you pull the phone from its cradle
(the dial tone wails miserably)
and the glance you throw at me is a mash of expression
the corners of your mouth blending together
bemusement and sorrow
hope and desolation
as you caress the seven numbers
and tell her in broken lies
that you're coming home soon.
then
after the shy thud of plastic on plastic
and the tumble of ice in a glass poured solely to forget
you stand and turn
so like clockwork
there is a kiss that never meant a blessed thing
and three words said without impact—
sidewalk-chalk-in-a-rainstorm,
beached-and-sundried-starfish words
swept back out to sea.
i can wish for revolving doors
to keep you running in perfect circles—
a blissful three-sixty—
and lead you back to my cardboard palace
so we could air out the mold between the creases
just for a glimmer of something
fresh
and new.
but there are reasons why the serpent escapes from god.
Jun 24, 2012
Jun 24, 2012 at 11:21 AM UTC
you pull the phone from its cradle
(the dial tone wails miserably)
and the glance you throw at me is a mash of expression
the corners of your mouth blending together
bemusement and sorrow
hope and desolation
as you caress the seven numbers
and tell her in broken lies
that you're coming home soon.
then
after the shy thud of plastic on plastic
and the tumble of ice in a glass poured solely to forget
you stand and turn
so like clockwork
there is a kiss that never meant a blessed thing
and three words said without impact—
sidewalk-chalk-in-a-rainstorm,
beached-and-sundried-starfish words
swept back out to sea.
i can wish for revolving doors
to keep you running in perfect circles—
a blissful three-sixty—
and lead you back to my cardboard palace
so we could air out the mold between the creases
just for a glimmer of something
fresh
and new.
but there are reasons why the serpent escapes from god.
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