Writing is so close to making love:
That sometimes, you can't tell the difference at all;
If I ask if you want to make love this afternoon
You look out the window, at the sky, and mention the fineness of the weather
Or whether it is gloomy and maybe looks like rain,
As there is never, no weather, to comment about
If I ask if you want to make love this evening
You check your calendar then, as if perpetually finding it too full
To squeeze in a lover's tryst, at the full height of the moon,
And then might mention other nights, when unexpected guests arrived,
To while away the incubating hours of darkness, with glasses of wine
And well worn jokes; the *** jokes ever popular, with maybe a game of cards
If I ask if you might want to make love in the morning
You are sure to be busy then; what with breakfast to get, picking up clothes
From the night before; all the interminable household chores
Which seem to lead from one to another, almost seamlessly
While still finding the time, to watch birds through the window and wonder
What they are about, and if they have nests of eggs yet,
And about how two birds kept hiding, beneath the bush yesterday, to copulate
And if even birds have their preference, about such activities, performed together as a couple
And if the neighbors are not stirring, because they have slept in
After a night of continuous ********** and if they are not too old for that sort of thing yet-
It seems very clear, that the only way to write a poem
Is just to begin it, and to let all that other nonsense stuff of life
Fall away; to know that the right words will come when needed,
Just like the right moment finally arrives
And I take your hand, and go toward the smiling twilight
And you finally acquiesce, in the form of a silent acceptance,
That 'no' is not any longer an option,
Because for some things, the answer should always be, 'yes'
And so we write that poem, then
The one I have been thinking about, for so long
And I carefully leave out of it, weather and visitors and busy birds and neighbors;
And all of them are quiet and good, while the poem creates itself capriciously,
Born on only the whim of a moment, and some pulsing memories;
Our bodies merely the vehicle, which pushes it forth
Out of a rich milk of pastures and time;
And in which the whole of history, since mankind first appeared
Is all somehow condensed down
Into one line, of purest potency.
Mar 14, 2010
Mar 14, 2010 at 4:03 PM UTC
Writing is so close to making love:
That sometimes, you can't tell the difference at all;
If I ask if you want to make love this afternoon
You look out the window, at the sky, and mention the fineness of the weather
Or whether it is gloomy and maybe looks like rain,
As there is never, no weather, to comment about
If I ask if you want to make love this evening
You check your calendar then, as if perpetually finding it too full
To squeeze in a lover's tryst, at the full height of the moon,
And then might mention other nights, when unexpected guests arrived,
To while away the incubating hours of darkness, with glasses of wine
And well worn jokes; the *** jokes ever popular, with maybe a game of cards
If I ask if you might want to make love in the morning
You are sure to be busy then; what with breakfast to get, picking up clothes
From the night before; all the interminable household chores
Which seem to lead from one to another, almost seamlessly
While still finding the time, to watch birds through the window and wonder
What they are about, and if they have nests of eggs yet,
And about how two birds kept hiding, beneath the bush yesterday, to copulate
And if even birds have their preference, about such activities, performed together as a couple
And if the neighbors are not stirring, because they have slept in
After a night of continuous ********** and if they are not too old for that sort of thing yet-
It seems very clear, that the only way to write a poem
Is just to begin it, and to let all that other nonsense stuff of life
Fall away; to know that the right words will come when needed,
Just like the right moment finally arrives
And I take your hand, and go toward the smiling twilight
And you finally acquiesce, in the form of a silent acceptance,
That 'no' is not any longer an option,
Because for some things, the answer should always be, 'yes'
And so we write that poem, then
The one I have been thinking about, for so long
And I carefully leave out of it, weather and visitors and busy birds and neighbors;
And all of them are quiet and good, while the poem creates itself capriciously,
Born on only the whim of a moment, and some pulsing memories;
Our bodies merely the vehicle, which pushes it forth
Out of a rich milk of pastures and time;
And in which the whole of history, since mankind first appeared
Is all somehow condensed down
Into one line, of purest potency.
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