take one
gotta make sure the lighting is just right
that silken glow perfect for when the other
first graders take off your dress for you
because dress-up is one thing, but this, another
take two
adjust the camera angle, you wouldn't want
to show your tummy. **** that gut, boy!
no streetwear allowed in the public pool;
you can't keep your hoodie on forever
take three
i cast coal and cherry juice over myself because i'm scared
scared to show it all for what it is on camera but the truth is,
i was clueless, she was strong, and what's the harm in a little
********* when she'll bruise and asphyxiate you otherwise
take four
i knew this time, but i liked that way her teeth raked over
my bottom lip, it satisfied that near-catholic compulsion
i had to atone, to hurt myself to better myself, it was sweet
the sweetest bloodwine my adolescent pre-homo self would ever have
take five
my god i deserved you. we deserved each other. until, of course,
the stones you used to give me -- agate, citrine -- landed on my
dusted cheekbones, in the middle of love, sometimes because your nose was stuffy and you felt you couldn't breathe and it was cathartic to take out your frustration on objects (hello, hi, i am not one)
take six
and the truth is, i'm too tired to write a take six, and i've long abandoned this metaphor, and take six will be a poem of its own, in ways, take six is my teenage finale, my rite of passage, my understanding of myself as a vessel of men's aggression
and far too few sunsets have passed for me to write it, anyways, and far too few footsteps over the land below the car where i was ***** and far too little writing on how this has affected me, my psyche, my masculinity, any sense or semblance of self outside of victim, and ********* i'm not ready i'm just not ready so don't push me with this take six, business, alright?
CUT
Apr 7, 2017
Apr 7, 2017 at 11:38 PM UTC
take one
gotta make sure the lighting is just right
that silken glow perfect for when the other
first graders take off your dress for you
because dress-up is one thing, but this, another
take two
adjust the camera angle, you wouldn't want
to show your tummy. **** that gut, boy!
no streetwear allowed in the public pool;
you can't keep your hoodie on forever
take three
i cast coal and cherry juice over myself because i'm scared
scared to show it all for what it is on camera but the truth is,
i was clueless, she was strong, and what's the harm in a little
********* when she'll bruise and asphyxiate you otherwise
take four
i knew this time, but i liked that way her teeth raked over
my bottom lip, it satisfied that near-catholic compulsion
i had to atone, to hurt myself to better myself, it was sweet
the sweetest bloodwine my adolescent pre-homo self would ever have
take five
my god i deserved you. we deserved each other. until, of course,
the stones you used to give me -- agate, citrine -- landed on my
dusted cheekbones, in the middle of love, sometimes because your nose was stuffy and you felt you couldn't breathe and it was cathartic to take out your frustration on objects (hello, hi, i am not one)
take six
and the truth is, i'm too tired to write a take six, and i've long abandoned this metaphor, and take six will be a poem of its own, in ways, take six is my teenage finale, my rite of passage, my understanding of myself as a vessel of men's aggression
and far too few sunsets have passed for me to write it, anyways, and far too few footsteps over the land below the car where i was ***** and far too little writing on how this has affected me, my psyche, my masculinity, any sense or semblance of self outside of victim, and ********* i'm not ready i'm just not ready so don't push me with this take six, business, alright?
CUT
getting there
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