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As the crow flies over yonder Rusted strings beckoning their call The wind in the weeping willow sings Redeems those ugly sins longer Leadbelly played the midnight special With Roberta dead and gone Pieces in the trees, except For her soul which belonged to another Devils got my woman tonight Heads twisting and turning in my sleep Rising flames going south of heaven Fear bearing fruits of the womb Boy, he could play He could make the wood cry He could sing and howl like that With scripture and gospels fly Prodigal of the rising sun Voices carrying his wings of charm Playing tunes whispered by fiends That mistook his woman for some strings Willie Brown knows the crossroads Ages ago in the summer day haze Watching friends like Robert trade their Fingertips for sliding bottle licks Hellhounds got my woman Dealing cards from under her dress My body whipped and beaten With worms squirm in ****** mess There goes the one, the man in black Tipping his hat to me The Morning Star approaching, asking “Do you want to learn from me?” The crooked tree like the arm of death The clouds rising over the red sky Yellow eyes lingering and staring Weighing my soul for the perfect price Mud covered my feet But it hasn’t been raining Nightmares crawling from my nails With crows sounding like my momma Devil strumming with my woman Devil grinning, with a mouth like a cellar furnace Hell wanting a piece of me Sliding bottle licks and singing blues Under the crossroad tree A ghostly soul who can play For the traveling eternity.
0
Aug 6, 2013
Aug 6, 2013 at 9:36 PM UTC
Hellhounds Got My Woman
As the crow flies over yonder Rusted strings beckoning their call The wind in the weeping willow sings Redeems those ugly sins longer Leadbelly played the midnight special With Roberta dead and gone Pieces in the trees, except For her soul which belonged to another Devils got my woman tonight Heads twisting and turning in my sleep Rising flames going south of heaven Fear bearing fruits of the womb Boy, he could play He could make the wood cry He could sing and howl like that With scripture and gospels fly Prodigal of the rising sun Voices carrying his wings of charm Playing tunes whispered by fiends That mistook his woman for some strings Willie Brown knows the crossroads Ages ago in the summer day haze Watching friends like Robert trade their Fingertips for sliding bottle licks Hellhounds got my woman Dealing cards from under her dress My body whipped and beaten With worms squirm in ****** mess There goes the one, the man in black Tipping his hat to me The Morning Star approaching, asking “Do you want to learn from me?” The crooked tree like the arm of death The clouds rising over the red sky Yellow eyes lingering and staring Weighing my soul for the perfect price Mud covered my feet But it hasn’t been raining Nightmares crawling from my nails With crows sounding like my momma Devil strumming with my woman Devil grinning, with a mouth like a cellar furnace Hell wanting a piece of me Sliding bottle licks and singing blues Under the crossroad tree A ghostly soul who can play For the traveling eternity.
If you have ever lived or passed by the American South, then you might have heard legends and urban tales of Bluesmen and their stories. From the infamous Crossroads, where Robert Johnson sold his soul to the Devil to play blues guitar like no one else could, or the eerie folklore spreading like the tune of a hooking melody, the captivation of such music and spirit can be engrossing. During my time in the South, namely Central Texas and numerous other states, you see bits and pieces to long that unappreciated idiom. Stories told through the words and phases of pain and suffering. The haunted bridges and abandoned houses where I shared my first paranormal encounter. Evidence of this classic movement can be heard in the work of Robert Johnson, Skip James, Blind Lemon Jefferson, Leadbelly, Honeyboy Williams, Muddy Waters and many more. This slow moving poem is in dedication to exactly that.
trevor-gates
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26/M/American
Aug 6, 2013
Aug 6, 2013 at 9:36 PM UTC
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