one, two, three.
hours of sweater lines written on your cheek and
your undereye circles tender to touch and
water in both places and
your shallow breath, violent
saying you’re sorry, sounding like nothing.
sweater lines in the mirror and no way to make him know, and
what that does to you.
one, two, three—
what that does to you
one, two three.
remembering how you don’t like flowers, and
how you are supposed to, and
white knuckles
he asks you to explain.
if only
one, two, three.
four.
unplanned, the monster in the closet
that hasn’t brushed your open palm in years, and
you forgot.
he said don’t worry, once, it wasn’t real
it won’t ruin you
he said that
four.
backs against cold walls, this time, and
long long quiet.
one, two, three.
his undereyes, too, this time, and
your involuntary muscles, violent
unmetered, sorry,
always.
one, two, three, and
four
Jan 29, 2013
Jan 29, 2013 at 12:23 AM UTC
one, two, three.
hours of sweater lines written on your cheek and
your undereye circles tender to touch and
water in both places and
your shallow breath, violent
saying you’re sorry, sounding like nothing.
sweater lines in the mirror and no way to make him know, and
what that does to you.
one, two, three—
what that does to you
one, two three.
remembering how you don’t like flowers, and
how you are supposed to, and
white knuckles
he asks you to explain.
if only
one, two, three.
four.
unplanned, the monster in the closet
that hasn’t brushed your open palm in years, and
you forgot.
he said don’t worry, once, it wasn’t real
it won’t ruin you
he said that
four.
backs against cold walls, this time, and
long long quiet.
one, two, three.
his undereyes, too, this time, and
your involuntary muscles, violent
unmetered, sorry,
always.
one, two, three, and
four