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In the school corridor Sheila waits for John, gazing along the corridor to see if he's coming. Kids pass her by on their way to the cloakrooms or lockers. It is a clear blue day, so she can go out on the sports field at midday break and see him if she doesn't see him now. Her elder sister stands and stares at her and says: Who are you waiting for? Sheila stares back. Jesus, who do you think? Sheila says. That's blaspheming; I'll tell Mum when we get home tonight, the elder sister says. Mind your business, go say your prayers, Sheila says moodily and turns away. Her sister goes off with a turn of her head and off down the corridor. She sees John coming with the boy Goldfinch and is anxious what to say or do. John is talking to the other boy. Should she stop and talk to him; hope the Goldfinch boy walks on? He gets near and her anxiousness increases, she feels so self-conscious. He looks her way and nods and says: how are you? She fumbles with her satchel. I'm OK, she replies, wanting to say more, but her words cease. Good, he says, see you later on the sports field? She nods and smiles. He has gone up the corridor with the Goldfinch boy; she follows him with her eyes, wanting to touch him. And he didn't notice she'd done her eyes.
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Feb 18, 2016
Feb 18, 2016 at 3:13 AM UTC
DONE HER EYES 1962.
In the school corridor Sheila waits for John, gazing along the corridor to see if he's coming. Kids pass her by on their way to the cloakrooms or lockers. It is a clear blue day, so she can go out on the sports field at midday break and see him if she doesn't see him now. Her elder sister stands and stares at her and says: Who are you waiting for? Sheila stares back. Jesus, who do you think? Sheila says. That's blaspheming; I'll tell Mum when we get home tonight, the elder sister says. Mind your business, go say your prayers, Sheila says moodily and turns away. Her sister goes off with a turn of her head and off down the corridor. She sees John coming with the boy Goldfinch and is anxious what to say or do. John is talking to the other boy. Should she stop and talk to him; hope the Goldfinch boy walks on? He gets near and her anxiousness increases, she feels so self-conscious. He looks her way and nods and says: how are you? She fumbles with her satchel. I'm OK, she replies, wanting to say more, but her words cease. Good, he says, see you later on the sports field? She nods and smiles. He has gone up the corridor with the Goldfinch boy; she follows him with her eyes, wanting to touch him. And he didn't notice she'd done her eyes.
A GIRL WAITS FOR A BOY AT SCHOOL IN 1962
TerryCollett
Written by
Feb 18, 2016
Feb 18, 2016 at 3:13 AM UTC
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