to hold a photograph in my hand
and believe what is presented,
take is at it already is – why not?
if I close my mind’s shuttering eye,
will you be as candid as before?
unrestricted, unsorted from the hullaballoo,
you, freer than what is imagined, closing
in like a bullet from yesterday shot out
of the sky’s contrived clearing –
to hold a photograph in my hand
and tug closer by the mouth of the fringe
as if to pour water on a broken glass,
slithering now, a shadow of moon
at the very dull end of my cup;
you are closer than any rehearsed moment
ready to catch the inner canthus of the eye:
this relentless picture-passing, tense and
fervent, avid like bankiva to air,
water to chrysanthemum: behind thick shrub
of crepuscular, an arboreal locomotion
shatters loose, your frantic figure.
to hold a photograph in my hand
and size it down to the dimensions
of this home – there is potential in this
comparison: flaring out like smoke from
where it infinitely burns, I seek an ache
and hence place a finger to shush,
to hold this photograph in my hand
and confabulate a soft blow to the gut
and feel it realer than any dagger or berretta
held at one’s life-edge: this delusory intimation,
a slipshod work of feeling. to feel it rejoin
me somewhere I ought to be back again.
Jan 27, 2016
Jan 27, 2016 at 2:48 AM UTC
to hold a photograph in my hand
and believe what is presented,
take is at it already is – why not?
if I close my mind’s shuttering eye,
will you be as candid as before?
unrestricted, unsorted from the hullaballoo,
you, freer than what is imagined, closing
in like a bullet from yesterday shot out
of the sky’s contrived clearing –
to hold a photograph in my hand
and tug closer by the mouth of the fringe
as if to pour water on a broken glass,
slithering now, a shadow of moon
at the very dull end of my cup;
you are closer than any rehearsed moment
ready to catch the inner canthus of the eye:
this relentless picture-passing, tense and
fervent, avid like bankiva to air,
water to chrysanthemum: behind thick shrub
of crepuscular, an arboreal locomotion
shatters loose, your frantic figure.
to hold a photograph in my hand
and size it down to the dimensions
of this home – there is potential in this
comparison: flaring out like smoke from
where it infinitely burns, I seek an ache
and hence place a finger to shush,
to hold this photograph in my hand
and confabulate a soft blow to the gut
and feel it realer than any dagger or berretta
held at one’s life-edge: this delusory intimation,
a slipshod work of feeling. to feel it rejoin
me somewhere I ought to be back again.
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