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you will only look for which road i have passed, with girth of oceans startled to hip-curve, bow-legged darling hiding behind pretense of rose frailty. when words ripen, they fall. from vaudeville of fools to silence in all its exactness, i take my place amongst people in stations, machines adorning rotundas, courtyards to a flourish of twilight-bells, the men with retinas spry behind cloaks of smoke— plain, **** drunkenness assaults the billion-blooded sea, each line fraught with inebriation: a god is borrowed with what light fruits from a slow nature, quick to burst and torturously maimed in stride. fated to arrive at one morning — being in total placeness and making merry once again, the dreary face waiting at the portico of days collected. when these words start to wind-hover, a string of birds will appear clearer, mounting umbilicus of lines. as in hounds shear the metastasizing dark, going back to chagrined kens, i make truth out of the tragedy: trace the source of this stream and find my trampled body, floating with the sandalwood. when the still, clenched hand clock-punches, make real the insignia of my arrival: words start with limbs to cross this scalped Earth which moves suddenly naked, leaning in, gropes you in stillness, resuscitating the moon from the working of insolvencies we rear in derelicts of days. drags it closely to ends — left trundling in woe's wearisome vessel. and if in this newly thatched home it screams, let this voice deftly shred so i may once more lie straight to your half-illuminated faces, a call i only hear.
0
Dec 4, 2015
Dec 4, 2015 at 10:02 PM UTC
Clock-Punch
you will only look for which road i have passed, with girth of oceans startled to hip-curve, bow-legged darling hiding behind pretense of rose frailty. when words ripen, they fall. from vaudeville of fools to silence in all its exactness, i take my place amongst people in stations, machines adorning rotundas, courtyards to a flourish of twilight-bells, the men with retinas spry behind cloaks of smoke— plain, **** drunkenness assaults the billion-blooded sea, each line fraught with inebriation: a god is borrowed with what light fruits from a slow nature, quick to burst and torturously maimed in stride. fated to arrive at one morning — being in total placeness and making merry once again, the dreary face waiting at the portico of days collected. when these words start to wind-hover, a string of birds will appear clearer, mounting umbilicus of lines. as in hounds shear the metastasizing dark, going back to chagrined kens, i make truth out of the tragedy: trace the source of this stream and find my trampled body, floating with the sandalwood. when the still, clenched hand clock-punches, make real the insignia of my arrival: words start with limbs to cross this scalped Earth which moves suddenly naked, leaning in, gropes you in stillness, resuscitating the moon from the working of insolvencies we rear in derelicts of days. drags it closely to ends — left trundling in woe's wearisome vessel. and if in this newly thatched home it screams, let this voice deftly shred so i may once more lie straight to your half-illuminated faces, a call i only hear.
A poem about getting off work, writing and drinking. This was read last night at a poetry reading in Makati.
windsor-i-guadalupe-jr
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Dec 4, 2015
Dec 4, 2015 at 10:02 PM UTC
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