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Adam! turn me over and sing me a song of sixpence hearing voices, not seeing faces ... with the radio on it's just me myself and I driving between towns emoting, gushing *hurt me, break me, **** me!* at the top of my lungs finding bars buried in backyards on back roads of insincerity birch bitten and chewed logs wet and rotten and still, chords neatly stacked in ordered rows can you stand me on my feet? back home brushing my teeth yellow biting my nails turgid, hoping she will come with me to a show my state is of a lower-class shambling hoping for a renewal                 or rebirth sweating on the train repeating God's name gasping for air making people nervous staring at their phones wondering if I am going to keel over and die it's just me myself and I that's right, write it out in long hand first, then go back and edit (wishing  to write  like  Tarkovsky) comparing father and son - an unchecked exception they were buried in separate coffins                 one in France the other, in a timber cask but won't I be too? I wish I could say, "we have a saying in my country" or "scripture says" or "I'm lost without you"  (I am and now found). In ruins at the end of a day building pigeon flap (or come what may) ascending a scale of notes in a mirror of songs behold an image in a scale of descending notes at dawn.
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Jan 29, 2016
Jan 29, 2016 at 2:25 AM UTC
Poetry in a Mirror
Adam! turn me over and sing me a song of sixpence hearing voices, not seeing faces ... with the radio on it's just me myself and I driving between towns emoting, gushing *hurt me, break me, **** me!* at the top of my lungs finding bars buried in backyards on back roads of insincerity birch bitten and chewed logs wet and rotten and still, chords neatly stacked in ordered rows can you stand me on my feet? back home brushing my teeth yellow biting my nails turgid, hoping she will come with me to a show my state is of a lower-class shambling hoping for a renewal                 or rebirth sweating on the train repeating God's name gasping for air making people nervous staring at their phones wondering if I am going to keel over and die it's just me myself and I that's right, write it out in long hand first, then go back and edit (wishing  to write  like  Tarkovsky) comparing father and son - an unchecked exception they were buried in separate coffins                 one in France the other, in a timber cask but won't I be too? I wish I could say, "we have a saying in my country" or "scripture says" or "I'm lost without you"  (I am and now found). In ruins at the end of a day building pigeon flap (or come what may) ascending a scale of notes in a mirror of songs behold an image in a scale of descending notes at dawn.
Зеркало (HD) / The Mirror - YouTube. The Mirror of Time and Memory Live in the house-and the house will stand. I will call up any century, Go into it and build myself a house… With shoulder blades like timber props I help up every day that made the past, With a surveyor’s chain I measure time And traveled through as if across the Urals. I only need my immortality For my blood to go on flowing from age to age. I would readily pay with my life For a safe place with constant warmth Were it not that life’s flying needle leads me on Through the world like a thread. Arseniy Tarkovsky His song sounds rather like this: A drawn-out "ohh-h-h-h-h-h," descending downward, almost like a sweet moan, followed by a series of about 7 or 8 descending notes, like a descending scale, fading slowly toward the end of his song. Thus: Ohhhhhhhhhhhh                          la                              la                                  la                                     la                                        la                                           la                                              la                                                 la Judith Posted 06 July 2007 - 08:56 PM
jiminy-littly
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Jan 29, 2016
Jan 29, 2016 at 2:25 AM UTC
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