Put a few quarters
in me,
and look at the island
with the woman on it
swaying loosely beside me.
I don't know if I'll be able to make it
where we're going.
"Let's go!"
you shake me.
You go hard.
There appears in front of me
a lake of black coffee.
A caramel hand and its tiny bones
peopled by sweeter fingers
with fingernails as white as gondolas
stirs in a hurricane
of cream and sugar.
"Drink this,"
I sway to your voice,
but your body is as indistinct
as the sun split open
like an egg on the ocean.
Am I going to make it
through this night?
Stumbling out of somewheres
into the salt of Brooklyn.
You
hold me
up
because it's high-tide
in Venice.
And I might've drowned
in the subways
without you
telling me,
"This is our train,
Get up babe."
And that's how we made it back
to my uncle's spot off of FDR,
you fording the waters
as I waded back
on broken oars.
Mar 3, 2012
Mar 3, 2012 at 1:14 PM UTC
Put a few quarters
in me,
and look at the island
with the woman on it
swaying loosely beside me.
I don't know if I'll be able to make it
where we're going.
"Let's go!"
you shake me.
You go hard.
There appears in front of me
a lake of black coffee.
A caramel hand and its tiny bones
peopled by sweeter fingers
with fingernails as white as gondolas
stirs in a hurricane
of cream and sugar.
"Drink this,"
I sway to your voice,
but your body is as indistinct
as the sun split open
like an egg on the ocean.
Am I going to make it
through this night?
Stumbling out of somewheres
into the salt of Brooklyn.
You
hold me
up
because it's high-tide
in Venice.
And I might've drowned
in the subways
without you
telling me,
"This is our train,
Get up babe."
And that's how we made it back
to my uncle's spot off of FDR,
you fording the waters
as I waded back
on broken oars.
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