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verdana
verdana
Across the quiet, dingy pub you call the waitress, lingering across her form, then, passing judgment coldly look away. She wears a pendant round her neck, it rests between two ample ******* Her hair is blonde and likely bleached. And as she turns to walk towards the bar - you see her shoes are high. Unsteady with her tray and fashion pumps she stumbles, shows a ladder in her tights. So when a bloke gives chase you’re not surprised she caught his eye, you’re not surprised to see him slap her thigh. She stumbles to the bar, and tries to laugh it off, to hide her face, her cheeks are red, so while he smirks to friends and winks at her, she looks toward the floor. Then smugly you remark, ‘I’m not surprised. She asked for it. She’s showing too much skin.’ Your face serene, you stroke your crucifix, ‘no self respecting girl would dress like that, she’ll have herself to blame if she gets ***** And in response, it swells against my teeth, I try to bite my tongue, to hold it back, But you have wound me far too tight for that. ‘How can you say she has herself to blame? When she got dressed this morning did she ask for this? And what of him is it his right to put his hands on who and what he likes, and you – you sit and smirk with your contempt you blame her, though she didn’t give consent, these notions you perpetuate, if she gets raped, it you and yours she’ll have to blame,’ Embarrassed now, I know I’ve said too much I taper off, unsure of my intent. My friend sits icy in her chair. Apart, we stare, in careful study of our plates. And as the waitress makes her slow approach, to ask us if we want desserts - we flush. Our indecision heavy in the air.
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Nov 4, 2013
Nov 4, 2013 at 3:18 PM UTC
The Exchange
Across the quiet, dingy pub you call the waitress, lingering across her form, then, passing judgment coldly look away. She wears a pendant round her neck, it rests between two ample ******* Her hair is blonde and likely bleached. And as she turns to walk towards the bar - you see her shoes are high. Unsteady with her tray and fashion pumps she stumbles, shows a ladder in her tights. So when a bloke gives chase you’re not surprised she caught his eye, you’re not surprised to see him slap her thigh. She stumbles to the bar, and tries to laugh it off, to hide her face, her cheeks are red, so while he smirks to friends and winks at her, she looks toward the floor. Then smugly you remark, ‘I’m not surprised. She asked for it. She’s showing too much skin.’ Your face serene, you stroke your crucifix, ‘no self respecting girl would dress like that, she’ll have herself to blame if she gets ***** And in response, it swells against my teeth, I try to bite my tongue, to hold it back, But you have wound me far too tight for that. ‘How can you say she has herself to blame? When she got dressed this morning did she ask for this? And what of him is it his right to put his hands on who and what he likes, and you – you sit and smirk with your contempt you blame her, though she didn’t give consent, these notions you perpetuate, if she gets raped, it you and yours she’ll have to blame,’ Embarrassed now, I know I’ve said too much I taper off, unsure of my intent. My friend sits icy in her chair. Apart, we stare, in careful study of our plates. And as the waitress makes her slow approach, to ask us if we want desserts - we flush. Our indecision heavy in the air.
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38
The sun fell open down the sky, and tumbled from her womb a moon. Behind the moon a curtain fell, an inky swell with light stuck through. So from the sky a light fell down to beam upon an upturned face. A face that for a moment shone - it flickered then it died away. And for a time it felt engulfing. A moment tangled round me. The light was bent about my shape, it quietly embraced me. While still, surrounded by its grasp, the ground that held me shrank away. I rose and to the surface broke, and pregnant, found myself unmade. I looked upon our coiling earth, a shrinking trace of blue and green. And on the earth i saw my face, it shone, it blazed with light. Then falling down towards myself I stumble and am born again. I close my eyes, for one last time As on I walk into the night.
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Oct 14, 2013
Oct 14, 2013 at 1:26 PM UTC
The brief encounter
Now, you look at me and spot my arm across the kitchen table, and instead you look you see those older lines in blazing white. These sentiments they mark mean more to you than the lines around my eyes, from a brow furrowed in frustration for twenty years. Or, the mottled lines across my thighs from where my body grew to fit my mind. Why does my upper arm reflect my general attitude to life? Any more than the lines around my mouth from fits of laughter flying out, or in my careworn hands seen grasping tight to other hands so much that there are lines. And even though as children we write lines at school until we cannot help but see that "repetition will leave a mark". And even though in every day we all suffer - loss, grief and pain in equal measure to our joy, relief and gain ...you cannot see a line for what it is a telltale sign of that desperate condition known as life. And after all the lines we draw define us in relation to everything else and the lines I drew upon myself defined me in relation to the pain I felt not as the pain I felt. And if you look at me now am I not a specimen of perfect health? So why do you draw lines on me that arrow point to labels because my wounds take on this milky hue, where yours were clear tinged salt tracks from your eyes that filled a swollen belly, bony thigh or toned physique. And all results of hollowness significant as mine. And tell me, what crime do I stand accused of but for feeling with the true extent of who I am - and leaving marks to show that I am not afraid to feel tender cry out, sob gently, and even when I'm pushed too far get ******* angry. And are you telling me you don't know what I mean? That across your body, mind - there are not lines you drew in reaction to people, places, circumstance you knew. And if not then may I suggest you get in line for a new mind and a brand new pair of eyes ...before you wryly look across the table at my upper arm and ask me where I got my scars.
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Oct 12, 2013
Oct 12, 2013 at 10:48 AM UTC
Scars
Now, you look at me and spot my arm across the kitchen table, and instead you look you see those older lines in blazing white. These sentiments they mark mean more to you than the lines around my eyes, from a brow furrowed in frustration for twenty years. Or, the mottled lines across my thighs from where my body grew to fit my mind. Why does my upper arm reflect my general attitude to life? Any more than the lines around my mouth from fits of laughter flying out, or in my careworn hands seen grasping tight to other hands so much that there are lines. And even though as children we write lines at school until we cannot help but see that "repetition will leave a mark". And even though in every day we all suffer - loss, grief and pain in equal measure to our joy, relief and gain ...you cannot see a line for what it is a telltale sign of that desperate condition known as life. And after all the lines we draw define us in relation to everything else and the lines I drew upon myself defined me in relation to the pain I felt not as the pain I felt. And if you look at me now am I not a specimen of perfect health? So why do you draw lines on me that arrow point to labels because my wounds take on this milky hue, where yours were clear tinged salt tracks from your eyes that filled a swollen belly, bony thigh or toned physique. And all results of hollowness significant as mine. And tell me, what crime do I stand accused of but for feeling with the true extent of who I am - and leaving marks to show that I am not afraid to feel tender cry out, sob gently, and even when I'm pushed too far get ******* angry. And are you telling me you don't know what I mean? That across your body, mind - there are not lines you drew in reaction to people, places, circumstance you knew. And if not then may I suggest you get in line for a new mind and a brand new pair of eyes ...before you wryly look across the table at my upper arm and ask me where I got my scars.
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61
You do not see me - I've seen the world reflected in your distant eyes. You do not feel me - clenched around your heart beating fast as humming birds. You do not speak me - out in the night, thin in the dark like an empty oath. You do not find me - in the sky, sea, city, trees where my mind wanders. You do not touch me - behind my eyes, beneath my soul. It shrinks away. You do not see me - The gap you leave, it left you whole. I fade away.
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Oct 12, 2013
Oct 12, 2013 at 10:28 AM UTC
The slow fade
Are you awake right now? Are you…thinking of me? I see you sleeping soft sleeping deep Some people curl up but i bet you extend Pole to pole across your bed Through your window Through my window, through me Pole to pole across the stars And when you dream do you dream like i think you do? Do you smile, speak, laugh in your sleep And would you dream of me? Would you let me calm you in the night when you're curled up like a baby sobbing because none of this is how you thought it would be? I would, I would, I would rock you sweet and tender in this endless sea of bad reality, bad dreams, bad words, looks and people I would wrap you in my skin to keep you just a little warmer in the dark Let me take you in In to me
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May 11, 2013
May 11, 2013 at 3:53 PM UTC
5 strings
a blackened lung heaves breath a broken mind reflects a wagging tongue cries out a rolling eye drifts roundabout the stifled gasp the strangled shout and powder skin all slick with sweat the murmurs in the dark, attentive ears pricked up with doubt tender hands pressing warm flannels onto vacant brows the last words over and over is this the last? is this your last? eyes half shut you slip into the past and then eyes laid out in glazy glass i didn't see you leave just one more moment please
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May 11, 2013
May 11, 2013 at 3:05 PM UTC
every day is full of death, we pass away
your eyes reflect light falling over cold hillsides slinking red tinted slowly out of view as we see again, anew then soft in awe walk hands clasped in the dark you shone from within, the stars dim, I overflow
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May 11, 2013
May 11, 2013 at 3:04 PM UTC
That night
You sent me something you wrote, And it flowed into me through me see, you apologise, correct, criticise but if you took my eyes.. My open eyes, my open mind then shut them let them roll behind themselves you'd find you empathise sympathise I want to see you wear the wings you gave them I want to watch you run until you stop touching the ground See you flow out, around, about To see your face warm in the sun and when like a last leaf falling you leave. run on you'll know that in my eyes you left a song And it will flow out of me
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May 11, 2013
May 11, 2013 at 3:03 PM UTC
Take my eyes