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wm-jones
wm-jones
American Matthew William Jones was born in Chamblee, Georgia. / / He initially began drawing primitive comics and writing absurd short stories, probably beginning at around age 6 or 7. He began writing poetry that rhymed at age 13. / / In high school he took a total of ten semesters of "fine arts." This includes on semester of Drama. He began to deliberately paint abstract in late 2003, also focusing on collage and mixed media. He quit his part-time job at a fast food corporation, and began to paint his mother's basement walls. / / In 2005, he graduated high school and continued painting in the basement. / He is employed by a Southern-based grocery corporation as a full-time dairy clerk. / / With the exception of a couple websites that publicly display both his poetry and visual artwork, he has never been published.
"holy **** it feels like years" i close my achey eyes and breathe your silhouette. i smell you, your skin and shampoo and funk, scents on my pillow become cents in a jar. i am working hard tonight to become a mess and alone. the rain slowed and disappointed me, i hoped to be washed away. i hear airplanes and apostrophe, short of breath and epiphany. meat-hook and drag me like something worth catching and carving. you may eat me alive without ever knowing it.
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Feb 17, 2012
Feb 17, 2012 at 7:14 AM UTC
"holy **** it feels like years"
I am afraid of what I've made myself. I am a Demon, you're beliefs 'n your loves are enemies. I've tried so hard to leave behind the memories of what once was so precious: emotion, wrathe, **** and wicked lit like wicks and taken through Daytona dark, the strip we marched, the palms looked like black fireworks. The ocean sang, the handclaps rang and waned, and Bobby talked to me for hours. But in the end I still felt alone, fell quiet, the handclaps rang and waned.
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Feb 17, 2012
Feb 17, 2012 at 7:00 AM UTC
Bobby
he was your Door your floor for you to walk on. lips to press against light making the day look like night in comparison. is grammar all i get? does the wit **** off and leave my lungs like wind and puke? music does it, four me. 1music 2what i already feel 3you 4everything else i swell Crescendo a catalyst string cheese section of bittersweetmorsel perferationperfection. piercing me from the outside in and back again i'm letting wounds heal the long way taking the scenic route and enjoy the unfinished road. thirty picturepoemsplay in my brain all at once- i grab my butterfly net to try and capture as many creatures as i can. take my hand and stroll be my leash and love me taste good be mine domestic life strife rifles through my chest as i do my best to keep it there.
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Jan 18, 2012
Jan 18, 2012 at 9:39 PM UTC
commas
there is no sun, no west, no east. night falls, morning comes like clockwork. but, what does the night hide? and what does morning make new? i don't know when you wrote this poem, or if when you wrote it you had a song-to-be in your head, but i've rarely (at least not first-hand) seen you wander into the night; rather, you - much like i often do - ignore possibilities that another morning could bring, and choose to grasp a bottleneck as if you could choke yesterday's throat. i would know - i've blamed a lot of yesterdays. and you went on to say that rays of new sun beam onto beauty that rests, as if it were potential energy. beauty is kinetic. beauty does not rest. it is a killer, and a victim, as it suckerpunches you, and cowers. beauty is not love, and love is not a victim, and doesn't cower. those may be the only differences, but i prefer to think that love may have its redeeming qualities. i don't care how sunny, it doesn't shed light on a **** thing, clears nothing up anymore than night hides things. but you were right: "somewhere in time something is lost" but what did you lose that you have not re-found and lost again and re-found and.... there's no hiding, man. we were always more alike than most, and i know what you're looking for - love, for "things" to make sense, for that orange-y haze of childhood innocence (yes, in my mind, childhood was orange, carpeted floors, "playing house" (and "doctor") and an electric ***** by the hallway that no one ever played) to return, for the "real deal" - whether in the form of a woman, an oblivious grin, fruity drinks on a remote sandy beach, or finding out the hard way. i'm finding things out the hard way. i'm missing "things" (people, smells, strangers (not to be confused with the aforementioned 'people'), and everything else i knew would be missed. i'm realizing that all the time in the world doesn't necessarily mean an abundance of inspiration. i do dishes wherever i go.
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Dec 23, 2011
Dec 23, 2011 at 12:01 AM UTC
"response to a poem"
there is no sun, no west, no east. night falls, morning comes like clockwork. but, what does the night hide? and what does morning make new? i don't know when you wrote this poem, or if when you wrote it you had a song-to-be in your head, but i've rarely (at least not first-hand) seen you wander into the night; rather, you - much like i often do - ignore possibilities that another morning could bring, and choose to grasp a bottleneck as if you could choke yesterday's throat. i would know - i've blamed a lot of yesterdays. and you went on to say that rays of new sun beam onto beauty that rests, as if it were potential energy. beauty is kinetic. beauty does not rest. it is a killer, and a victim, as it suckerpunches you, and cowers. beauty is not love, and love is not a victim, and doesn't cower. those may be the only differences, but i prefer to think that love may have its redeeming qualities. i don't care how sunny, it doesn't shed light on a **** thing, clears nothing up anymore than night hides things. but you were right: "somewhere in time something is lost" but what did you lose that you have not re-found and lost again and re-found and.... there's no hiding, man. we were always more alike than most, and i know what you're looking for - love, for "things" to make sense, for that orange-y haze of childhood innocence (yes, in my mind, childhood was orange, carpeted floors, "playing house" (and "doctor") and an electric ***** by the hallway that no one ever played) to return, for the "real deal" - whether in the form of a woman, an oblivious grin, fruity drinks on a remote sandy beach, or finding out the hard way. i'm finding things out the hard way. i'm missing "things" (people, smells, strangers (not to be confused with the aforementioned 'people'), and everything else i knew would be missed. i'm realizing that all the time in the world doesn't necessarily mean an abundance of inspiration. i do dishes wherever i go.
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69
spinach, baby arugula, alfalfa sprouts typos, misspellings, guns, gods, lies, news, jokes. mushrooms, sauté suite suit suits you well. you are well. i am no more lonely, but physically alone. or yeah, maybe just that much more lonely. i hate work. not equally, but differently. i love music, because it's all i have and my life depends on it. get me through this! me? i crave *** connection, even without *** love. or apathy. i'm not sure where to go, what do do.... 25 in 17 days. i thought growing up made sense.
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Dec 22, 2011
Dec 22, 2011 at 11:54 PM UTC
25 in 17
you and me? yeah, our kids will bathe in paint. look like that colorful zebra from the brand of gum that i can't think of the name of she'll have your ears and nose, and lips if she's lucky. my eyes, my short legs my love of spicy food. he'll have my hair and nose, and good teeth, eh, maybe. he'll be born with your tattooes. maybe my dad's sense of humor. grow taller than any of us, turn into a tree. span the view of sky from the tips of you and me. she'll cradle this planet's ashes in her hands, and he'll hold our hearts together with duct tape. she'll have your voice and my phrasing, a hybrid accent in between. this is the best hallucination i've ever seen.
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Dec 22, 2011
Dec 22, 2011 at 11:47 PM UTC
you and me?
i want love to do more than whisper, but right now it is more than shy. and i want anger to **** this blank page like the best make-up *** i've never had. i don't think i will survive long at this rate. my bones hold my heart hostage, and my veins are filled with clear, sweet poison, and lust. sometimes it's all i need. sometimes i want to give in, give up, sell all my junk, wander the streets like the bravest raving lunatic. wild wide-eyed ****** soapboxed symphonies of sin. the problem is, i don't know my own gospel, i have no clear message. just blood that hates needles and a head that loves hands.
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Dec 22, 2011
Dec 22, 2011 at 11:45 PM UTC
4-19-11
you want pretty pictures? i want ugly. i don't mean i want to be ugly, or that i want a woman which is ugly, or that you are, or that i am. i just want that sick sad truth told by lies. it can only be told by lies. because the truth is what you leave out; those whispers, little insignificant details you "forgot" to mention; those colours and smells that burn the back of your brain, the shapes and sizes and faces and flavors you savor and forget as a favor to yourself. the truth is that we want the best, but never give our best, you can't accept embarrassment so it's denial, which tastes somewhat sweeter. so does scotch from orkney. i write a lot, and get tired of sharing because you must get tired of reading about a drunk punk with motionless ideas who questions himself and you and your motives and the everything in between; craving solidarity, craving connection, craving clarity, craving does nothing until you sleep it off, wake the godfuck up, and open your skull to today. therefore i sleep some more, you turn the page, and the globe fits like a glove.
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Dec 22, 2011
Dec 22, 2011 at 11:42 PM UTC
"scotch from orkney"
Please, do me a favor: stay out of my dreams. i'll be beneath sheets, silent. her love, even love for another was a flood through my mind at 2am. you blend, spirit to spirit, the ghost that i never catch. the hope that lingers like garlic breath. swimming the lake, it's slow-motion, it aches. it's filled with possession, money-drug manuscript and reaching out without a grip. she wears clothing, i wear internal organs on my sleeve. she wears lipstick, i wear warpaint. i melt plastic for fun. i melt into her, miles at a time. she fancied displaying naughty pictures of herself; hell, i fancied looking at them. angel wings, or what was imperfect becoming so very perfect. now she taunts me without knowing it. i wish for a long moment ago, i wish i had closed my mouth and made myself stay still. i wish 50 weeks hadn't gone by. i wish i had closed my eyes and woken up in bed after a bad dream. it was her halloween photograph, that was the moment i sat in the dark diningroom, staring, and feeling my arteries bursting through my sternum. many nightmares later i am no longer alone, and a noose in name is my favorite false memory: i electrocuted myself, three times as a child. once, using metal scissors, i severed the cord of a radio plugged into the wall. hurt like hell, my arm went numb. in the wrong place. i was released, and ran like a fool back into the trap. i wanted to be trapped by you. and NOW i have to force myself to close my mouth and stay still. every day i stay away from you is another ********* costume.
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Dec 22, 2011
Dec 22, 2011 at 11:38 PM UTC
"warpaint"
Please, do me a favor: stay out of my dreams. i'll be beneath sheets, silent. her love, even love for another was a flood through my mind at 2am. you blend, spirit to spirit, the ghost that i never catch. the hope that lingers like garlic breath. swimming the lake, it's slow-motion, it aches. it's filled with possession, money-drug manuscript and reaching out without a grip. she wears clothing, i wear internal organs on my sleeve. she wears lipstick, i wear warpaint. i melt plastic for fun. i melt into her, miles at a time. she fancied displaying naughty pictures of herself; hell, i fancied looking at them. angel wings, or what was imperfect becoming so very perfect. now she taunts me without knowing it. i wish for a long moment ago, i wish i had closed my mouth and made myself stay still. i wish 50 weeks hadn't gone by. i wish i had closed my eyes and woken up in bed after a bad dream. it was her halloween photograph, that was the moment i sat in the dark diningroom, staring, and feeling my arteries bursting through my sternum. many nightmares later i am no longer alone, and a noose in name is my favorite false memory: i electrocuted myself, three times as a child. once, using metal scissors, i severed the cord of a radio plugged into the wall. hurt like hell, my arm went numb. in the wrong place. i was released, and ran like a fool back into the trap. i wanted to be trapped by you. and NOW i have to force myself to close my mouth and stay still. every day i stay away from you is another ********* costume.
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57
dance, climb me like a tree- stump. rip my heart with sharp teeth. Tth-thump. squish. pick apart my embarrassments like you'd pick apart my bones. like vultures would. i get to watch my own slow death, you get to kiss me to death. slowly. it's all the same. distance suddenly makes sense. Vivisection: i'm sporadic neurotic erratic ****** i'm the smaller wheel on a tricycle, so we get to go in circles. i'm the fungus you can adopt! cutting myself open, i can see what makes me "frrrrrick." heartache hopeful, i'm walking into what i know are traps, what i know is sure to hurt. i tell myself out- loud, eyes closed, "THIS is gonna hurt." and i'm right. and i want more. any and every relationship is more and more masochism. it hurts more than it ever heals, winds and wounds and it musics me back to melody. hold me hold me hold me like the car's gear shift, you only use me sometimes.
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Dec 16, 2011
Dec 16, 2011 at 11:04 AM UTC
Default Neurotic Snapshot