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To my left a girl spoke daftly of Charlotte Bronte, to my right a boy butchered cantos out of Dante. I've offered these kids pieces written to pass the time; short, plotless fictions and epigrams that  rhyme. "Where's your sense of plot?", cried a free-verse poet in black. "Form can be a cage", advised a boy whose eyes screamed Hack! "My poems occur cerebrally, " I explained; "when reading my shorts think opposites being strained." They seemed unable to deal in abstract thought. It was incredibly sad. This is what modernity does.
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Dec 9, 2012
Dec 9, 2012 at 1:14 PM UTC
The Old Man in the Writing Workshop
To my left a girl spoke daftly of Charlotte Bronte, to my right a boy butchered cantos out of Dante. I've offered these kids pieces written to pass the time; short, plotless fictions and epigrams that  rhyme. "Where's your sense of plot?", cried a free-verse poet in black. "Form can be a cage", advised a boy whose eyes screamed Hack! "My poems occur cerebrally, " I explained; "when reading my shorts think opposites being strained." They seemed unable to deal in abstract thought. It was incredibly sad. This is what modernity does.
christopher-howard-gorrie
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Dec 9, 2012
Dec 9, 2012 at 1:14 PM UTC
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