There was much in her madness to draw us in.
Poetry was payback, electroshock for readers,
collusion between self and the culture oppressing women.
Rebelling against the limitations of a woman's sphere,
seeking refuge in career, a feminist before it was chic,
writing poems as a poultice against death
lurking in the shadows of a conflicted mind.
Sylvia, what was the dialogue you had with Death?
He deceived you in the mirror,
made you tremble at the foot of the stairs,
hissed from the potatoes in the kitchen,
till you sought solace in the oven's jets.
You were an artist out of time.
It's safe to come in from the depression now.
Feb 10, 2013
Feb 10, 2013 at 12:56 AM UTC
There was much in her madness to draw us in.
Poetry was payback, electroshock for readers,
collusion between self and the culture oppressing women.
Rebelling against the limitations of a woman's sphere,
seeking refuge in career, a feminist before it was chic,
writing poems as a poultice against death
lurking in the shadows of a conflicted mind.
Sylvia, what was the dialogue you had with Death?
He deceived you in the mirror,
made you tremble at the foot of the stairs,
hissed from the potatoes in the kitchen,
till you sought solace in the oven's jets.
You were an artist out of time.
It's safe to come in from the depression now.
The title of this piece was once intended for Sylvia Plath's collection which became "Colossus" ... It seems appropriate that it be given life.
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