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valbona-ajdari
valbona-ajdari
Lover of All Things Art
Arrow upon arrow the stricken heart endured, Strife and doom its woeful dream ensured. Vile phantoms of creed with deception en route Intended to thwart, unveil their wicked fruit. Satan had withered our spirit's joy and flame, And gathered an earthly militia; among those to blame. A maze he encrypted, the heir's light yet unseen, All prospects stolen, great efforts wiped clean. Creative their mind twilight art they presented, The Sphere's evil hosts all reflected and resented. Lost was all hearing, faith and sight, Misplaced sense of wonder and good sense in flight. "I worship nothing!" His heir once preferred, Such was the spirit in high degrees deterred.        "Paragons of justice, will I ever get to see The day my misfortunes cease to be? They shadow, entrap and starve my soul Of love and joy and all control! So tired I am, and tired I shall stay If purpose here is merely to convey No purpose at all, except for one: To enslave the soul, casting punishment for fun. My simple wish, then, is simply to impart An end to this misery and to my sanctioned heart."        His despairing heir put in motion so An idea most frightening, its telling shall forego... Immerse in their demise, allow for stricken grief, Then foresee the King's love and His graciousness in fleet. He gathered around, with love He replaced Satan and his minions conspiring in space; The King broke off the heir's chains with great might, He enlightened our spirit, who had not known the light. The heir's desperate cries reached The King's vibrations, He released the heir and nullified all limitations. Profound divine wisdom our heir now espies; Seeing The King's glory and the through destroyer's lies. Great wisdom and revelation now fill this mended heart, But it's a tale best left for another form of art...
0
Nov 20, 2016
Nov 20, 2016 at 11:35 PM UTC
The King and The Heir
Arrow upon arrow the stricken heart endured, Strife and doom its woeful dream ensured. Vile phantoms of creed with deception en route Intended to thwart, unveil their wicked fruit. Satan had withered our spirit's joy and flame, And gathered an earthly militia; among those to blame. A maze he encrypted, the heir's light yet unseen, All prospects stolen, great efforts wiped clean. Creative their mind twilight art they presented, The Sphere's evil hosts all reflected and resented. Lost was all hearing, faith and sight, Misplaced sense of wonder and good sense in flight. "I worship nothing!" His heir once preferred, Such was the spirit in high degrees deterred.        "Paragons of justice, will I ever get to see The day my misfortunes cease to be? They shadow, entrap and starve my soul Of love and joy and all control! So tired I am, and tired I shall stay If purpose here is merely to convey No purpose at all, except for one: To enslave the soul, casting punishment for fun. My simple wish, then, is simply to impart An end to this misery and to my sanctioned heart."        His despairing heir put in motion so An idea most frightening, its telling shall forego... Immerse in their demise, allow for stricken grief, Then foresee the King's love and His graciousness in fleet. He gathered around, with love He replaced Satan and his minions conspiring in space; The King broke off the heir's chains with great might, He enlightened our spirit, who had not known the light. The heir's desperate cries reached The King's vibrations, He released the heir and nullified all limitations. Profound divine wisdom our heir now espies; Seeing The King's glory and the through destroyer's lies. Great wisdom and revelation now fill this mended heart, But it's a tale best left for another form of art...
Continue reading...
38
The marvelous thing is how I hear this bird sing, from morning to night and from winter to spring. It happily glees, never sad, never in fright. It glides with purpose from darkness to light. Aggression it welcomes from predators (weak) for its mind is superior and respect it will seek. Underestimate, only a fool will dare. With intellect, vibrancy, and vigilance there will be a surprise --  most minds will be blown -- with glory it ravages, but dignity shown. Above all else, I prefer to mention, something vital to bring to your attention; you must look beyond my observation for all things beautiful, in adoration this bird holds dear to heart and mind a one true love its meant to find. The heavens, the sea, the corporeal plains it tours the earth, again and again but never alone, but with another; one’s promised, confidante, Jay’s one true lover.
0
May 31, 2016
May 31, 2016 at 11:20 AM UTC
JAY BLU
It is a truth universally acknowledged that people in love are people found. Even if one tried, one cannot escape from, nor ignore one’s strongest muscle that emulates a desperate caterpillar’s. This muscle is a muscle of the heart that is eager to break free from the claws of conformity, which it is bound by from the moment it is born; where it’s rebellious limbs instinctively practice within and against the laws of physics and nature; laws that appear to relentlessly sustain the creature’s seemingly pointless, externally influenced, and perfectly molded and orchestrated existence. That is, until one day when the caterpillar blossoms into a creature with wings; a thing with a real purpose that springs into action when faced with the highest form of adversity, like dealing with the stink of French blue cheese that leaves behind its cheap perfume in a room with no ventilation. Death of the senses, birth of a soul. And there, on a sofa, begins and ends the story of two lost souls aimlessly meandering around like headless politicians clinging onto something they no longer have. (Dysfunctional penises, your time is up). And all that remains within these quietly suffocating walls of love and loss is the eerie stench of pain mixed in a ball of anger, confusion, and the feculent funk of French cheese.
0
May 29, 2016
May 29, 2016 at 6:51 PM UTC
RUSTY PILLARS AND CHEESE
There is a chance it was all in her mind. At first glance her essence would unwind dim secrets that dance until one goes blind: two worlds split, but only one confined. One world set free of frenzied things. Trapped in complete illusory strings, was the other world that’s dark and cold; too loveless to swirl in for any soul. Here, only shivers her heart would devise for a woman torn apart from her own demise; one incapable to love and for to care, as her silence above screamed, “Mommy wasn’t there.” Diving this sea of oblivion, our lady petitioned, unrequited love, one unconditioned, for all unloved and not cared for, who now searched only for a closed door. So, when our lady, flaming with passion, devoted her love in unlimited fashion, most were startled, some terror-stricken, by a truth their world had only forsaken. Two months passed, as a year of leap it was, the moon and stars and a twilight dusk, with prison bars transported our lady from one world - dark - into another. Maybe? In this new world, she was ONE with trees. The squirrels, too, knew how to please, her thoughts, perceptions, and degrees to which our lady accepted with ease. All seemed so real, yet unrealistic. A man she’d seen on TV, a mystic, with talent so broad and success, too, that our lady fell hard for him; yes. It’s true... A million fences disappeared upon entrance, for the one she found was pure as gold, not rugged, ***** or too old. He seemed to know more about our lady than the lady knew of herself, indeed. With love and precision this man could foresee that she is the one, and for her is he. But she knew nothing of this world so foreign, for the laws of the old world were creeping in; the chains that bound her left in storage and due in time for her soul to binge in emptiness and despair to shove, while her soul-mate stayed behind to love the eerie dismay of our lady’s eyes, which he knew even in disguise; they hurt, they feared, they gently skewed but now they bid him an adieu, for the world she’s from exists with things, these ugly, invisible things called “strings.”
0
May 22, 2016
May 22, 2016 at 10:33 PM UTC
FAUX-SEE STRINGS
There is a chance it was all in her mind. At first glance her essence would unwind dim secrets that dance until one goes blind: two worlds split, but only one confined. One world set free of frenzied things. Trapped in complete illusory strings, was the other world that’s dark and cold; too loveless to swirl in for any soul. Here, only shivers her heart would devise for a woman torn apart from her own demise; one incapable to love and for to care, as her silence above screamed, “Mommy wasn’t there.” Diving this sea of oblivion, our lady petitioned, unrequited love, one unconditioned, for all unloved and not cared for, who now searched only for a closed door. So, when our lady, flaming with passion, devoted her love in unlimited fashion, most were startled, some terror-stricken, by a truth their world had only forsaken. Two months passed, as a year of leap it was, the moon and stars and a twilight dusk, with prison bars transported our lady from one world - dark - into another. Maybe? In this new world, she was ONE with trees. The squirrels, too, knew how to please, her thoughts, perceptions, and degrees to which our lady accepted with ease. All seemed so real, yet unrealistic. A man she’d seen on TV, a mystic, with talent so broad and success, too, that our lady fell hard for him; yes. It’s true... A million fences disappeared upon entrance, for the one she found was pure as gold, not rugged, ***** or too old. He seemed to know more about our lady than the lady knew of herself, indeed. With love and precision this man could foresee that she is the one, and for her is he. But she knew nothing of this world so foreign, for the laws of the old world were creeping in; the chains that bound her left in storage and due in time for her soul to binge in emptiness and despair to shove, while her soul-mate stayed behind to love the eerie dismay of our lady’s eyes, which he knew even in disguise; they hurt, they feared, they gently skewed but now they bid him an adieu, for the world she’s from exists with things, these ugly, invisible things called “strings.”
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87
I drafted a list of films. That’s all. ‘The Age of Innocence’ was nothing more than a journey on a ‘House Boat’ for a few ‘Pirates Of The Caribbean’ embarking ‘East of Eden’ in search of ‘The Secret in Their Eyes.’ But all they encountered on this ‘Road to Perdition’ was ‘The Birdcage’ specially made for the ‘Lord of The Rings’ and anyone else willing to decipher the written code inside it. ‘Nine Months’ passed and the captain found that ‘The Notebook’ of old ‘Umberto D,' as it turns out, was a text written in Italian, not in broken English. The captain was ‘Lost in Translation’ when he assumed it was written by ‘The Great Dictator’ who was behind the wheel of the ‘Titanic’ the night it sank. While this was ‘As Good As it Gets,’ ‘The Talented Mr. Ripley’ was suddenly ‘In The Mood For Love’ when another pirate translated the letters of Umberto. The captain remembered himself in a ‘Wonderful Life’ as a ‘Cast Away’ entangled in the loopy, mystifying grips of ‘An Affair to Remember.’ It reminded him of his youthful tryst with ‘The Princess Bride’ whom he lost to his greatest nemesis, ‘Forrest Gump.’ ‘The Odd Couple’ ‘Departed’ as the captain, out of envy, took the lives of Gump, his woman, as well as ‘The Lives of Others.’ Now, all the captain was left with was the haunting memory of a true beauty’s ‘Persuasion’ of an empty man whose love was trapped like ‘Beetlejuice’ in the ‘Brokeback Mountain’ of his own wicked heart. The captain failed to realize that Umberto had addressed the letter to his lost dog, Flike. ‘Analyze This.’ ‘Analyze That.’
0
May 17, 2016
May 17, 2016 at 3:09 PM UTC
LOVE AND OPTIMISM
I drafted a list of films. That’s all. ‘The Age of Innocence’ was nothing more than a journey on a ‘House Boat’ for a few ‘Pirates Of The Caribbean’ embarking ‘East of Eden’ in search of ‘The Secret in Their Eyes.’ But all they encountered on this ‘Road to Perdition’ was ‘The Birdcage’ specially made for the ‘Lord of The Rings’ and anyone else willing to decipher the written code inside it. ‘Nine Months’ passed and the captain found that ‘The Notebook’ of old ‘Umberto D,' as it turns out, was a text written in Italian, not in broken English. The captain was ‘Lost in Translation’ when he assumed it was written by ‘The Great Dictator’ who was behind the wheel of the ‘Titanic’ the night it sank. While this was ‘As Good As it Gets,’ ‘The Talented Mr. Ripley’ was suddenly ‘In The Mood For Love’ when another pirate translated the letters of Umberto. The captain remembered himself in a ‘Wonderful Life’ as a ‘Cast Away’ entangled in the loopy, mystifying grips of ‘An Affair to Remember.’ It reminded him of his youthful tryst with ‘The Princess Bride’ whom he lost to his greatest nemesis, ‘Forrest Gump.’ ‘The Odd Couple’ ‘Departed’ as the captain, out of envy, took the lives of Gump, his woman, as well as ‘The Lives of Others.’ Now, all the captain was left with was the haunting memory of a true beauty’s ‘Persuasion’ of an empty man whose love was trapped like ‘Beetlejuice’ in the ‘Brokeback Mountain’ of his own wicked heart. The captain failed to realize that Umberto had addressed the letter to his lost dog, Flike. ‘Analyze This.’ ‘Analyze That.’
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44
Many are stupefied by utopic love. Each aside they unwisely shove The one made for them with divine care; But one lover is astute, the other ensnared. But, to devise a plan to speak Of the fervor in their hearts (not meek) Would mean to usher all aside One’s vulnerability, fear, and pride. First time around, most subtly, Interest expressed, transcendently, And shatters a transparent door, While these two strangers are strangers no more. 
 Then: The slightest step towards her heart is taken; She quickly retracts, he quickly mistaken. She thinks: “I’ve grown tired of being jaded. My loud wits and dreams have faded, Far along the river waves, Saddened by these trees and shades! But there he stands, perfect and well. I...here...scared like hell, For I have never felt like this, Not even with a woman’s kiss.” He thinks: “What, exactly, have I done That she retreats, a fate undone? There! In her eyes, the heart’s edifice, Conjures true love’s precipice, But screams of the real demise Of past lovers: spears and lies.” In truth, her wits may sometimes offend, But with him she would most commend His charming smile, his virility, While he embraces her wholeheartedly. Thus, their imaginations painted beyond A sea of perfection, like a song, And marked a journey of these two Just for a moment, as most strangers do. But the stars have placed attraction laws For these two lovers and their flaws To come together, but not greet, For the devil binds them in defeat. So, a moment’s come, a moment’s passed For these two soulmates, amour-cast; The love she sought, the love he spoke Has come and gone. That’s all they wrote.
0
May 5, 2016
May 5, 2016 at 7:19 PM UTC
That's All She Wrote
Many are stupefied by utopic love. Each aside they unwisely shove The one made for them with divine care; But one lover is astute, the other ensnared. But, to devise a plan to speak Of the fervor in their hearts (not meek) Would mean to usher all aside One’s vulnerability, fear, and pride. First time around, most subtly, Interest expressed, transcendently, And shatters a transparent door, While these two strangers are strangers no more. 
 Then: The slightest step towards her heart is taken; She quickly retracts, he quickly mistaken. She thinks: “I’ve grown tired of being jaded. My loud wits and dreams have faded, Far along the river waves, Saddened by these trees and shades! But there he stands, perfect and well. I...here...scared like hell, For I have never felt like this, Not even with a woman’s kiss.” He thinks: “What, exactly, have I done That she retreats, a fate undone? There! In her eyes, the heart’s edifice, Conjures true love’s precipice, But screams of the real demise Of past lovers: spears and lies.” In truth, her wits may sometimes offend, But with him she would most commend His charming smile, his virility, While he embraces her wholeheartedly. Thus, their imaginations painted beyond A sea of perfection, like a song, And marked a journey of these two Just for a moment, as most strangers do. But the stars have placed attraction laws For these two lovers and their flaws To come together, but not greet, For the devil binds them in defeat. So, a moment’s come, a moment’s passed For these two soulmates, amour-cast; The love she sought, the love he spoke Has come and gone. That’s all they wrote.
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47
Time. Its mortally-invented meaning, feels powerfully un-theoretical when traveling to the past. And by “traveling,” I mean that outer body experience one endures during a moment of nostalgia. And by “experience,” I mean that outer body awareness that is sharply ignited by something unknown in the chest area; further manifested in the form of chilling goosebumps that are assumed to be ignited by the heart as it laments itself in an intangibly triangular form of love, emptiness, and pain -- two theoretically theoretical theories against one.
0
May 31, 2015
May 31, 2015 at 7:06 PM UTC
‘TIME and the Theoretically Theoretical Theories’
Some fools are born, conditioned by fate, And they, like all, still procreate. All useful knowledge flee their minds; Ignorance fulfill these swine. And while they swing and cheat for joys, The watchful eyes of their little boys Take a glance at what they see, And what they see is “a bigger me.” Their little girls, in company of dolls, On occasion foresee what befall On them, too, as they soon explore -- An impending battle of love and war. But then, there exists that little kid Whose *** and gender shall remain amid A cloud of quantum mystery; Their wisdom calls more urgently. And as this kid sees life unravel Along Lacanian stages of travel, Concerned are they with all fuss and mess, To which most adults do not confess. As one parent lacks all the care, The other lives a life unfair. In times of chaos and audacious cuss Dear, vengeful killer, Oedipus Consumes all facets of the mind Of the little kid who must confine All pain, and hatred, and all rage, Enough to place one in a cage, While free the bird whose wings to fly Have been broken off, now left to die; In part, by diabolical norms That invade a home in all shapes and forms. But the kid looks up at the two, Then whispers quietly, “I’m neither of you; Not the blinded one, on flight to reign, Nor the indebted one, too tied to pain." Nor does the kid ever dare to be A product passed politically: Ingrained in mind, in heart, and soul A subordinate being in a bowl That churns, and churns, and churns, and churns While glutenous ******** more they yearn. This ceaseless cycle leaves little choice For the ill-fated screaming voice, As a true language for them not made Because demonic beings must place a shade Over the stronger ones deprived Appraisal for their stronger minds. The kid, all this, can’t take to be As what they see they wish not to see. In this unbalanced Yin and Yang, The kid’s perception hits a bang: “The power lies within the one Who mostly governs with a gun. But, how can a human hurt their double, When love and passion are lesser trouble?" A fitting *** the kid cannot choose, As in every win each *** will lose. But slowly, as they come to be, The kid, society directs to see That to the right *** they must belong As "genitalia proves feelings wrong." This funny theory most credits Freud. But by collective viewpoints the kid’s annoyed: 'No good is said, no good is done For those who are all, but yet are none.' Great gender points makes Butler, Judith, While blind opponents seek to disprove her; They ink 'she is wrong within her stance!' That female unity will give rise to chance To an inclusion of the female word, And one that’s First...not second or third. The opposite, still out to bend The rules and laws, all to pretend That the other *** does not exist Because swollen egos must persist In rule, in art, in build, and biz: 'Fields where opposites lack all wiz.' The kid, in this silly world of theirs, Looks at all these foolish heirs Who bounce and shoot this gendered ball, While the kid stands back and laughs at all.
0
Nov 25, 2013
Nov 25, 2013 at 3:13 PM UTC
‘Genderful Travels of the Kid’
Some fools are born, conditioned by fate, And they, like all, still procreate. All useful knowledge flee their minds; Ignorance fulfill these swine. And while they swing and cheat for joys, The watchful eyes of their little boys Take a glance at what they see, And what they see is “a bigger me.” Their little girls, in company of dolls, On occasion foresee what befall On them, too, as they soon explore -- An impending battle of love and war. But then, there exists that little kid Whose *** and gender shall remain amid A cloud of quantum mystery; Their wisdom calls more urgently. And as this kid sees life unravel Along Lacanian stages of travel, Concerned are they with all fuss and mess, To which most adults do not confess. As one parent lacks all the care, The other lives a life unfair. In times of chaos and audacious cuss Dear, vengeful killer, Oedipus Consumes all facets of the mind Of the little kid who must confine All pain, and hatred, and all rage, Enough to place one in a cage, While free the bird whose wings to fly Have been broken off, now left to die; In part, by diabolical norms That invade a home in all shapes and forms. But the kid looks up at the two, Then whispers quietly, “I’m neither of you; Not the blinded one, on flight to reign, Nor the indebted one, too tied to pain." Nor does the kid ever dare to be A product passed politically: Ingrained in mind, in heart, and soul A subordinate being in a bowl That churns, and churns, and churns, and churns While glutenous ******** more they yearn. This ceaseless cycle leaves little choice For the ill-fated screaming voice, As a true language for them not made Because demonic beings must place a shade Over the stronger ones deprived Appraisal for their stronger minds. The kid, all this, can’t take to be As what they see they wish not to see. In this unbalanced Yin and Yang, The kid’s perception hits a bang: “The power lies within the one Who mostly governs with a gun. But, how can a human hurt their double, When love and passion are lesser trouble?" A fitting *** the kid cannot choose, As in every win each *** will lose. But slowly, as they come to be, The kid, society directs to see That to the right *** they must belong As "genitalia proves feelings wrong." This funny theory most credits Freud. But by collective viewpoints the kid’s annoyed: 'No good is said, no good is done For those who are all, but yet are none.' Great gender points makes Butler, Judith, While blind opponents seek to disprove her; They ink 'she is wrong within her stance!' That female unity will give rise to chance To an inclusion of the female word, And one that’s First...not second or third. The opposite, still out to bend The rules and laws, all to pretend That the other *** does not exist Because swollen egos must persist In rule, in art, in build, and biz: 'Fields where opposites lack all wiz.' The kid, in this silly world of theirs, Looks at all these foolish heirs Who bounce and shoot this gendered ball, While the kid stands back and laughs at all.
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82
Like a child enlightened by heightened curiosity, So is a native poet by poetic luminosity. A verse in sight and sound devoid of modern flair, For poetic convention the poet does not care. So, take this vague verse as one roaring rhyme, And take it as verbiage very overdue in time. Unjustly sunken voices the poet seeks to hear, Battling a torrent history...above, below, and near. This inquisitive writer infers a present too dismal, As around an angry sea lies an origin; abysmal. Rejecting fables history’s assassins inked true, The writer seeks fair chroniclers, but wreckage was their due. Sought is Illyria, a place far from here. Land said "not to exist," but its roots still reappear; Fabricated history most poets cannot fathom, Quelled grandiose splendor serves political stratum. Calling curious minds to ponder this heck of a theory, First, consider the writer's roots with impartial query. What the Illyrian believed in was a life well spent, Not man-led "guidance" begging cents to repent. Since Illyria’s rebel ship sailed onto history a fright, Shakespeare's pen amorously inked the 'Twelfth Night.’ Around Illyria’s outskirts sly mythology prevails. Modern Illyria’s pervasion of such mythology still fails. So, how does one interpret Illyria’s butchered will, As her Godless schism fibbing history faux fills? Her feeble-minded native is essentially to blame For their grand, deceptive role in the imperialist’s game. Brutal eradication of Illyria’s vocal reason Deem all native conspirators of ultimate treason. As the State buries the dissident's piercing wits, A treasonous dog barks, upon foreign command he ***** This wormlike betrayal, painted by his foreign master, Is an art to be repeated in future governing disaster. In the European south roam these bad hounds of species, Anatomical sketches of Europe's rear excreting feces. A pile all imperialists eject with laxative ease, A pile all imperialists still smear as they please. Above Illyrian graves (those below made to inspire) The ***** dog dances, blind to his own fate in fire. This ****** work of art, not a site for you and eye, Is an emblematic governance gagging an eerie cry. As today’s political pawns (in corruption they engage), Illyria’s distinctive scions remain fools on a stage. Our bodies dance and sway like silly puppets at play, Our minds confined to idiocy as the socialist's prey. So,  a poet's jingle jangle on probing minds they should linger, As besought are worthy scions who must leave behind a "finger."
0
Nov 10, 2013
Nov 10, 2013 at 7:14 PM UTC
'Illyria, My Illyria'
Like a child enlightened by heightened curiosity, So is a native poet by poetic luminosity. A verse in sight and sound devoid of modern flair, For poetic convention the poet does not care. So, take this vague verse as one roaring rhyme, And take it as verbiage very overdue in time. Unjustly sunken voices the poet seeks to hear, Battling a torrent history...above, below, and near. This inquisitive writer infers a present too dismal, As around an angry sea lies an origin; abysmal. Rejecting fables history’s assassins inked true, The writer seeks fair chroniclers, but wreckage was their due. Sought is Illyria, a place far from here. Land said "not to exist," but its roots still reappear; Fabricated history most poets cannot fathom, Quelled grandiose splendor serves political stratum. Calling curious minds to ponder this heck of a theory, First, consider the writer's roots with impartial query. What the Illyrian believed in was a life well spent, Not man-led "guidance" begging cents to repent. Since Illyria’s rebel ship sailed onto history a fright, Shakespeare's pen amorously inked the 'Twelfth Night.’ Around Illyria’s outskirts sly mythology prevails. Modern Illyria’s pervasion of such mythology still fails. So, how does one interpret Illyria’s butchered will, As her Godless schism fibbing history faux fills? Her feeble-minded native is essentially to blame For their grand, deceptive role in the imperialist’s game. Brutal eradication of Illyria’s vocal reason Deem all native conspirators of ultimate treason. As the State buries the dissident's piercing wits, A treasonous dog barks, upon foreign command he ***** This wormlike betrayal, painted by his foreign master, Is an art to be repeated in future governing disaster. In the European south roam these bad hounds of species, Anatomical sketches of Europe's rear excreting feces. A pile all imperialists eject with laxative ease, A pile all imperialists still smear as they please. Above Illyrian graves (those below made to inspire) The ***** dog dances, blind to his own fate in fire. This ****** work of art, not a site for you and eye, Is an emblematic governance gagging an eerie cry. As today’s political pawns (in corruption they engage), Illyria’s distinctive scions remain fools on a stage. Our bodies dance and sway like silly puppets at play, Our minds confined to idiocy as the socialist's prey. So,  a poet's jingle jangle on probing minds they should linger, As besought are worthy scions who must leave behind a "finger."
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48
You should hear Her speak of the time When love had struck Her, left Her blind; The intuition in Her breast Was left ignored with just one request: “Please, love with care (with no hate); This may prepare you for your fate.” Then, a One-Eyed-Monster dared to peep At this starry-eyed Girl with a soul still asleep. The Monster's nature, as it strove with pleasure, Pleased Its infinite fervor, which nothing could measure, As It Schemed, and found, and mostly destroyed Her love-struck spirit that It yearned to employ. These reckless hits made by this Daring Dart, Un-mended the Girl from Rosebud to Heart. Not believing all the Monster said, The Girl sought the truth, but found it with dread. Upon seeing this Monster's very bright colors, She drowned in sorrow, but refused another Hit by this Dart, as It still carelessly slaughters Other Hearts, like Its future Daughter’s.   And then came a time, much later in life, When the Girl understood love’s unending strife. Many One-Eyed-Monsters, She now bears in mind, Aspire to love, but still cannot find The passion They hunt for and ache to sway, Because they zip Themselves up when love comes Their way. Confusion They feel, and this does not die; But, what can They see with only one eye? These perilous passings on love’s sojourn The Girl does not dwell on, nor does She mourn. Instead, She has found new ways to see Love’s ultimate beauty, unexpectedly: A journey enGENDERED with Ladies of taste, Where only Her own *** can love back without hate.
0
Oct 10, 2013
Oct 10, 2013 at 3:49 PM UTC
'Of Love'
You should hear Her speak of the time When love had struck Her, left Her blind; The intuition in Her breast Was left ignored with just one request: “Please, love with care (with no hate); This may prepare you for your fate.” Then, a One-Eyed-Monster dared to peep At this starry-eyed Girl with a soul still asleep. The Monster's nature, as it strove with pleasure, Pleased Its infinite fervor, which nothing could measure, As It Schemed, and found, and mostly destroyed Her love-struck spirit that It yearned to employ. These reckless hits made by this Daring Dart, Un-mended the Girl from Rosebud to Heart. Not believing all the Monster said, The Girl sought the truth, but found it with dread. Upon seeing this Monster's very bright colors, She drowned in sorrow, but refused another Hit by this Dart, as It still carelessly slaughters Other Hearts, like Its future Daughter’s.   And then came a time, much later in life, When the Girl understood love’s unending strife. Many One-Eyed-Monsters, She now bears in mind, Aspire to love, but still cannot find The passion They hunt for and ache to sway, Because they zip Themselves up when love comes Their way. Confusion They feel, and this does not die; But, what can They see with only one eye? These perilous passings on love’s sojourn The Girl does not dwell on, nor does She mourn. Instead, She has found new ways to see Love’s ultimate beauty, unexpectedly: A journey enGENDERED with Ladies of taste, Where only Her own *** can love back without hate.
Continue reading...
34