, creases;
labyrinthine pathways of skin
blanketed with Earth.
At this point the mountain
knows me;
and I dare to know the
mountain but come short, reaching
only its narrow berms,
pockmarks,
and shit-ridden sheath of
dry flowers cooking the
words to a song of its
people.
November 2018
Request permission to use this poem