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trevor-gates
trevor-gates
26/M/American A roguish cynic, hopeless romantic, passive idealist, grunge monkey, space hippie, classy occultist, greaser casanova, barbaric weaver of words, He-who-rocks-the-kasbah, heavy metal slave, goth in the closet, and lover of the surreal.
That other part of me is hemorrhaging again You can see it if I pull up my shirt It’s just below the scar on my stomach Don't you see it? That’s ok; no one does the first time You have to get used to the idea that something Something lives inside your body Other than yourself. It’s like letting the pus of an infection Or the twisting the water out of a damp towel Counting the minutes, are we? Those cracks in the medicine cabinet are getting bigger By the day The walls are hollowing out As much as you to picture me, You’re going to be distracted by the woman walking the other way Crossing your path wearing black stockings, a low trim skirt And a pale face that bears no eyes. I’m past the elevators, in apt# 276— Ignore the violently shuddering man in 274 Like an idling phantom, turning to catch you Our synthetic blood laced with FDA-approved preservatives The bass boosted from trunks of Cadillac coup-devilles Synths layers—then delayed, and phased through mixer boards Faces given masks to paint and supply over masses with Industrial strength dream pop for Death metal Floridians Mesa Boogie rectifier amps thrashing and impregnating ears Scotch eggs soft boiled and left in saucers of cream and Irish whiskey Children walking single file face towards modern Auschwitz. Snail trails over rotten apple cores Left by riot girl Eves And warned by Adam O’ Conservatism Ahead of corporate delusions of grandeur The people raise banners to spoon-fed malcontent fools, Hiding the holes in their teeth, Using metal clamps for their jaws and joints Hosing down any person not white in appearance And pigmentation, putting the carcasses in Meat grinders and rubber soles The devil in the frying pan, ready to harden arteries like teenage ***** An incoherent mess of self-indulgent metaphors Spewing from rushing fingers tips on clashing keyboards And aching, sore, tense back muscles, And weakened nimble fingers From a late 20s savant or loser Unfulfilled, unquenched, unsatisfied, but— The time will come when we shine and when we reap what we sew And live lives that we always wanted for ourselves But the longer we wait the older we get, and the days don’t last as long The weeks fly by And the eternal year of our youth is but the quick and fleeting year of our age At one point does the ambition and aspiration, fade like our energy in our bodies? We learn to live with disappointment and join the herd of others like us And praise the idols of the limelight The industrial age for the modern American economy, For when the night has a thousand eyes And we’re a thousand kisses deep And we shed tears only angels can envy We’ll know what sorrow is captured on film and described in books Where literature can emphasize— illustrate with text what paintings couldn’t It’s a stupid septuagenarian fantasy that fades With the vagrant woodsman covered in ash and coal Roswell interstellar lights escaping over the 1950s desert And the roads smelling of sulphur and shrimp Crystallized cathedral spires I’ll get naked for a dive bar lunch of psychosexual deviants And Warhol-esque color coding mixed drinks under neon flickering and horse fly buzzing And clubs to dance till the apocalypse can edge our lust Seek fulfillment in the retro ultra-nuclear fusion reactor made up by Technobabble neuromancers sitting in platinum rooms waiting for the show to be picked up for a revival on cable 25 years later. We’ll run the blade against the grain and find that soft spot For the blackened metal to merge with flesh and can call itself bone when we know it’s all just really Artificial.
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Dec 21, 2018
Dec 21, 2018 at 2:59 AM UTC
The One-thousand-Eyed Tarantula of The Myriad
That other part of me is hemorrhaging again You can see it if I pull up my shirt It’s just below the scar on my stomach Don't you see it? That’s ok; no one does the first time You have to get used to the idea that something Something lives inside your body Other than yourself. It’s like letting the pus of an infection Or the twisting the water out of a damp towel Counting the minutes, are we? Those cracks in the medicine cabinet are getting bigger By the day The walls are hollowing out As much as you to picture me, You’re going to be distracted by the woman walking the other way Crossing your path wearing black stockings, a low trim skirt And a pale face that bears no eyes. I’m past the elevators, in apt# 276— Ignore the violently shuddering man in 274 Like an idling phantom, turning to catch you Our synthetic blood laced with FDA-approved preservatives The bass boosted from trunks of Cadillac coup-devilles Synths layers—then delayed, and phased through mixer boards Faces given masks to paint and supply over masses with Industrial strength dream pop for Death metal Floridians Mesa Boogie rectifier amps thrashing and impregnating ears Scotch eggs soft boiled and left in saucers of cream and Irish whiskey Children walking single file face towards modern Auschwitz. Snail trails over rotten apple cores Left by riot girl Eves And warned by Adam O’ Conservatism Ahead of corporate delusions of grandeur The people raise banners to spoon-fed malcontent fools, Hiding the holes in their teeth, Using metal clamps for their jaws and joints Hosing down any person not white in appearance And pigmentation, putting the carcasses in Meat grinders and rubber soles The devil in the frying pan, ready to harden arteries like teenage ***** An incoherent mess of self-indulgent metaphors Spewing from rushing fingers tips on clashing keyboards And aching, sore, tense back muscles, And weakened nimble fingers From a late 20s savant or loser Unfulfilled, unquenched, unsatisfied, but— The time will come when we shine and when we reap what we sew And live lives that we always wanted for ourselves But the longer we wait the older we get, and the days don’t last as long The weeks fly by And the eternal year of our youth is but the quick and fleeting year of our age At one point does the ambition and aspiration, fade like our energy in our bodies? We learn to live with disappointment and join the herd of others like us And praise the idols of the limelight The industrial age for the modern American economy, For when the night has a thousand eyes And we’re a thousand kisses deep And we shed tears only angels can envy We’ll know what sorrow is captured on film and described in books Where literature can emphasize— illustrate with text what paintings couldn’t It’s a stupid septuagenarian fantasy that fades With the vagrant woodsman covered in ash and coal Roswell interstellar lights escaping over the 1950s desert And the roads smelling of sulphur and shrimp Crystallized cathedral spires I’ll get naked for a dive bar lunch of psychosexual deviants And Warhol-esque color coding mixed drinks under neon flickering and horse fly buzzing And clubs to dance till the apocalypse can edge our lust Seek fulfillment in the retro ultra-nuclear fusion reactor made up by Technobabble neuromancers sitting in platinum rooms waiting for the show to be picked up for a revival on cable 25 years later. We’ll run the blade against the grain and find that soft spot For the blackened metal to merge with flesh and can call itself bone when we know it’s all just really Artificial.
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83
Out of this world and through burned storybooks Vespers and vapors of death-rattle breaths Turn to birth cries only mists can hear Through the chasm of her eyes Like dark pits of asphalt On a rainy night road Wet and open. We’re ghosts to a passing plane of shifting lives Where broken glass crunch like egg shells Under leather boots with steel toes Worn by long torso-less patrolmen Speaking in evangelical tongues And slipping The Silver-screen silhouettes telling me sweet nothings And invisible people play moonlight sonatas With skin-covered cellos and djembes Near waterfalls and deep valleys Of green and prosperous dreams And life. Animals to the metropolis, Human to the paper jungles— Controlled, creative chaos next to whimsical notorious passivity; it’s eclectic like tea. Where do these words take us? Where do worlds take you? Everywhere and nowhere But mostly Anywhere.
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Oct 11, 2017
Oct 11, 2017 at 8:33 AM UTC
The Ink Shared With Golden Lions
All is fine, on the other side Misshapen cats and dolls Those tricksters have it all In empty spaces and pillow cases Lighting striking twice, now thrice Creating avenues that illuminate handsome jackals that ********** All is fine, when dead inside The furnace lights itself From the pain I solely dealt Naked and afraid; with complete dismay Nothing as long as that eternal song commemorating an epic tale blurred by time’s murky veil. All contrived, within my mind Galvanized heart beats Occupy walls of streets To love and not be loved What remains from ink stains? A tongue well-lubricated with wine Spewing quotidian antidepressant lines All is said, while coaxed in red The deniers of vices both flesh and soul Instilled from the burnt bridges toll So torn and ***** so wanting of *** So lavishly beaten. Pleasurably defeated. A thousand eyes poking from brick ovens Summoned through muck and devil covens All inside, my guts and mind. Lungs full of American Spirits cigs Scalped head like an old lady wigs Birds of a feather, doused in boiling weather Flock together with kids forever All my exes live lives I could not give them And I live alone, denying I miss them. All is fine, on my side. All is fine, really. All is. Fine...
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Oct 11, 2017
Oct 11, 2017 at 8:32 AM UTC
All Is Fine, on the Other Side
Lately, I’ve come across odd characters and purveyors Players and soothsayers of such fallacy; yearning and moral foliage that stirs up something inside of me. Something that is not inspiration but equally so Just and robust—inescapable even, unsure what the word is… We’re all owners of a false paradise. That warm place between life and death It’s meant for a love one that never takes it away or purposely fills in the gap left in ruins: A home underneath the veins and a place beneath that as well A prison made of tendons With ligaments attached to heart-shaped locks— Nooks and crannies in the corners of joints and bones. It’s the lust for life And the bargain for a soul Less than zero ***** Given to while in the cold. The realization remains peripheral Nonetheless opaque and visceral Painting a mordant but striking visual That sharply penetrates the individual. Pharmaceuticals help dislodge the jaw and tempt the ravishing worms of intestinal intrigue to slither out from the bowels and say their piece. “Hi, I’m anonymous and I’m an addict, But only by the broadest, modest definition of the term More like an ill-advised profession,” they say with a subtle wink in their sponsor’s direction. It’s the lust for life A fierce addiction With hedonists as victims Catered to a primal submission. They’ll hate me; fear my desire to split from myself. I’m an empathetic Jekyll, an apathetic Hyde. A tainted Seraphim, a saintly devil-kisser. One half a feral Bonnie with an over-jerked Clyde. And when all is said and done with carnage coming out of the wishing well You’ll see that I am both a vision Of Heaven and Hell.
0
Oct 11, 2017
Oct 11, 2017 at 8:30 AM UTC
Bio-Polarity and the Lust for Life
Lately, I’ve come across odd characters and purveyors Players and soothsayers of such fallacy; yearning and moral foliage that stirs up something inside of me. Something that is not inspiration but equally so Just and robust—inescapable even, unsure what the word is… We’re all owners of a false paradise. That warm place between life and death It’s meant for a love one that never takes it away or purposely fills in the gap left in ruins: A home underneath the veins and a place beneath that as well A prison made of tendons With ligaments attached to heart-shaped locks— Nooks and crannies in the corners of joints and bones. It’s the lust for life And the bargain for a soul Less than zero ***** Given to while in the cold. The realization remains peripheral Nonetheless opaque and visceral Painting a mordant but striking visual That sharply penetrates the individual. Pharmaceuticals help dislodge the jaw and tempt the ravishing worms of intestinal intrigue to slither out from the bowels and say their piece. “Hi, I’m anonymous and I’m an addict, But only by the broadest, modest definition of the term More like an ill-advised profession,” they say with a subtle wink in their sponsor’s direction. It’s the lust for life A fierce addiction With hedonists as victims Catered to a primal submission. They’ll hate me; fear my desire to split from myself. I’m an empathetic Jekyll, an apathetic Hyde. A tainted Seraphim, a saintly devil-kisser. One half a feral Bonnie with an over-jerked Clyde. And when all is said and done with carnage coming out of the wishing well You’ll see that I am both a vision Of Heaven and Hell.
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41
It’s 1:21am on a Thursday night and there’s no rain where there should be. There’s no weeping over the seven-colored earths and the erosion of the skin is building up. I have a mouth full of stumbling words, nervous and absurd, like wax flowers and plastic china cups; bottles of placebos. I have masks on the walls and body parts on the floor. Dim light from violet lampshades painting worlds with minimal effort, but with profound meanings that pretentious collegiates speak over bearded elders while stuck in fishbowl towns, separated from the oceans of metropolitan beliefs.     *Pulling nail fibers from fingertips with crooked teeth,     a habitual ritual christened from a darker half.     Waves of feral multitude plunging the streets     As riots of people made of fire chant the names of fallen angels     And personified martyrs.* Episode after episode of plot-thickening exposition, the weight of which is but a feather to the pull of the moon. To **** my privates to a saddened resolution that’s sweeter than a mutual **** for the sake of love.     *Penetrating me with needles as thick as bones,     Brittle as sculpted phalluses made of teeth.     Drilled out from the cavities and clamped iron     that make me grind and ******     In my sleep     out of nightmarish extremity.     Or persistent calamity.* She’s dead, wrapped in plastic And fountains are pouring mercury Profuse silver-stained drooling Ostracized from sane certainty      *The thunder of guttural bellowing      In the chasm of bed sheets,      where leather bound demons      split ***** hands under ice knifes      Muffled voices      And embryo faces      Tearing out primal smiles      Tied with black laces      In a public amphitheater.* She’s dead, wrapped in plastic And fountains are pouring mercury Second time I’m seeing it drool With a last moment of certainty. It’s 1:41 on a Friday morning and there’s rain. Finally.
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Feb 23, 2015
Feb 23, 2015 at 11:15 PM UTC
Fountains Pouring Mercury
It’s 1:21am on a Thursday night and there’s no rain where there should be. There’s no weeping over the seven-colored earths and the erosion of the skin is building up. I have a mouth full of stumbling words, nervous and absurd, like wax flowers and plastic china cups; bottles of placebos. I have masks on the walls and body parts on the floor. Dim light from violet lampshades painting worlds with minimal effort, but with profound meanings that pretentious collegiates speak over bearded elders while stuck in fishbowl towns, separated from the oceans of metropolitan beliefs.     *Pulling nail fibers from fingertips with crooked teeth,     a habitual ritual christened from a darker half.     Waves of feral multitude plunging the streets     As riots of people made of fire chant the names of fallen angels     And personified martyrs.* Episode after episode of plot-thickening exposition, the weight of which is but a feather to the pull of the moon. To **** my privates to a saddened resolution that’s sweeter than a mutual **** for the sake of love.     *Penetrating me with needles as thick as bones,     Brittle as sculpted phalluses made of teeth.     Drilled out from the cavities and clamped iron     that make me grind and ******     In my sleep     out of nightmarish extremity.     Or persistent calamity.* She’s dead, wrapped in plastic And fountains are pouring mercury Profuse silver-stained drooling Ostracized from sane certainty      *The thunder of guttural bellowing      In the chasm of bed sheets,      where leather bound demons      split ***** hands under ice knifes      Muffled voices      And embryo faces      Tearing out primal smiles      Tied with black laces      In a public amphitheater.* She’s dead, wrapped in plastic And fountains are pouring mercury Second time I’m seeing it drool With a last moment of certainty. It’s 1:41 on a Friday morning and there’s rain. Finally.
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50
3am, the epitome of perpetual night. The hour of the wolf in sheep’s clothing Alabaster clocks, ebony needles for hands Walking to one-second beats on dripping wall paper, exposing the blood in the house and meat in the pipes. I see shadows of the malevolent past: Rings of smoke and cum-stained magazines Lies woven into eyelashes, sealing them shut Bleak figures made of shattered glass Transparency, their only truth. And dawn shows the new day A stage of light like sweet Arcadia The pages written for me to walk upon Every hour summarizes a year’s worth of turmoil, an abstract of vicious malcontent youth. Standing against usurpers and cattle-branding parents I will not allow the false punishments to continue Nor the raging strangulation subjugate my woe Sweating fingers penetrate the holes All while pleasure and pain in endured. As the sundial strikes noon, life meets the middle Leaves falling off trees while amidst the winter Hands tired and dry; legs crooked and frail I will wipe the dust of my friends away from me Like nothing and everything in between. The tomorrow won’t come this time The prelude to eternity will be a last gasp of air And I’ll welcome the suffocation like a lost brother And abhor the condemnations like a pious father And I’ll think fondly of that fading mother As the light of day segues to a haze of fire I’ll take those reluctant steps that I must Ravel my life’s threads into a warm coat And I will meet you at that cold and violent dusk.
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Jan 2, 2015
Jan 2, 2015 at 12:30 PM UTC
The Cold and Violent Dusk
3am, the epitome of perpetual night. The hour of the wolf in sheep’s clothing Alabaster clocks, ebony needles for hands Walking to one-second beats on dripping wall paper, exposing the blood in the house and meat in the pipes. I see shadows of the malevolent past: Rings of smoke and cum-stained magazines Lies woven into eyelashes, sealing them shut Bleak figures made of shattered glass Transparency, their only truth. And dawn shows the new day A stage of light like sweet Arcadia The pages written for me to walk upon Every hour summarizes a year’s worth of turmoil, an abstract of vicious malcontent youth. Standing against usurpers and cattle-branding parents I will not allow the false punishments to continue Nor the raging strangulation subjugate my woe Sweating fingers penetrate the holes All while pleasure and pain in endured. As the sundial strikes noon, life meets the middle Leaves falling off trees while amidst the winter Hands tired and dry; legs crooked and frail I will wipe the dust of my friends away from me Like nothing and everything in between. The tomorrow won’t come this time The prelude to eternity will be a last gasp of air And I’ll welcome the suffocation like a lost brother And abhor the condemnations like a pious father And I’ll think fondly of that fading mother As the light of day segues to a haze of fire I’ll take those reluctant steps that I must Ravel my life’s threads into a warm coat And I will meet you at that cold and violent dusk.
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34
“Lucratively tedious” is what I called him. That odd-ball collector of street-wise poets Bulking up the lost devil anthologies while Drowning black coffee with wordsmith stoics Ready to deal a winning hand at a moment’s notice. The carnal majesty of fever blizzard erotica, Stories penned with the sweat on oily skins. The curtains of neon phantasmagoria showcase psychosexual fiends and harlequins Sing away raw vocal cord fire while I’m dancing with Queens of glamorous sins. He had that red tail swinging in the rain She watched, the emissary of jaded seduction With pale skin and leather lips abundant Stroking hair full of snakes and destruction With a wardrobe fit for 1980s metal scenes As he in turn supplemented instruction. It’s those bedlam vices creeping through the creases Playing in our heads like a thousand movie reels Desired fantasies mutated into corrupted realities Shameful like the artificial chemicals we call meals Some things need to be ruined to be appreciated Just Like ol’ Lucy in her stiletto heels.
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Nov 16, 2014
Nov 16, 2014 at 3:13 AM UTC
Satan in High Heels
“Breathe it in The stardust air The lung-clamping smoke And vile pious inflammation.” Listening to sounds of irritation: Humming of the fluorescent bulbs; Shoes sticking to linoleum tiles; Flies buzzing behind my ears, Leaving me to count the years And spaces between spaces Fill the lonely night until All is silent now. Then, Tooth and nail and eye crust Fading away to off-beat lunacy. Her spine slithers sinisterly as she performs With Vaseline greased hair that stands like horns People stalking like beasts with mental disorders Hobbling penguins and droll-ass walrus punks. Cold liquor manipulating my contemplation And I have moments of primal desperation A monster suckling another monster Bodies tangled like olive tree roots Delicious and dreadful Fraught and shameful It’s the way of all flesh. Among Modern Soothsayers and plenty of culinary racists, Spraying ***** onto parchment pages With forked tongues dancing on ***** stages Coffee for blood and computer screens for eyes With cool cats strutting to unknown leeching voices Bottle-slung pistol whip hooligans with eyes of yellow stains From chronic ink-sprayers of riots in narrow sectioned lanes Snapping fingers to juke box ghosts and royal jazz sires. Fourteen gypsy demons wanting to pull me apart Showcasing trinkets and rubies she adorned All while she smiles and performs And the weight of the world falls between my fingers, Like cascading sand. As I write, The rhythm is changing Like seasons in secluded eternity: Orchestrations of sexplosions overtake the carnal scene With hair pulling and gnawing teeth on the table in front of me Those Bohemian idolaters basking in acid kiddy pools Using tired variations of apologies in eastside sin city Arousing the vortex of virtuous degradation In a hole of sunken matchstick validation. Eyes of judges like the public census And taboo connotations Rule this attrition. Rusting Leaking stalls Blue-plate special Of sprayed blood on walls The essence of color and voice The culmination of illusory choice Dances of erasers and procreators Fever dreams of police shooting children Like movie monsters and misunderstood heroes Specters and Banshee sympathizers Marching to ******** synthesizers Burning ***** blue postmen With afropunk priests Of astonishing feats To whom May Be Concerned. This deep sleep exists To mediate the social cysts The reprimand the blundering kids in the mists From dreaming of their world without the risks Of falling into fields of blackened earth Where it all burns like a first world birth And greater souls speak of my worth. So I cannot wake up The deep sleep Is there for that.
0
Oct 6, 2014
Oct 6, 2014 at 11:32 PM UTC
The Exulansis Machine of Deep Sleep
“Breathe it in The stardust air The lung-clamping smoke And vile pious inflammation.” Listening to sounds of irritation: Humming of the fluorescent bulbs; Shoes sticking to linoleum tiles; Flies buzzing behind my ears, Leaving me to count the years And spaces between spaces Fill the lonely night until All is silent now. Then, Tooth and nail and eye crust Fading away to off-beat lunacy. Her spine slithers sinisterly as she performs With Vaseline greased hair that stands like horns People stalking like beasts with mental disorders Hobbling penguins and droll-ass walrus punks. Cold liquor manipulating my contemplation And I have moments of primal desperation A monster suckling another monster Bodies tangled like olive tree roots Delicious and dreadful Fraught and shameful It’s the way of all flesh. Among Modern Soothsayers and plenty of culinary racists, Spraying ***** onto parchment pages With forked tongues dancing on ***** stages Coffee for blood and computer screens for eyes With cool cats strutting to unknown leeching voices Bottle-slung pistol whip hooligans with eyes of yellow stains From chronic ink-sprayers of riots in narrow sectioned lanes Snapping fingers to juke box ghosts and royal jazz sires. Fourteen gypsy demons wanting to pull me apart Showcasing trinkets and rubies she adorned All while she smiles and performs And the weight of the world falls between my fingers, Like cascading sand. As I write, The rhythm is changing Like seasons in secluded eternity: Orchestrations of sexplosions overtake the carnal scene With hair pulling and gnawing teeth on the table in front of me Those Bohemian idolaters basking in acid kiddy pools Using tired variations of apologies in eastside sin city Arousing the vortex of virtuous degradation In a hole of sunken matchstick validation. Eyes of judges like the public census And taboo connotations Rule this attrition. Rusting Leaking stalls Blue-plate special Of sprayed blood on walls The essence of color and voice The culmination of illusory choice Dances of erasers and procreators Fever dreams of police shooting children Like movie monsters and misunderstood heroes Specters and Banshee sympathizers Marching to ******** synthesizers Burning ***** blue postmen With afropunk priests Of astonishing feats To whom May Be Concerned. This deep sleep exists To mediate the social cysts The reprimand the blundering kids in the mists From dreaming of their world without the risks Of falling into fields of blackened earth Where it all burns like a first world birth And greater souls speak of my worth. So I cannot wake up The deep sleep Is there for that.
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83
Our Father, who art in heaven Mother Earth, who art in Hell. Burnt to ash, ready Armageddon Watch the sky where angels fell Zipper-mouths pulled tight as the Cross passes the way Carnal masks shimmer light As sludge engulfs the day. Vicious, vicarious crows of blackened ember Cawing and moaning; devilishly romantic The touch of fingertips on lips I remember Left her womanhood wet and frantic. Unchained desires that surely are satanic. Those hours in confessional amongst lying sycophants Console weeping eyes and tarnished souls Elected “Saints” stand tall with hypocritical blather Condemning children with eyes like burning coals “But virgins taste sweeter,” as the angels say With sins like spices which season raw meat But innocence-takers hide beneath crimson beds Sitting atop thrones as stewards to God’s seat Will those that fall, eventually rise? All creatures tempted by tangible discord Would we disobey the Grand one’s design, If we follow the path that derives from the Lord? Samaritans run extinct in the iron fire roads And jukebox ****** priests play The Doors Demon-eye coffee, dark like oily foes I sip and read about the murders in the Moors Devil executions fuel the jungles outside Angels Abandoning service to kids like me Fixers and hitters of the skid south side Shouts from the shadows, “Hey, Nothing to see!” Violent red dresses accompanying long limb girls Spreading legs for daddy and **** daddy do’s Magic hallucinogens showing circles and swirls In faces under hoods and sky-crying moods
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Sep 9, 2014
Sep 9, 2014 at 10:13 PM UTC
Saints, Virgins, and Angels
Our Father, who art in heaven Mother Earth, who art in Hell. Burnt to ash, ready Armageddon Watch the sky where angels fell Zipper-mouths pulled tight as the Cross passes the way Carnal masks shimmer light As sludge engulfs the day. Vicious, vicarious crows of blackened ember Cawing and moaning; devilishly romantic The touch of fingertips on lips I remember Left her womanhood wet and frantic. Unchained desires that surely are satanic. Those hours in confessional amongst lying sycophants Console weeping eyes and tarnished souls Elected “Saints” stand tall with hypocritical blather Condemning children with eyes like burning coals “But virgins taste sweeter,” as the angels say With sins like spices which season raw meat But innocence-takers hide beneath crimson beds Sitting atop thrones as stewards to God’s seat Will those that fall, eventually rise? All creatures tempted by tangible discord Would we disobey the Grand one’s design, If we follow the path that derives from the Lord? Samaritans run extinct in the iron fire roads And jukebox ****** priests play The Doors Demon-eye coffee, dark like oily foes I sip and read about the murders in the Moors Devil executions fuel the jungles outside Angels Abandoning service to kids like me Fixers and hitters of the skid south side Shouts from the shadows, “Hey, Nothing to see!” Violent red dresses accompanying long limb girls Spreading legs for daddy and **** daddy do’s Magic hallucinogens showing circles and swirls In faces under hoods and sky-crying moods
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41
These storybooks woven with leathery imbrication Filling my palms with vile indication Detailing such wickedness and strife What ethereal threads cling to life? Such labyrinthine desires scrapping in my mind My soul from body; that body which isn’t kind To delve deeper within the wounds that sever To fellow wolves, demons and toothless beggars Unholy martyrs preach from a podium underground Ablaze in hellfire, monsters of the ravenous mound Black tongues and cheeks full of worms and leeches Coals flung and burning over deafening speeches Sumptuous in eloquence, these tossers and man-boys Evocative displays of violence, hushed by silence and toys Beseeched, reprimanded in city squares with common folk Feeding dogs in heat slop with a pail and tote Children waving hi to people in cages, smiling indifferently Don’t they know what this is? Yes and no, forever in shame Don’t they know there be wickedness afoot? There be shadows of molestation And whips of industry Eyes removed and replaced with bar-codes There be devils amongst the valiant And dark angels amongst us The few and proud Recite aloud: “Darkness brings uninvited guests And our bodies are bare Give us a blessing, a crumb or drop Of life that we all can share.” Veins full of rubies and auburn sapphires Creepers laced in the cowls of cadavers Red water thicker than mud and spit The fatherland sicker than a rotten **** There be dark angels amongst us, telling tales deep-seated They be grave and weary, their lives left defeated Now in the wilderness they give slothful lectures But it’s only fools who listen to these rambling specters And soon no one listens Save for the moon that glistens
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Jan 17, 2014
Jan 17, 2014 at 3:00 PM UTC
Dark Angels Amoungst Us
These storybooks woven with leathery imbrication Filling my palms with vile indication Detailing such wickedness and strife What ethereal threads cling to life? Such labyrinthine desires scrapping in my mind My soul from body; that body which isn’t kind To delve deeper within the wounds that sever To fellow wolves, demons and toothless beggars Unholy martyrs preach from a podium underground Ablaze in hellfire, monsters of the ravenous mound Black tongues and cheeks full of worms and leeches Coals flung and burning over deafening speeches Sumptuous in eloquence, these tossers and man-boys Evocative displays of violence, hushed by silence and toys Beseeched, reprimanded in city squares with common folk Feeding dogs in heat slop with a pail and tote Children waving hi to people in cages, smiling indifferently Don’t they know what this is? Yes and no, forever in shame Don’t they know there be wickedness afoot? There be shadows of molestation And whips of industry Eyes removed and replaced with bar-codes There be devils amongst the valiant And dark angels amongst us The few and proud Recite aloud: “Darkness brings uninvited guests And our bodies are bare Give us a blessing, a crumb or drop Of life that we all can share.” Veins full of rubies and auburn sapphires Creepers laced in the cowls of cadavers Red water thicker than mud and spit The fatherland sicker than a rotten **** There be dark angels amongst us, telling tales deep-seated They be grave and weary, their lives left defeated Now in the wilderness they give slothful lectures But it’s only fools who listen to these rambling specters And soon no one listens Save for the moon that glistens
Continue reading...
40