So the Violets lived
in the long shadow
of a slaughterhouse,
separated from death
by cyclone fencing
and a scrabbly yard.
In summer, family time
meant sitting on the porch
drinking cans of Budweiser.
It took about a six pack
each to mask the smell
of cow and diesel fuel,
but the rumble of semis
and the relentless lowing
of cattle were inescapable.
In winter, woodsmoke
filled the small rooms,
slowly turning the walls
the color of ***** snow.
Icicles hung from gutters,
lengthening like knives.
The youngest Violet daughter
grew up, moved to Louisville,
and became a painter of vivid
abstracts.
I have one of her paintings
hanging on a wide white wall.
I like to pour myself a Scotch
and watch the mangled colors—
brilliant viscera sullying
a slaughterhouse stall—
the smell of peat and smoke;
the taste of earth’s undoing.
Dec 6, 2016
Dec 6, 2016 at 9:33 AM UTC
So the Violets lived
in the long shadow
of a slaughterhouse,
separated from death
by cyclone fencing
and a scrabbly yard.
In summer, family time
meant sitting on the porch
drinking cans of Budweiser.
It took about a six pack
each to mask the smell
of cow and diesel fuel,
but the rumble of semis
and the relentless lowing
of cattle were inescapable.
In winter, woodsmoke
filled the small rooms,
slowly turning the walls
the color of ***** snow.
Icicles hung from gutters,
lengthening like knives.
The youngest Violet daughter
grew up, moved to Louisville,
and became a painter of vivid
abstracts.
I have one of her paintings
hanging on a wide white wall.
I like to pour myself a Scotch
and watch the mangled colors—
brilliant viscera sullying
a slaughterhouse stall—
the smell of peat and smoke;
the taste of earth’s undoing.
