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jonathan-witte
jonathan-witte
(after Edward Hopper’s Cape Cod Evening) The light is everything; it saturates the locust grove, inundating uncut grass, negating shadows, conjoining husband and wife in oblivion. Melancholy blinks in the black eye of a whippoorwill. Who catches the notes of its song? Only the dog. Dusk, patient as a chrysalis. They can’t hear the transmutation yet, but they will.
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Oct 19, 2018
Oct 19, 2018 at 1:17 PM UTC
Whippoorwill Ekphrastic
Evening docks like a desolate ship, indigo and monolithic, its umbral sails swelling above the distant hips of a titanic continent. Sleep tastes like a mossy anchor; it lurches, shifts, and slips into gear— the sound of stars grinding on stars. I sail across an ocean of teeth. I acquiesce. I drown in the velvet whirlpool of your absence.
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Oct 12, 2018
Oct 12, 2018 at 8:28 AM UTC
Solo Voyage
At a loss with what to tell the children when they bring their deformed beasts to me I teach them the word menagerie as they clear the project table and sweep up cuttings from the kitchen floor. We gather without you for another stiff parade of animals, and I’m embarrassed to mistake their swans for butterflies. The sky aligns edge to edge, a yellow sheet of cellophane, the afternoon cut and creased and folded like fractal creature: a crane inside a crane inside a crane.
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Oct 5, 2018
Oct 5, 2018 at 4:21 PM UTC
Origami
I I stole my brother’s car and drove to Phoenix in the dark. The blue-green glow of dashboard gauges, the biting scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield, incipient rain. Keep driving. Drive until the sun blooms. II Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor on MLK Boulevard. The typographically accurate Declaration of Independence inscribed on my back also confirms this. III I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, twisting behind tent ***** with a one-armed contortionist with strawberry-blonde hair. IV I derailed in a dive bar. V I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time. I picked through trash bins. I paid for love with drugstore wine. VI I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank. VII I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide. VIII The moon over my shoulder tightened into focus like a spotlight. One night the barking dogs undid me. I caved in to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell, clinging to bars the color of a morning dove. IX I coveted the house keys of strangers. X I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I just left. Despite all my leaving, I remained.
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Sep 21, 2018
Sep 21, 2018 at 1:45 PM UTC
Escape Artist Sketches
I I stole my brother’s car and drove to Phoenix in the dark. The blue-green glow of dashboard gauges, the biting scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield, incipient rain. Keep driving. Drive until the sun blooms. II Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor on MLK Boulevard. The typographically accurate Declaration of Independence inscribed on my back also confirms this. III I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, twisting behind tent ***** with a one-armed contortionist with strawberry-blonde hair. IV I derailed in a dive bar. V I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time. I picked through trash bins. I paid for love with drugstore wine. VI I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank. VII I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide. VIII The moon over my shoulder tightened into focus like a spotlight. One night the barking dogs undid me. I caved in to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell, clinging to bars the color of a morning dove. IX I coveted the house keys of strangers. X I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I just left. Despite all my leaving, I remained.
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49
We don’t dance here anymore. We balance on wobbly stools and order PBRs with whiskey backs, sidestepping the looks we tend to give each other in the mirror behind the bar. Tonight is Christmas Eve again. Again, tonight is Christmas Eve. Reflected in a frosted window framed by multicolored lights, our waitress wears a miniskirt and candy cane-striped tights. Her laugh rings like the silver bell of tomorrow’s hangover. We are not the ones racking another game of eight-ball or feeding the jukebox or tossing darts at the wall. That’s not us, the hipster couple exchanging sardonic repartee, clever tattoos comingling as they trade kisses in the corner. Could that ever have been us? Here is where we ***** it up and tamp it down. Here is where we wait for our future to finish its careful unwrapping. Here is where we say thank you and drown, tangled together in ribbons of twilight.
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Dec 22, 2017
Dec 22, 2017 at 4:55 PM UTC
Quarry House Christmas
Burnt toast and a spot of blood. Father dresses for work and leaves with a wave, his gabardine suit the exact same shade as the storm cloud blooming on the back of his left hand. After breakfast, mother pins his undershirts to the wash line, clothespins clenched between broken teeth. From my upstairs window, I watch his shirts stiffening in the flinty December air, a chorus of white flags, obsequious and clean. Mother recovers in the laundry room, where the floor is dusted with feeble grains of spilled detergent. I spend the afternoon preparing for the sound of tires crunching on gravel, for the sweep of headlights across the lawn. There are plans and maneuvers to arrange. Counterattacks. Even now, the snow on the side of the road has turned to the color of my childhood.
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Nov 20, 2017
Nov 20, 2017 at 4:18 PM UTC
Truce
We are watching the clouds bandage an incarnadine sky, we are practicing our best knots, weaving an army of tourniquets, we are slow-dancing barefoot on the edge of a razor. We are watching a demolition derby in the driving rain, the smell of motor oil mixing with gasoline, the hard melancholy of dying machines. We are waltzing from room to room, smearing our names on the floor, we are keeping time to slow music, bleeding out behind closed doors.
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Nov 7, 2017
Nov 7, 2017 at 8:15 AM UTC
First Aid
She left me with nothing but math. Bedroom walls miscalculated to the color of a bruised plum. Sheets tangled into isolated geometries. Even the nightgown hung on the closet hook— its three buttons, opaline, an insoluble equation. And the moonlight, subtracting itself across the floor, proves distance by degrees: light slanting in the hallway, the acute angles of an open door.
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Sep 7, 2017
Sep 7, 2017 at 11:43 AM UTC
Isolation Proof
The dogs are long gone. The children of catastrophe flick their knives at the sun, shuffling from ruin to ruin in their parents’ heavy boots, stepping over the skeletons of buildings and hummingbirds. The children of catastrophe whet their blades on barren slates. They shave their heads and argue about the history of chandeliers and satellites. The frogs at the water’s edge expand into dumb balloons. Hunted by an army of toothless men, the children scramble toward the sound of one dog barking at the edge of the world. They sleep in shifts, cursing moonlight. We scavenge the stillness between bullet and bone. In our dreams, the horizon binds us with a blinding flash— your hand in mine, our cells married and incandescent: each to each, ash to ash.
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Aug 25, 2017
Aug 25, 2017 at 2:58 PM UTC
Catastrophic
A close read reveals that I am nothing but a rough draft riddled with misspellings— a work in progress watered down by superfluous adjectives, non sequiturs, and smothered verbs. Love is an editor. She courts me with a pocket of sharpened pencils, blue and red. She marks me up meticulously— dele, stet dele, stet. Decades punctuated by intermittent edits. Sunlight slanting through an hourglass. Her hair as white as the final page. When the end comes, will she love me enough to give me another pass?
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Jul 21, 2017
Jul 21, 2017 at 11:33 AM UTC
Working Copy