I write on the tops of wooden desks,
press the tip of my pen deep into the wood
and scribble out inane hearts and Lee '15 and
dumb poetry that curls over the edges of the desk
on uneven lines like a disaster waiting to happen.
I scrawl words and designs
on the crimped edges of a TAZO tea packet,
crumpled in my pocket,
and rip the paper apart slowly,
watching the lines of pencil split and diverge
and never meet again.
I ink my fingers with expo and sharpie,
let the tips shine oily black in the light
then quickly press them
onto crisp printer paper, peel my fingers
off and count the dips of my identity
in the grooves of white and black.
I smear the side of my hand with black,
wipe charcoal on my forehead
as I sweat in dimly lit studios,
hunched over my stool and eyeing the x-acto knife
from where it lies on top of a box of glue sticks.
Beside me is a cup of black TAZO tea,
that has steeped for over 4 hours and is already
cold.
When I leave, it is past midnight,
but the sky is not dark yet because
even with only the light of the stars,
I can see sharpie on the flesh of my thumb,
and charcoal dust fills the crescents of my nails
and someone has probably already
crossed out my name on that desk in room 216
that I sit at for English,
and in my pocket there are 2 more packets of tea
that I need to drink because
it has been four hours,
and my tea is already cold.
Feb 28, 2015
Feb 28, 2015 at 1:45 PM UTC
I write on the tops of wooden desks,
press the tip of my pen deep into the wood
and scribble out inane hearts and Lee '15 and
dumb poetry that curls over the edges of the desk
on uneven lines like a disaster waiting to happen.
I scrawl words and designs
on the crimped edges of a TAZO tea packet,
crumpled in my pocket,
and rip the paper apart slowly,
watching the lines of pencil split and diverge
and never meet again.
I ink my fingers with expo and sharpie,
let the tips shine oily black in the light
then quickly press them
onto crisp printer paper, peel my fingers
off and count the dips of my identity
in the grooves of white and black.
I smear the side of my hand with black,
wipe charcoal on my forehead
as I sweat in dimly lit studios,
hunched over my stool and eyeing the x-acto knife
from where it lies on top of a box of glue sticks.
Beside me is a cup of black TAZO tea,
that has steeped for over 4 hours and is already
cold.
When I leave, it is past midnight,
but the sky is not dark yet because
even with only the light of the stars,
I can see sharpie on the flesh of my thumb,
and charcoal dust fills the crescents of my nails
and someone has probably already
crossed out my name on that desk in room 216
that I sit at for English,
and in my pocket there are 2 more packets of tea
that I need to drink because
it has been four hours,
and my tea is already cold.
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