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I read so many poems about the tangling of souls, or the intertwining of limbs and hearts. Combining smiles with flowers, everlasting this and thats, laughter with bullets, memories in objects. Boring, all of it. I read the cliches, the red colors associated with passions of flesh and mind. The blue oceans mingled with longing. Still winds with waiting. I read these things and think of how far away from any sense of truth. Neruda finds love in bread, cummings finds it in buildings, Bukowski in beer. No one remembers that love is in chemicals - that true love finds its way through all chemical imbalances, all sense in senses. I can be drunk with you, I can be high with you, I can be depressed, anxious, hyperactive, crazy, boastful, cheerless, smug, annoying, annoyed, frantic, courageous, bashful, broken, crying, dying and dealing with my own **** self and I still feel my love for you (and your love for me). Why do poets pick one image, one allusion, to craft a poem about a truth that overtakes all? It seems lazy, unfortunate. It does wrong in my eyes. This is where discipline has destroyed what they try to express. When was love ever disciplined? No, my love is not a red, red rose because my love is punk rock and she'll fight you if you try to say she's not. She drinks and smokes and would intellectually crush any girl who thinks that love poems define proper behavior.
0
Feb 14, 2013
Feb 14, 2013 at 8:09 AM UTC
#2
I read so many poems about the tangling of souls, or the intertwining of limbs and hearts. Combining smiles with flowers, everlasting this and thats, laughter with bullets, memories in objects. Boring, all of it. I read the cliches, the red colors associated with passions of flesh and mind. The blue oceans mingled with longing. Still winds with waiting. I read these things and think of how far away from any sense of truth. Neruda finds love in bread, cummings finds it in buildings, Bukowski in beer. No one remembers that love is in chemicals - that true love finds its way through all chemical imbalances, all sense in senses. I can be drunk with you, I can be high with you, I can be depressed, anxious, hyperactive, crazy, boastful, cheerless, smug, annoying, annoyed, frantic, courageous, bashful, broken, crying, dying and dealing with my own **** self and I still feel my love for you (and your love for me). Why do poets pick one image, one allusion, to craft a poem about a truth that overtakes all? It seems lazy, unfortunate. It does wrong in my eyes. This is where discipline has destroyed what they try to express. When was love ever disciplined? No, my love is not a red, red rose because my love is punk rock and she'll fight you if you try to say she's not. She drinks and smokes and would intellectually crush any girl who thinks that love poems define proper behavior.
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American
Feb 14, 2013
Feb 14, 2013 at 8:09 AM UTC
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