Six tons of fine Carrara marble
lay supine on the Cathedral grounds.
Agostino had carved two legs,
then he had laid his chisel down
Rossellino's turn was next
to wield the mallet in his hand.
The guild learned he was better suited
to carve meat than sculpt a man.
A quarter century came and went
The giant lay in the churchyard there.
He waited for Michelangelo
to come perfect his stony glare.
They raised the giant on his feet
and asked opinions on the stone
Michelangelo was the one engaged
to finish David for his new home.
David, a symbol of liberty,
Defiant like the Florentine state
His stony glare was turned towards Rome,
a warning to the Fearsome Pape.
Jan 15, 2012
Jan 15, 2012 at 8:14 PM UTC
Six tons of fine Carrara marble
lay supine on the Cathedral grounds.
Agostino had carved two legs,
then he had laid his chisel down
Rossellino's turn was next
to wield the mallet in his hand.
The guild learned he was better suited
to carve meat than sculpt a man.
A quarter century came and went
The giant lay in the churchyard there.
He waited for Michelangelo
to come perfect his stony glare.
They raised the giant on his feet
and asked opinions on the stone
Michelangelo was the one engaged
to finish David for his new home.
David, a symbol of liberty,
Defiant like the Florentine state
His stony glare was turned towards Rome,
a warning to the Fearsome Pape.
The story of how a six ton piece of marble became "David": by Michaelangelo
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