It’s 1:21am on a Thursday night and there’s no rain
where there should be.
There’s no weeping over the seven-colored earths
and the erosion of the skin is building up.
I have a mouth full of stumbling words,
nervous and absurd,
like wax flowers and plastic china cups;
bottles of placebos.
I have masks on the walls
and body parts on the floor.
Dim light from violet lampshades painting worlds
with minimal effort, but with profound meanings
that pretentious collegiates speak over bearded elders
while stuck in fishbowl towns, separated from the oceans of
metropolitan beliefs.
*Pulling nail fibers from fingertips with crooked teeth,
a habitual ritual christened from a darker half.
Waves of feral multitude plunging the streets
As riots of people made of fire chant the names of fallen angels
And personified martyrs.*
Episode after episode of plot-thickening exposition,
the weight of which is but a feather to the pull of the moon.
To **** my privates to a saddened resolution that’s
sweeter than a mutual **** for the sake of love.
*Penetrating me with needles as thick as bones,
Brittle as sculpted phalluses made of teeth.
Drilled out from the cavities and clamped iron
that make me grind and ******
In my sleep
out of nightmarish extremity.
Or persistent calamity.*
She’s dead, wrapped in plastic
And fountains are pouring mercury
Profuse silver-stained drooling
Ostracized from sane certainty
*The thunder of guttural bellowing
In the chasm of bed sheets,
where leather bound demons
split ***** hands under ice knifes
Muffled voices
And embryo faces
Tearing out primal smiles
Tied with black laces
In a public amphitheater.*
She’s dead, wrapped in plastic
And fountains are pouring mercury
Second time I’m seeing it drool
With a last moment of certainty.
It’s 1:41 on a Friday morning and there’s rain.
Finally.
Feb 23, 2015
Feb 23, 2015 at 11:15 PM UTC
It’s 1:21am on a Thursday night and there’s no rain
where there should be.
There’s no weeping over the seven-colored earths
and the erosion of the skin is building up.
I have a mouth full of stumbling words,
nervous and absurd,
like wax flowers and plastic china cups;
bottles of placebos.
I have masks on the walls
and body parts on the floor.
Dim light from violet lampshades painting worlds
with minimal effort, but with profound meanings
that pretentious collegiates speak over bearded elders
while stuck in fishbowl towns, separated from the oceans of
metropolitan beliefs.
*Pulling nail fibers from fingertips with crooked teeth,
a habitual ritual christened from a darker half.
Waves of feral multitude plunging the streets
As riots of people made of fire chant the names of fallen angels
And personified martyrs.*
Episode after episode of plot-thickening exposition,
the weight of which is but a feather to the pull of the moon.
To **** my privates to a saddened resolution that’s
sweeter than a mutual **** for the sake of love.
*Penetrating me with needles as thick as bones,
Brittle as sculpted phalluses made of teeth.
Drilled out from the cavities and clamped iron
that make me grind and ******
In my sleep
out of nightmarish extremity.
Or persistent calamity.*
She’s dead, wrapped in plastic
And fountains are pouring mercury
Profuse silver-stained drooling
Ostracized from sane certainty
*The thunder of guttural bellowing
In the chasm of bed sheets,
where leather bound demons
split ***** hands under ice knifes
Muffled voices
And embryo faces
Tearing out primal smiles
Tied with black laces
In a public amphitheater.*
She’s dead, wrapped in plastic
And fountains are pouring mercury
Second time I’m seeing it drool
With a last moment of certainty.
It’s 1:41 on a Friday morning and there’s rain.
Finally.
Request permission to use this poem