I.
On the surface easily gliding,
are my hands. I keep on the table
an ajar carton of cigarettes. Then slowly
becoming in my pocket, taking form of a hand,
a crumpled cinema ticket when straightened,
ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover
whose face I can almost touch.
When let go of closure, air thins and I move
secretly with fluency. This is how objects
escape my grip.
II.
In front of the eatery, a transit.
I had a dream once in a depthless sleep,
a figure in stilts studded with guilt.
The face next to me, disquieting the music
of currencies, naked in sound as the truth shaved
like a beast. The nearby tarmac resounds with
another throng of absence. As a substitute
for beings shackled to duty,
the oncoming woman assumes theirs,
borrows their faces of dreariness and ***** a thousand times like white sheets harassed by
the wind through opened windows.
III.
Define space as a venue for collision.
Say when a red-haired woman straddling
a duffel bag and myself confused as a peripatetic.
She ascribes her presence to my footing
and from where she left off, I take form
of her expired movement.
Found strangeness is that space
is what happens when remembered. But hold no
bearing and rear contrivance,
trying to be bold by definition -- space solicits
the in-betweenness and then transmutes
an occurence,
say the volatile shape of a hand when
clutching and releasing, the fugitive manner of
feet when avoiding puddles, the unsolicited
reticence of a troubling question.
IV.
A man carries a take away and is now
amongst the populace, waiting under a shed,
housing a familiar language. Home.
But first, trivialized. Haggles with the cab driver,
trying to transact a being angled towards home.
They agree to a fault, money's perfume clinches the fingers and is given to a calloused hand.
Air once stale, is now succulent with the
resonating memory of a child's excited laughter,
and is now presumably waiting behind a gated
home. Like the palm of the hand, the number
of times the vehicle trundles within
the nearby avenue is the force it enkindles
with rest. He is home,
unloosens his clothing. Like a fine specimen
freed from a vitrine.
May 13, 2016
May 13, 2016 at 6:05 AM UTC
I.
On the surface easily gliding,
are my hands. I keep on the table
an ajar carton of cigarettes. Then slowly
becoming in my pocket, taking form of a hand,
a crumpled cinema ticket when straightened,
ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover
whose face I can almost touch.
When let go of closure, air thins and I move
secretly with fluency. This is how objects
escape my grip.
II.
In front of the eatery, a transit.
I had a dream once in a depthless sleep,
a figure in stilts studded with guilt.
The face next to me, disquieting the music
of currencies, naked in sound as the truth shaved
like a beast. The nearby tarmac resounds with
another throng of absence. As a substitute
for beings shackled to duty,
the oncoming woman assumes theirs,
borrows their faces of dreariness and ***** a thousand times like white sheets harassed by
the wind through opened windows.
III.
Define space as a venue for collision.
Say when a red-haired woman straddling
a duffel bag and myself confused as a peripatetic.
She ascribes her presence to my footing
and from where she left off, I take form
of her expired movement.
Found strangeness is that space
is what happens when remembered. But hold no
bearing and rear contrivance,
trying to be bold by definition -- space solicits
the in-betweenness and then transmutes
an occurence,
say the volatile shape of a hand when
clutching and releasing, the fugitive manner of
feet when avoiding puddles, the unsolicited
reticence of a troubling question.
IV.
A man carries a take away and is now
amongst the populace, waiting under a shed,
housing a familiar language. Home.
But first, trivialized. Haggles with the cab driver,
trying to transact a being angled towards home.
They agree to a fault, money's perfume clinches the fingers and is given to a calloused hand.
Air once stale, is now succulent with the
resonating memory of a child's excited laughter,
and is now presumably waiting behind a gated
home. Like the palm of the hand, the number
of times the vehicle trundles within
the nearby avenue is the force it enkindles
with rest. He is home,
unloosens his clothing. Like a fine specimen
freed from a vitrine.
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