You’re basic,
a lengthy silhouette
miming the human experience.
Staying up late
to blind yourself,
blinking to the sounds of sleepiness
heart beating to Skinny Love.
What ifs,
pre-recorded scenarios
imagining that first hug.
Contemplate that bottle of pills by the sink
that new film that you want to see,
condensation in the lid of the teapot.
You’re candid,
unsure if all scabs heal
trying to remember when you didn't have a writing callus,
when you slept through the night,
when purple was the only colour you didn't use.
Purify infectious matter,
***** green-blue wine glasses overflowing.
Tinfoil vases and orchid flowers,
melting boxes of 64 assorted crayons.
You’re laconic,
often dying to create,
like the verbose and the wordy
sighing simply to translate.
Missouri gift exchanges,
loose blue jeans ******
stacks of classics.
Tales of the Jazz Age wrinkling
to a slow 50s song.
You’re a try hard
dying to knit,
only true fear is disappointment
burning in the lime light.
6000 voluntary hours
linking syllables to daisy chains,
dropping pesos to foreigners,
hands sandwiched inside
the front cover and the first page
of The Count of Monte Cristo.
You’re basic,
down for maintenance,
compressing the weight of the atmosphere.
Jan 14, 2013
Jan 14, 2013 at 11:35 PM UTC
You’re basic,
a lengthy silhouette
miming the human experience.
Staying up late
to blind yourself,
blinking to the sounds of sleepiness
heart beating to Skinny Love.
What ifs,
pre-recorded scenarios
imagining that first hug.
Contemplate that bottle of pills by the sink
that new film that you want to see,
condensation in the lid of the teapot.
You’re candid,
unsure if all scabs heal
trying to remember when you didn't have a writing callus,
when you slept through the night,
when purple was the only colour you didn't use.
Purify infectious matter,
***** green-blue wine glasses overflowing.
Tinfoil vases and orchid flowers,
melting boxes of 64 assorted crayons.
You’re laconic,
often dying to create,
like the verbose and the wordy
sighing simply to translate.
Missouri gift exchanges,
loose blue jeans ******
stacks of classics.
Tales of the Jazz Age wrinkling
to a slow 50s song.
You’re a try hard
dying to knit,
only true fear is disappointment
burning in the lime light.
6000 voluntary hours
linking syllables to daisy chains,
dropping pesos to foreigners,
hands sandwiched inside
the front cover and the first page
of The Count of Monte Cristo.
You’re basic,
down for maintenance,
compressing the weight of the atmosphere.
http://poemsaboutpoetry.blogspot.ca/
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