I.
This is a poet of the river lands,
a lowdown man of the deepest
depth of the valley, where gravity gathers
the waters, the poisons, the trash,
where light comes late and leaves early.
From the window of his small room
the lowdown poet looks out. He watches
the river for ripples, flashes, signs
of beings rising in the undersurface dark,
or lightly swimming upon the flow,
or, for a minnow, descending the deeps
of the air to enter and shatter
forever their momentary reflections,
for the river is a place passing
through a passing place.
The poet, his window, and his poems
are creatures of the shore that the river
gnaws, dissolves, and carries away.
He is a tree of a sort, rooted
in the dark, aspiring to the light,
dependent on both. His poems
are leavings, sheddings, gathered
from the light, as it has come,
and offered to the dark, which he believes
must shine with sight,
with light, dark only to him.
II.
Times will come as they must,
by necessity or his wish, when he leaves
his enclosure and his window,
his homescape of house and garden,
barn and pasture, the incarnate life
of his desire, thought, and daily work.
His grazing animals look up
to watch in silence as he departs.
He sets out at times without even
a path or any guidance other than knowledge
of the place and himself as they were
in time already past. He goes among trees,
climbing again the one hill of his life.
With his hand full of words he goes
into the wordless, wording it barely
in time as he passes. One by one he places
words, balancing on each
as on a small stone in the swift flow
in his anxious patience until
the next arrives, until he has come
at last again into presentiment
of the Real, the wholly real in its grand
composure, for which as before
he knows no word. And here again
he must stop. Here by luck or grace he may
find rest, which he has been seeking
all along. Sometimes by the time’s flaws
and his own, he fails. And then
by luck or grace he will be given
another day to try again, to go maybe
yet farther before again he must stop.
He is a gatherer of fragments, a cobbler
of pieces. Piece by piece he tells
a story without end, for in the time
of this world no end can come.
It is the story of eternity’s shining,
much shadowed, much put off,
in time. And time, however long, falls short.
Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
Jun 30, 2014
Jun 30, 2014 at 11:30 AM UTC
I.
This is a poet of the river lands,
a lowdown man of the deepest
depth of the valley, where gravity gathers
the waters, the poisons, the trash,
where light comes late and leaves early.
From the window of his small room
the lowdown poet looks out. He watches
the river for ripples, flashes, signs
of beings rising in the undersurface dark,
or lightly swimming upon the flow,
or, for a minnow, descending the deeps
of the air to enter and shatter
forever their momentary reflections,
for the river is a place passing
through a passing place.
The poet, his window, and his poems
are creatures of the shore that the river
gnaws, dissolves, and carries away.
He is a tree of a sort, rooted
in the dark, aspiring to the light,
dependent on both. His poems
are leavings, sheddings, gathered
from the light, as it has come,
and offered to the dark, which he believes
must shine with sight,
with light, dark only to him.
II.
Times will come as they must,
by necessity or his wish, when he leaves
his enclosure and his window,
his homescape of house and garden,
barn and pasture, the incarnate life
of his desire, thought, and daily work.
His grazing animals look up
to watch in silence as he departs.
He sets out at times without even
a path or any guidance other than knowledge
of the place and himself as they were
in time already past. He goes among trees,
climbing again the one hill of his life.
With his hand full of words he goes
into the wordless, wording it barely
in time as he passes. One by one he places
words, balancing on each
as on a small stone in the swift flow
in his anxious patience until
the next arrives, until he has come
at last again into presentiment
of the Real, the wholly real in its grand
composure, for which as before
he knows no word. And here again
he must stop. Here by luck or grace he may
find rest, which he has been seeking
all along. Sometimes by the time’s flaws
and his own, he fails. And then
by luck or grace he will be given
another day to try again, to go maybe
yet farther before again he must stop.
He is a gatherer of fragments, a cobbler
of pieces. Piece by piece he tells
a story without end, for in the time
of this world no end can come.
It is the story of eternity’s shining,
much shadowed, much put off,
in time. And time, however long, falls short.
Wendell Berry's most recent books include It All Turns on Affection: The Jefferson Lecture and Other Essays, New Collected Poems, and A Place in Time, the newest volume in his Port William series.
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